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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2025

Jeff Ostrowski · October 31, 2025

“Music List” • All Souls (2 November)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · October 29, 2025

2-Voice Arr. • “Creator of the Starry Height”

Over the centuries, this ancient him became associated with the season of Advent.

Veronica Moreno · October 29, 2025

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

“Although it’s not a lengthy piece, it uses techniques which singers love: canon, pedal tones, memorable tunes, etc.” —Veronica Moreno

Jeff Ostrowski · October 29, 2025

“Equal Voices” Choir Pieces

Including a setting of the “Ave Maria” and “Tantum Ergo.”

Mark Haas · October 28, 2025

A Practical Method of Projecting Solfege for Chant

“The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes.”

Corrinne May · October 27, 2025

PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

‘Outstanding choral repertoire for men’s voices is more precious than gold.’ —Corrinne May

Jeff Ostrowski · October 25, 2025

Typo in the “Missale Romanum” (1962)

Father Valentine Young, OFM, pointed out many errors and typos in the 1962 Missal.

Jeff Ostrowski · October 24, 2025

“Music List” • 30th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · October 24, 2025

“Our Father” • Musical Setting?

Do any readers speak German?

Jeff Ostrowski · October 24, 2025

Little Encouragement?

Have you read the parable about the 10 lepers?

Christopher Mueller · October 23, 2025

Children’s Repertoire • Mueller’s Recommendations

Further thoughts about children’s choirs…

Jeff Ostrowski · October 22, 2025

PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

This 4-page ‘insert’ contains the seasonal Marian antiphons and various settings of the “Kýrie” my parish will be learning.

Jeff Ostrowski · October 21, 2025

False Accusations

Even if the accusation is false, we tend to think of that person—forevermore—as “tainted” or “damaged goods.”

Jeff Ostrowski · October 20, 2025

(Part 2) • Did they simplify this hymn?

Looking through a (Roman Catholic) German hymnal printed in 1929…

Corpus Christi Watershed · October 20, 2025

PDF • “Lectionary Comparison Chart”

Such tinkering has gone on for 60+ years, and it’s reprehensible.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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