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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Regarding “Pay-To-Pray” + Lectionary Errors

Jeff Ostrowski · March 31, 2025

HERE ARE TWO major problems with the Pay-To-Pray approach adopted after Vatican II.1 First of all, selling indulgenced prayers is immoral. Remember that the USCCB—as well as the various shell corporations it uses to collect the lucre—isn’t selling physical books. Rather, it claims to own the substance (!) of the readings, prayers, and acclamations. For several years, I served on the faculty of the annual CMAA colloquium. One year, a lengthy presentation was given by an ICEL executive who explained that his organization gave a portion of their profits to Catholics in poor countries. After the talk, one of the CMAA people said to me: “It’s nice to hear they’re using some of the money for a good cause—but they shouldn’t be collecting it in the first place.” He was absolutely correct. (The same is true of bank robbers who donate some of their loot to the poor; they don’t ‘absolve’ their robbery thereby.) Those prayers and readings are needed by Catholics to celebrate Mass. Selling them is immoral, and those responsible are obligated to make restitution. But how will they make restitution after raking in millions of dollars for sixty years?

Issue #2 • But there’s still another problem. The effort to make money off of these sacred texts resulted in deals being struck “behind closed doors.” Many decisions—even those with monumental consequences—were made in secret. Because so many decisions were made covertly, many errors crept in. Had things been done out in the open, such errors would have been noticed and corrected by “crowd sourcing.” Believe it or not, companies which attempted to correct errors were threatened with lawsuits. (I personally know several of these publishers and have seen the physical letters sent to them.) Consider the Responsorial Psalm for the 20th Sunday in Ordinary Time, Year B. There’s nothing confusing about its verses:

*  PDF • Official Text (20th Ord. B)

The 1970s version of the LECTIONARY printed the verses correctly, as you can see:

*  PDF • PREVIOUS LECTIONARY (20th Ord. B)

But in 1998, the LECTIONARY was “revised.” (Contradictory reasons have been given to justify this revision.) Many errors crept in—and you can see they totally botched the verses:

*  PDF • CURRENT LECTIONARY (20th Ord. B)

British Are Safe • American companies attempting to correct such errors were threatened with lawsuits. (For the record, an expert in these matters told me the USCCB would never actually file a lawsuit, because during the “discovery” phase its various shell corporations would be forced to disclose their profits.) However, as you can see the British versions were free to print the correct verses in their version of the LECTIONARY.

Still Broken • The version below is the (allegedly-forthcoming) The Abbey Psalms & Canticles which—in various iterations—has been “close to release” for almost two decades. You can see that twenty-seven (27) years after the LECTIONARY 1998 revision this psalm still hasn’t been fixed:

*  PDF • ABBEY PSALMS AND CANTICLES (20th Ord. B)

Unanswered Questions:

Lack Of Transparency • How long will the faithful tolerate this situation? Catholics pay all the bills through their tithes, including the widow’s mite. Why haven’t they demanded to see—immediately—the total amount of royalties which the USCCB and its shell corporations have “earned” by selling the sacred prayers and readings for Mass? Furthermore, why don’t Catholics demand that OREGON CATHOLIC PRESS, which claims to be a non-profit organization, immediately explain why it claims $53,459,465.00 in assets but only reported $27,152 in salaries and wages during 2016? That’s not even enough salary for one person; is everyone who works at OCP a volunteer? Does that seem likely? It seems bizarre to me. (I’m just being honest.)

Intolerable Situation • Why are the sacred Mass prayers and readings being sold at all? Why do Catholic companies which desire to make corrections get threatened with legal action? Some of the errors are quite serious. For example, consider the Easter Vigil:

*  PDF • OFFICIAL LATIN TEXT (Holy Saturday)

But the 1998 “revision” of the LECTIONARY got things completely wrong—literally 100% backwards. The so-called Abbey Psalms & Canticles reproduces the error from 1998:

*  PDF • ABBEY PSALMS AND CANTICLES (Holy Saturday)

What possible good could come from allowing certain corporations to make a profit by selling our sacred Mass prayers and readings? Was the person who gave total control over the entire psalter (!) to a non-Christian company ever reprimanded? What is the reason for all this secrecy? Am I the only one who cares about this? I hope you will let me know your thoughts.

1 Jeffrey Tucker, former managing editor for the Church Music Association of America, publicly declared the USCCB’s actions “simony”—and it would be difficult to argue with his characterization. Back in 2008, Jeffrey Tucker desperately begged and pleaded with the USCCB not to allow a non-Christian company to administer the copyright for the mandated psalter used by Catholics in the United States. His urgent plea was ignored. Recently, Michael Hichborn’s revelations about GIA PUBLICATIONS show the situation was even more scandalous than Jeffrey Tucker realized.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, Dr Jerry Galipeau WLP, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Lectionary Error Typo, New Lectionary Edition USA, Novus Ordo Lectionary Reform, Oregon Catholic Press Last Updated: April 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

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  • “Reminder” — Month of October (2025)

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