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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts ‘Live’ Recording

Jeff Ostrowski · August 26, 2025

ROWING UP in the 1990s, our rich suburban parish employed the normal ‘sacro-pop’ common in those days: Let Us Build A City Of God (Dan Schutte); Abba Father (Carey Landry); Like A Sunflower (Glory & Praise Hymnal); Sing Hey For The Carpenter (GIA PUBLICATIONS); Anthem (Tom Conry); Peace Is Flowing Like a River (Carey Landry); Let Us Be Bread (GIA PUBLICATIONS); Yahweh, I Know You Are Near (Dan Schutte); and so forth. In high school, I attended daily Mass, spent more time in prayer, and intensely studied the Catholic Faith. I came to realize something; and it changed my life. It dawned on me that if we really believe the SECOND PERSON OF THE BLESSED TRINITY becomes present during Mass—which every Catholic must—we will never sing goofy, effeminate, off-Broadway songs in the musical style of a toothpaste commercial or Disney movie.

Only Me • As I’ve made clear over and over, I’m only speaking for myself on this blog. I don’t speak for our contributors nor insist others adopt my views. But I believe it’s scandalous that the USCCB gave official approval to a setting based on “My Little Pony” which modifies the official text. I also feel it’s scandalous to use a Mass setting in which the composer admitted to mimicking the film Back To The Future (1985). Heretical lyrics no longer shock priests or bishops; indeed, a hymn from GIA PUBLICATIONS has the congregation sing: “We are each other’s bread and wine” (view screenshot).

Failed Career • The point of my career has been to attempt to demonstrate that ‘ordinary’ parishes need never resort to goofy, undignified, off-Broadway music. Has my career been a success or a failure? Have I helped people out there? Have I genuinely helped even one person? I really don’t know … but it’s a fight worth fighting, win or lose.

We Came Back • I wish you could hear the choir sing at my parish. The choral sounds they produce are so beautiful. It’s a refreshing delight to hear these volunteers! Unfortunately, microphones seldom reproduce choral sound accurately. Our choir returned to singing last Sunday. Nevertheless, I include (below) a few excerpts for curious minds. The choir consists 100% of volunteers, and when it comes to a particular young man, last Sunday was the 2nd time in his life he’s ever sung in a choir.

Fauxbourdon Communion • The distribution of Holy Communion takes a long time at our church, because it’s packed. Therefore, we normally utilize the “extra” psalm verses provided at the magnificent feasts website. By doing this, I can include our women singers. Here’s a Fauxbourdon excerpt from last Sunday:

Here’s the direct URL link.

Our women sang a beautiful Irish hymn: #770 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Sometimes we sing hymns in SATB without organ. Here is #27 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Hymnal, which I feel is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner who’s willing to debate this assertion over zoom. Today—26 August 2025—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony Last Updated: August 26, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

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  • PDF Download • Dom Murray Harmonies

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