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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts ‘Live’ Recording

Jeff Ostrowski · August 26, 2025

ROWING UP in the 1990s, our rich suburban parish employed the normal ‘sacro-pop’ common in those days: Let Us Build A City Of God (Dan Schutte); Abba Father (Carey Landry); Like A Sunflower (Glory & Praise Hymnal); Sing Hey For The Carpenter (GIA PUBLICATIONS); Anthem (Tom Conry); Peace Is Flowing Like a River (Carey Landry); Let Us Be Bread (GIA PUBLICATIONS); Yahweh, I Know You Are Near (Dan Schutte); and so forth. In high school, I attended daily Mass, spent more time in prayer, and intensely studied the Catholic Faith. I came to realize something; and it changed my life. It dawned on me that if we really believe the SECOND PERSON OF THE BLESSED TRINITY becomes present during Mass—which every Catholic must—we will never sing goofy, effeminate, off-Broadway songs in the musical style of a toothpaste commercial or Disney movie.

Only Me • As I’ve made clear over and over, I’m only speaking for myself on this blog. I don’t speak for our contributors nor insist others adopt my views. But I believe it’s scandalous that the USCCB gave official approval to a setting based on “My Little Pony” which modifies the official text. I also feel it’s scandalous to use a Mass setting in which the composer admitted to mimicking the film Back To The Future (1985). Heretical lyrics no longer shock priests or bishops; indeed, a hymn from GIA PUBLICATIONS has the congregation sing: “We are each other’s bread and wine” (view screenshot).

Failed Career • The point of my career has been to attempt to demonstrate that ‘ordinary’ parishes need never resort to goofy, undignified, off-Broadway music. Has my career been a success or a failure? Have I helped people out there? Have I genuinely helped even one person? I really don’t know … but it’s a fight worth fighting, win or lose.

We Came Back • I wish you could hear the choir sing at my parish. The choral sounds they produce are so beautiful. It’s a refreshing delight to hear these volunteers! Unfortunately, microphones seldom reproduce choral sound accurately. Our choir returned to singing last Sunday. Nevertheless, I include (below) a few excerpts for curious minds. The choir consists 100% of volunteers, and when it comes to a particular young man, last Sunday was the 2nd time in his life he’s ever sung in a choir.

Fauxbourdon Communion • The distribution of Holy Communion takes a long time at our church, because it’s packed. Therefore, we normally utilize the “extra” psalm verses provided at the magnificent feasts website. By doing this, I can include our women singers. Here’s a Fauxbourdon excerpt from last Sunday:

Here’s the direct URL link.

Our women sang a beautiful Irish hymn: #770 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Sometimes we sing hymns in SATB without organ. Here is #27 from the Brébeuf Catholic Hymnal:

Here’s the direct URL link.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Hymnal, which I feel is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner who’s willing to debate this assertion over zoom. Today—26 August 2025—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony Last Updated: August 26, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

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