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Views from the Choir Loft

PDF Download • USCCB Specifically Endorses “A Hymn Plus the Introit” during Opening Procession at Mass (Incl. Documentation)

Jeff Ostrowski · September 21, 2026

HOSE WHO LOVE a particular subject—in the way our readers love CARMEN GREGORIANUM—must be forgiven for their obsession with this topic. But we need to be careful, lest our deep passion frighten away priests and bishops who would otherwise be supporters of our cause. Perhaps an example will illustrate what I’m getting at. This coming Sunday’s ENTRANCE CHANT has an interesting discrepancy, here set forth in a PDF chart. Notice how some editions of the Graduale Romanum have “In nómine Jesu” whereas other editions have “In nómine Dómini.” Naturally, where syllables differ in number, the melody must bend to accommodate them.

Here’s the direct URL link.

[I strongly urge each one of you to go download the PDF score and keyboard accompaniment posted at the flourishing feasts website.]

Plainsong Prudence • Regarding the discrepancy this Sunday, let’s keep that to ourselves. While we find it fascinating, it’s a bit esoteric (i.e. ‘boring’) for many Catholics! The last thing we want to do is leave the impression that CARMEN GREGORIANUM is dull.

(1 of 3) Introit + Hymn • Following the Second Vatican Council, respect for the Sacred Scriptures waned. The council fathers did not intend to diminish Catholic reverence for Sacred Scripture; but diminish it did, in the years that followed. Because the Propria Missae are usually taken verbatim from Sacred Scripture, they “had to go” in the eyes of certain radical reformers. In the year 2026, each music director must decide which ‘hills’ they wish to die upon. I can only speak for myself.

(2 of 3) Introit + Hymn • For many years, Mr. Jeffrey Tucker edited SACRED MUSIC, the quarterly journal of the Church Music Association of America. In 2012, he posted documentation from the USCCB reminding everyone a hymn can be sung in addition to the ENTRANCE CHANT prescribed for each Sunday. One thing I will never consent to do is to sing the ENTRANCE CHANT before Mass begins. Priests ‘of a certain generation’ seem to hate the decrees of Vatican II, and agree to 1% of it only begrudgingly. For example, some will say to their musician:

“I know Vatican II said GREGORIAN CHANT must have pride of place, so I will allow you to sing the Introit—but only before Mass begins.”

(3 of 3) Introit + Hymn • Singing the INTROIT before Mass begins sends a message. It communicates to the congregation that the INTROIT isn’t really part of the Mass. It conveys powerfully to the people that the INTROIT is somehow ‘superfluous’ or extra. If a priest told me to sing the INTROIT before Mass begins, I would consent only on the condition that he agrees to preach his homily in the parking lot after Mass, as the people are getting into their cars to go home. 1

Conclusion • Colleagues of mine (whom I respect) take a different view. I can only speak for myself.

Key words: “PDF Download • Entrance Chant in English — 26th Sunday in Ordinary Time (Year A)”

1 At least there’s a tradition for preaching the homily before or after Mass (especially in “mission” countries like Australia and the United States). Indeed, during a REQUIEM Mass, the homily is supposed to be preached after the Mass. But there is no tradition for singing the INTROIT before Mass begins—and each Mass takes its name from the INTROIT: Laetare Sunday; Gaudete Sunday; Quasimodo Sunday; and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: October 12, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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