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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Regarding “Pay-To-Pray” + Lectionary Errors

Jeff Ostrowski · March 31, 2025

HERE ARE TWO major problems with the Pay-To-Pray approach adopted after Vatican II.1 First of all, selling indulgenced prayers is immoral. Remember that the USCCB—as well as the various shell corporations it uses to collect the lucre—isn’t selling physical books. Rather, it claims to own the substance (!) of the readings, prayers, and acclamations. For several years, I served on the faculty of the annual CMAA colloquium. One year, a lengthy presentation was given by an ICEL executive who explained that his organization gave a portion of their profits to Catholics in poor countries. After the talk, one of the CMAA people said to me: “It’s nice to hear they’re using some of the money for a good cause—but they shouldn’t be collecting it in the first place.” He was absolutely correct. (The same is true of bank robbers who donate some of their loot to the poor; they don’t ‘absolve’ their robbery thereby.) Those prayers and readings are needed by Catholics to celebrate Mass. Selling them is immoral, and those responsible are obligated to make restitution. But how will they make restitution after raking in millions of dollars for sixty years?

Issue #2 • But there’s still another problem. The effort to make money off of these sacred texts resulted in deals being struck “behind closed doors.” Many decisions—even those with monumental consequences—were made in secret. Because so many decisions were made covertly, many errors crept in. Had things been done out in the open, such errors would have been noticed and corrected by “crowd sourcing.” Believe it or not, companies which attempted to correct errors were threatened with lawsuits. (I personally know several of these publishers and have seen the physical letters sent to them.) Consider the Responsorial Psalm for the 20th Sunday in Ordinary Time, Year B. There’s nothing confusing about its verses:

*  PDF • Official Text (20th Ord. B)

The 1970s version of the LECTIONARY printed the verses correctly, as you can see:

*  PDF • PREVIOUS LECTIONARY (20th Ord. B)

But in 1998, the LECTIONARY was “revised.” (Contradictory reasons have been given to justify this revision.) Many errors crept in—and you can see they totally botched the verses:

*  PDF • CURRENT LECTIONARY (20th Ord. B)

British Are Safe • American companies attempting to correct such errors were threatened with lawsuits. (For the record, an expert in these matters told me the USCCB would never actually file a lawsuit, because during the “discovery” phase its various shell corporations would be forced to disclose their profits.) However, as you can see the British versions were free to print the correct verses in their version of the LECTIONARY.

Still Broken • The version below is the (allegedly-forthcoming) The Abbey Psalms & Canticles which—in various iterations—has been “close to release” for almost two decades. You can see that twenty-seven (27) years after the LECTIONARY 1998 revision this psalm still hasn’t been fixed:

*  PDF • ABBEY PSALMS AND CANTICLES (20th Ord. B)

Unanswered Questions:

Lack Of Transparency • How long will the faithful tolerate this situation? Catholics pay all the bills through their tithes, including the widow’s mite. Why haven’t they demanded to see—immediately—the total amount of royalties which the USCCB and its shell corporations have “earned” by selling the sacred prayers and readings for Mass? Furthermore, why don’t Catholics demand that OREGON CATHOLIC PRESS, which claims to be a non-profit organization, immediately explain why it claims $53,459,465.00 in assets but only reported $27,152 in salaries and wages during 2016? That’s not even enough salary for one person; is everyone who works at OCP a volunteer? Does that seem likely? It seems bizarre to me. (I’m just being honest.)

Intolerable Situation • Why are the sacred Mass prayers and readings being sold at all? Why do Catholic companies which desire to make corrections get threatened with legal action? Some of the errors are quite serious. For example, consider the Easter Vigil:

*  PDF • OFFICIAL LATIN TEXT (Holy Saturday)

But the 1998 “revision” of the LECTIONARY got things completely wrong—literally 100% backwards. The so-called Abbey Psalms & Canticles reproduces the error from 1998:

*  PDF • ABBEY PSALMS AND CANTICLES (Holy Saturday)

What possible good could come from allowing certain corporations to make a profit by selling our sacred Mass prayers and readings? Was the person who gave total control over the entire psalter (!) to a non-Christian company ever reprimanded? What is the reason for all this secrecy? Am I the only one who cares about this? I hope you will let me know your thoughts.

1 Jeffrey Tucker, former managing editor for the Church Music Association of America, publicly declared the USCCB’s actions “simony”—and it would be difficult to argue with his characterization. Back in 2008, Jeffrey Tucker desperately begged and pleaded with the USCCB not to allow a non-Christian company to administer the copyright for the mandated psalter used by Catholics in the United States. His urgent plea was ignored. Recently, Michael Hichborn’s revelations about GIA PUBLICATIONS show the situation was even more scandalous than Jeffrey Tucker realized.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, Dr Jerry Galipeau WLP, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Lectionary Error Typo, New Lectionary Edition USA, Novus Ordo Lectionary Reform, Oregon Catholic Press Last Updated: April 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

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