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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Richard J. Clark · April 26, 2025

RECENT RELEASE from GIA Publications, Inc., Feast of Life features another of  my collaborations with hymn writer, composer, and organist, Alan. J. Hommerding. Feast of Life sets two Aquinas texts, both translated by Hommerding into in English: O Sacrum Convivium/O Great, Sacred Feast of Life and Ecce Panis Angelorum/Bread of Angels. With degrees in theology, theory, and music, Hommerding served as Senior Editor of World Library Publications. In 2019 he was awarded “Distinguished Catholic Music Composer of the Year” by the Association of Catholic Publishers.

** Feast of Life,  is available in print or PDF download here.

In the publication, Hommerding writes of his treatment of O Sacrum Convivium • O Great, Sacred Feast of Life: “…[T]he past (Christ’s Passion), present (our eucharistic celebration), and future (the heavenly banquet) dimensions of the sacrament are concisely presented. This translation is one I refer to as a ‘singing’ translation, in that its preservation of the syllable count/stress of the Latin text is an essential consideration, along with conveying the meaning of the text.”

Listen here to a recording conducted by Dr. Alfred Calabrese and sung by the Saint Rita Choir, Dallas Texas. (This was recorded during rehearsal. The St Rita Choir wears robes at Mass.)

 

Ecce Panis Angelorum • Bread of Angels: Of this text Hommerding writes: “Like many of the lengthier eucharistic texts of St. Thomas Aquinas, this one is a shorter excerpt from his Lauda, Sion Salvatorem, currently used as the Sequence on the Solemnity of the Most Holy Body and Blood of Christ…The words guide us to our “forever feasting,” when we will share this heavenly bread with the angels.

Listen here to a recording performed by the Boston Cathedral Singers, Cathedral of the Holy Cross, Boston

 

HERE IS another Hommerding / Clark collaboration, a concertato on Lift High the Cross, (also available with GIA here) Hommerding wrote two sets of verses for Triduum and Discipleship while retaining the original refrain by George W. Kitchin. This video s courtesy of The Catholic TV Network from the Chrism Mass (2024) at the Cathedral of the Holy Cross, Boston.

 

FINALLY, ENJOY THIS FREE download of Communion Antiphons for Ordinary Time  • 238 pages!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 26, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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