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Views from the Choir Loft

Regarding “Pay-To-Pray” + Lectionary Errors

Jeff Ostrowski · March 31, 2025

HERE ARE TWO major problems with the Pay-To-Pray approach adopted after Vatican II.1 First of all, selling indulgenced prayers is immoral. Remember that the USCCB—as well as the various shell corporations it uses to collect the lucre—isn’t selling physical books. Rather, it claims to own the substance (!) of the readings, prayers, and acclamations. For several years, I served on the faculty of the annual CMAA colloquium. One year, a lengthy presentation was given by an ICEL executive who explained that his organization gave a portion of their profits to Catholics in poor countries. After the talk, one of the CMAA people said to me: “It’s nice to hear they’re using some of the money for a good cause—but they shouldn’t be collecting it in the first place.” He was absolutely correct. (The same is true of bank robbers who donate some of their loot to the poor; they don’t ‘absolve’ their robbery thereby.) Those prayers and readings are needed by Catholics to celebrate Mass. Selling them is immoral, and those responsible are obligated to make restitution. But how will they make restitution after raking in millions of dollars for sixty years?

Issue #2 • But there’s still another problem. The effort to make money off of these sacred texts resulted in deals being struck “behind closed doors.” Many decisions—even those with monumental consequences—were made in secret. Because so many decisions were made covertly, many errors crept in. Had things been done out in the open, such errors would have been noticed and corrected by “crowd sourcing.” Believe it or not, companies which attempted to correct errors were threatened with lawsuits. (I personally know several of these publishers and have seen the physical letters sent to them.) Consider the Responsorial Psalm for the 20th Sunday in Ordinary Time, Year B. There’s nothing confusing about its verses:

*  PDF • Official Text (20th Ord. B)

The 1970s version of the LECTIONARY printed the verses correctly, as you can see:

*  PDF • PREVIOUS LECTIONARY (20th Ord. B)

But in 1998, the LECTIONARY was “revised.” (Contradictory reasons have been given to justify this revision.) Many errors crept in—and you can see they totally botched the verses:

*  PDF • CURRENT LECTIONARY (20th Ord. B)

British Are Safe • American companies attempting to correct such errors were threatened with lawsuits. (For the record, an expert in these matters told me the USCCB would never actually file a lawsuit, because during the “discovery” phase its various shell corporations would be forced to disclose their profits.) However, as you can see the British versions were free to print the correct verses in their version of the LECTIONARY.

Still Broken • The version below is the (allegedly-forthcoming) The Abbey Psalms & Canticles which—in various iterations—has been “close to release” for almost two decades. You can see that twenty-seven (27) years after the LECTIONARY 1998 revision this psalm still hasn’t been fixed:

*  PDF • ABBEY PSALMS AND CANTICLES (20th Ord. B)

Unanswered Questions:

Lack Of Transparency • How long will the faithful tolerate this situation? Catholics pay all the bills through their tithes, including the widow’s mite. Why haven’t they demanded to see—immediately—the total amount of royalties which the USCCB and its shell corporations have “earned” by selling the sacred prayers and readings for Mass? Furthermore, why don’t Catholics demand that OREGON CATHOLIC PRESS, which claims to be a non-profit organization, immediately explain why it claims $53,459,465.00 in assets but only reported $27,152 in salaries and wages during 2016? That’s not even enough salary for one person; is everyone who works at OCP a volunteer? Does that seem likely? It seems bizarre to me. (I’m just being honest.)

Intolerable Situation • Why are the sacred Mass prayers and readings being sold at all? Why do Catholic companies which desire to make corrections get threatened with legal action? Some of the errors are quite serious. For example, consider the Easter Vigil:

*  PDF • OFFICIAL LATIN TEXT (Holy Saturday)

But the 1998 “revision” of the LECTIONARY got things completely wrong—literally 100% backwards. The so-called Abbey Psalms & Canticles reproduces the error from 1998:

*  PDF • ABBEY PSALMS AND CANTICLES (Holy Saturday)

What possible good could come from allowing certain corporations to make a profit by selling our sacred Mass prayers and readings? Was the person who gave total control over the entire psalter (!) to a non-Christian company ever reprimanded? What is the reason for all this secrecy? Am I the only one who cares about this? I hope you will let me know your thoughts.

1 Jeffrey Tucker, former managing editor for the Church Music Association of America, publicly declared the USCCB’s actions “simony”—and it would be difficult to argue with his characterization. Back in 2008, Jeffrey Tucker desperately begged and pleaded with the USCCB not to allow a non-Christian company to administer the copyright for the mandated psalter used by Catholics in the United States. His urgent plea was ignored. Recently, Michael Hichborn’s revelations about GIA PUBLICATIONS show the situation was even more scandalous than Jeffrey Tucker realized.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, Dr Jerry Galipeau WLP, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Lectionary Error Typo, New Lectionary Edition USA, Novus Ordo Lectionary Reform, Oregon Catholic Press Last Updated: April 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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