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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for 9 November

Jeff Ostrowski · November 8, 2025

VEN IF SOMEONE commits sin in an isolated and remote forest, it doesn’t matter. God sees everything. Whether one’s work ends up popular makes no difference (ultimately) so long as the work was offered to God. It’s important to make the Sign of the Cross frequently, offering one’s day to God over and over again, and remembering we’ll be held accountable for how we spend every moment of our life. That being said, it can be frustrating to see valuable church projects overlooked. And it can be exceedingly frustrating to see music of inferior quality promoted by those who know better.

9 November Chart • Those who came together to produce the Brébeuf Catholic Hymnal spent more than half a decade in the ‘research’ phase. Countless comparison charts were drawn up, especially of English translations for ancient Latin hymns. I was recently granted permission from SOPHIA INSTITUTE PRESS to share with our readers an example of one of these charts. It is for the Vespers Hymn for 9 November (Dedication of the Lateran Basilica):

*  PDF Download • COMPARISON CHART—[20 versions]
—“Cæléstis urbs Jerúsalem” and “Urbs Jerúsalem beáta.”

Examining that chart will give one a tiny inkling of the immense research required before the Brébeuf Hymnal went to print.

Music List • Readers have expressed interest in examining the “music list” I prepared for this coming Sunday. The COMMUNION is particularly beautiful, as it contains verses from Urbs Jerúsalem Beáta. Specifically, it refers to Christians who get to heaven as ‘living stones’ of Jerusalem: “Stones hewn by the chisel and polished by the countless blows of the Divine Master form this edifice.”

*  PDF Download • MUSIC LIST (9 Nov.)

Terríbilis Est Lócus • The mansion of the LATERANI at Rome was the popes’ residence for a thousand years. The church there is still Rome’s cathedral church—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “Saint John Lateran” owing to its famous baptistery of Saint John the Baptist. The pope’s ‘cathedra’ (episcopal chair) stands in the apse. The feast basically reminds us that a Catholic Church is unlike any other place, since inside it the SECOND PERSON OF THE BLESSED TRINITY becomes present.

Additional Titles for this feast:

Die 9 novembris • In Dedicatione Basilicae Lateranensis
Dedicatio Basilicae Lateranensis, 9 novembris
Die 9 novembris • In Dedicatione Archbasilicae Sanctissimi Salvatoris
The Dedication of the Archbasilica of Our Holy Savior
In Dedicatione Basilicæ Ss. Salvatoris
November 9 • Dedication of the Church of our Savior
Dedication of Our Savior’s Church

Older liturgical books—such as Catholic Almanac & Laity’s Directory (Baltimore)—call it: “Dedication of St. Saviour’s.” We recall that “saint” means holy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 9 November Dedication of Saint John Lateran, Dedicatio Basilicae Lateranensis 9 novembris, Dedication of the Lateran Basilica, In Dedicatione Basilicae Lateranensis, Urbs Jerúsalem beáta Last Updated: November 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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