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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Richard J. Clark · April 26, 2025

RECENT RELEASE from GIA Publications, Inc., Feast of Life features another of  my collaborations with hymn writer, composer, and organist, Alan. J. Hommerding. Feast of Life sets two Aquinas texts, both translated by Hommerding into in English: O Sacrum Convivium/O Great, Sacred Feast of Life and Ecce Panis Angelorum/Bread of Angels. With degrees in theology, theory, and music, Hommerding served as Senior Editor of World Library Publications. In 2019 he was awarded “Distinguished Catholic Music Composer of the Year” by the Association of Catholic Publishers.

** Feast of Life,  is available in print or PDF download here.

In the publication, Hommerding writes of his treatment of O Sacrum Convivium • O Great, Sacred Feast of Life: “…[T]he past (Christ’s Passion), present (our eucharistic celebration), and future (the heavenly banquet) dimensions of the sacrament are concisely presented. This translation is one I refer to as a ‘singing’ translation, in that its preservation of the syllable count/stress of the Latin text is an essential consideration, along with conveying the meaning of the text.”

Listen here to a recording conducted by Dr. Alfred Calabrese and sung by the Saint Rita Choir, Dallas Texas. (This was recorded during rehearsal. The St Rita Choir wears robes at Mass.)

 

Ecce Panis Angelorum • Bread of Angels: Of this text Hommerding writes: “Like many of the lengthier eucharistic texts of St. Thomas Aquinas, this one is a shorter excerpt from his Lauda, Sion Salvatorem, currently used as the Sequence on the Solemnity of the Most Holy Body and Blood of Christ…The words guide us to our “forever feasting,” when we will share this heavenly bread with the angels.

Listen here to a recording performed by the Boston Cathedral Singers, Cathedral of the Holy Cross, Boston

 

HERE IS another Hommerding / Clark collaboration, a concertato on Lift High the Cross, (also available with GIA here) Hommerding wrote two sets of verses for Triduum and Discipleship while retaining the original refrain by George W. Kitchin. This video s courtesy of The Catholic TV Network from the Chrism Mass (2024) at the Cathedral of the Holy Cross, Boston.

 

FINALLY, ENJOY THIS FREE download of Communion Antiphons for Ordinary Time  • 238 pages!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 26, 2025

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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