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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for 9 November

Jeff Ostrowski · November 8, 2025

VEN IF SOMEONE commits sin in an isolated and remote forest, it doesn’t matter. God sees everything. Whether one’s work ends up popular makes no difference (ultimately) so long as the work was offered to God. It’s important to make the Sign of the Cross frequently, offering one’s day to God over and over again, and remembering we’ll be held accountable for how we spend every moment of our life. That being said, it can be frustrating to see valuable church projects overlooked. And it can be exceedingly frustrating to see music of inferior quality promoted by those who know better.

9 November Chart • Those who came together to produce the Brébeuf Catholic Hymnal spent more than half a decade in the ‘research’ phase. Countless comparison charts were drawn up, especially of English translations for ancient Latin hymns. I was recently granted permission from SOPHIA INSTITUTE PRESS to share with our readers an example of one of these charts. It is for the Vespers Hymn for 9 November (Dedication of the Lateran Basilica):

*  PDF Download • COMPARISON CHART—[20 versions]
—“Cæléstis urbs Jerúsalem” and “Urbs Jerúsalem beáta.”

Examining that chart will give one a tiny inkling of the immense research required before the Brébeuf Hymnal went to print.

Music List • Readers have expressed interest in examining the “music list” I prepared for this coming Sunday. The COMMUNION is particularly beautiful, as it contains verses from Urbs Jerúsalem Beáta. Specifically, it refers to Christians who get to heaven as ‘living stones’ of Jerusalem: “Stones hewn by the chisel and polished by the countless blows of the Divine Master form this edifice.”

*  PDF Download • MUSIC LIST (9 Nov.)

Terríbilis Est Lócus • The mansion of the LATERANI at Rome was the popes’ residence for a thousand years. The church there is still Rome’s cathedral church—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “Saint John Lateran” owing to its famous baptistery of Saint John the Baptist. The pope’s ‘cathedra’ (episcopal chair) stands in the apse. The feast basically reminds us that a Catholic Church is unlike any other place, since inside it the SECOND PERSON OF THE BLESSED TRINITY becomes present.

Additional Titles for this feast:

Die 9 novembris • In Dedicatione Basilicae Lateranensis
Dedicatio Basilicae Lateranensis, 9 novembris
Die 9 novembris • In Dedicatione Archbasilicae Sanctissimi Salvatoris
The Dedication of the Archbasilica of Our Holy Savior
In Dedicatione Basilicæ Ss. Salvatoris
November 9 • Dedication of the Church of our Savior
Dedication of Our Savior’s Church

Older liturgical books—such as Catholic Almanac & Laity’s Directory (Baltimore)—call it: “Dedication of St. Saviour’s.” We recall that “saint” means holy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 9 November Dedication of Saint John Lateran, Dedicatio Basilicae Lateranensis 9 novembris, Dedication of the Lateran Basilica, In Dedicatione Basilicae Lateranensis, Urbs Jerúsalem beáta Last Updated: November 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

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  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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