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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Richard J. Clark · April 26, 2025

RECENT RELEASE from GIA Publications, Inc., Feast of Life features another of  my collaborations with hymn writer, composer, and organist, Alan. J. Hommerding. Feast of Life sets two Aquinas texts, both translated by Hommerding into in English: O Sacrum Convivium/O Great, Sacred Feast of Life and Ecce Panis Angelorum/Bread of Angels. With degrees in theology, theory, and music, Hommerding served as Senior Editor of World Library Publications. In 2019 he was awarded “Distinguished Catholic Music Composer of the Year” by the Association of Catholic Publishers.

** Feast of Life,  is available in print or PDF download here.

In the publication, Hommerding writes of his treatment of O Sacrum Convivium • O Great, Sacred Feast of Life: “…[T]he past (Christ’s Passion), present (our eucharistic celebration), and future (the heavenly banquet) dimensions of the sacrament are concisely presented. This translation is one I refer to as a ‘singing’ translation, in that its preservation of the syllable count/stress of the Latin text is an essential consideration, along with conveying the meaning of the text.”

Listen here to a recording conducted by Dr. Alfred Calabrese and sung by the Saint Rita Choir, Dallas Texas. (This was recorded during rehearsal. The St Rita Choir wears robes at Mass.)

 

Ecce Panis Angelorum • Bread of Angels: Of this text Hommerding writes: “Like many of the lengthier eucharistic texts of St. Thomas Aquinas, this one is a shorter excerpt from his Lauda, Sion Salvatorem, currently used as the Sequence on the Solemnity of the Most Holy Body and Blood of Christ…The words guide us to our “forever feasting,” when we will share this heavenly bread with the angels.

Listen here to a recording performed by the Boston Cathedral Singers, Cathedral of the Holy Cross, Boston

 

HERE IS another Hommerding / Clark collaboration, a concertato on Lift High the Cross, (also available with GIA here) Hommerding wrote two sets of verses for Triduum and Discipleship while retaining the original refrain by George W. Kitchin. This video s courtesy of The Catholic TV Network from the Chrism Mass (2024) at the Cathedral of the Holy Cross, Boston.

 

FINALLY, ENJOY THIS FREE download of Communion Antiphons for Ordinary Time  • 238 pages!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 26, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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