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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts ‘Live’ Recording

Jeff Ostrowski · August 26, 2025

ROWING UP in the 1990s, our rich suburban parish employed the normal ‘sacro-pop’ common in those days: Let Us Build A City Of God (Dan Schutte); Abba Father (Carey Landry); Like A Sunflower (Glory & Praise Hymnal); Sing Hey For The Carpenter (GIA PUBLICATIONS); Anthem (Tom Conry); Peace Is Flowing Like a River (Carey Landry); Let Us Be Bread (GIA PUBLICATIONS); Yahweh, I Know You Are Near (Dan Schutte); and so forth. In high school, I attended daily Mass, spent more time in prayer, and intensely studied the Catholic Faith. I came to realize something; and it changed my life. It dawned on me that if we really believe the SECOND PERSON OF THE BLESSED TRINITY becomes present during Mass—which every Catholic must—we will never sing goofy, effeminate, off-Broadway songs in the musical style of a toothpaste commercial or Disney movie.

Only Me • As I’ve made clear over and over, I’m only speaking for myself on this blog. I don’t speak for our contributors nor insist others adopt my views. But I believe it’s scandalous that the USCCB gave official approval to a setting based on “My Little Pony” which modifies the official text. I also feel it’s scandalous to use a Mass setting in which the composer admitted to mimicking the film Back To The Future (1985). Heretical lyrics no longer shock priests or bishops; indeed, a hymn from GIA PUBLICATIONS has the congregation sing: “We are each other’s bread and wine” (view screenshot).

Failed Career • The point of my career has been to attempt to demonstrate that ‘ordinary’ parishes need never resort to goofy, undignified, off-Broadway music. Has my career been a success or a failure? Have I helped people out there? Have I genuinely helped even one person? I really don’t know … but it’s a fight worth fighting, win or lose.

We Came Back • I wish you could hear the choir sing at my parish. The choral sounds they produce are so beautiful. It’s a refreshing delight to hear these volunteers! Unfortunately, microphones seldom reproduce choral sound accurately. Our choir returned to singing last Sunday. Nevertheless, I include (below) a few excerpts for curious minds. The choir consists 100% of volunteers, and when it comes to a particular young man, last Sunday was the 2nd time in his life he’s ever sung in a choir.

Fauxbourdon Communion • The distribution of Holy Communion takes a long time at our church, because it’s packed. Therefore, we normally utilize the “extra” psalm verses provided at the magnificent feasts website. By doing this, I can include our women singers. Here’s a Fauxbourdon excerpt from last Sunday:

Here’s the direct URL link.

Our women sang a beautiful Irish hymn: #770 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Sometimes we sing hymns in SATB without organ. Here is #27 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Hymnal, which I feel is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner who’s willing to debate this assertion over zoom. Today—26 August 2025—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony Last Updated: August 26, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Let the candle upon the reed be lighted, and let another candle be lighted at the same time, so that the candle upon the reed can be rekindled if it should chance to be blown out.”

— MS circa 1210 A.D. describing the Holy Saturday ‘Trident’

Recent Posts

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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