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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Richard J. Clark · April 26, 2025

RECENT RELEASE from GIA Publications, Inc., Feast of Life features another of  my collaborations with hymn writer, composer, and organist, Alan. J. Hommerding. Feast of Life sets two Aquinas texts, both translated by Hommerding into in English: O Sacrum Convivium/O Great, Sacred Feast of Life and Ecce Panis Angelorum/Bread of Angels. With degrees in theology, theory, and music, Hommerding served as Senior Editor of World Library Publications. In 2019 he was awarded “Distinguished Catholic Music Composer of the Year” by the Association of Catholic Publishers.

** Feast of Life,  is available in print or PDF download here.

In the publication, Hommerding writes of his treatment of O Sacrum Convivium • O Great, Sacred Feast of Life: “…[T]he past (Christ’s Passion), present (our eucharistic celebration), and future (the heavenly banquet) dimensions of the sacrament are concisely presented. This translation is one I refer to as a ‘singing’ translation, in that its preservation of the syllable count/stress of the Latin text is an essential consideration, along with conveying the meaning of the text.”

Listen here to a recording conducted by Dr. Alfred Calabrese and sung by the Saint Rita Choir, Dallas Texas. (This was recorded during rehearsal. The St Rita Choir wears robes at Mass.)

 

Ecce Panis Angelorum • Bread of Angels: Of this text Hommerding writes: “Like many of the lengthier eucharistic texts of St. Thomas Aquinas, this one is a shorter excerpt from his Lauda, Sion Salvatorem, currently used as the Sequence on the Solemnity of the Most Holy Body and Blood of Christ…The words guide us to our “forever feasting,” when we will share this heavenly bread with the angels.

Listen here to a recording performed by the Boston Cathedral Singers, Cathedral of the Holy Cross, Boston

 

HERE IS another Hommerding / Clark collaboration, a concertato on Lift High the Cross, (also available with GIA here) Hommerding wrote two sets of verses for Triduum and Discipleship while retaining the original refrain by George W. Kitchin. This video s courtesy of The Catholic TV Network from the Chrism Mass (2024) at the Cathedral of the Holy Cross, Boston.

 

FINALLY, ENJOY THIS FREE download of Communion Antiphons for Ordinary Time  • 238 pages!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 26, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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