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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Regarding “Pay-To-Pray” + Lectionary Errors

Jeff Ostrowski · March 31, 2025

HERE ARE TWO major problems with the Pay-To-Pray approach adopted after Vatican II.1 First of all, selling indulgenced prayers is immoral. Remember that the USCCB—as well as the various shell corporations it uses to collect the lucre—isn’t selling physical books. Rather, it claims to own the substance (!) of the readings, prayers, and acclamations. For several years, I served on the faculty of the annual CMAA colloquium. One year, a lengthy presentation was given by an ICEL executive who explained that his organization gave a portion of their profits to Catholics in poor countries. After the talk, one of the CMAA people said to me: “It’s nice to hear they’re using some of the money for a good cause—but they shouldn’t be collecting it in the first place.” He was absolutely correct. (The same is true of bank robbers who donate some of their loot to the poor; they don’t ‘absolve’ their robbery thereby.) Those prayers and readings are needed by Catholics to celebrate Mass. Selling them is immoral, and those responsible are obligated to make restitution. But how will they make restitution after raking in millions of dollars for sixty years?

Issue #2 • But there’s still another problem. The effort to make money off of these sacred texts resulted in deals being struck “behind closed doors.” Many decisions—even those with monumental consequences—were made in secret. Because so many decisions were made covertly, many errors crept in. Had things been done out in the open, such errors would have been noticed and corrected by “crowd sourcing.” Believe it or not, companies which attempted to correct errors were threatened with lawsuits. (I personally know several of these publishers and have seen the physical letters sent to them.) Consider the Responsorial Psalm for the 20th Sunday in Ordinary Time, Year B. There’s nothing confusing about its verses:

*  PDF • Official Text (20th Ord. B)

The 1970s version of the LECTIONARY printed the verses correctly, as you can see:

*  PDF • PREVIOUS LECTIONARY (20th Ord. B)

But in 1998, the LECTIONARY was “revised.” (Contradictory reasons have been given to justify this revision.) Many errors crept in—and you can see they totally botched the verses:

*  PDF • CURRENT LECTIONARY (20th Ord. B)

British Are Safe • American companies attempting to correct such errors were threatened with lawsuits. (For the record, an expert in these matters told me the USCCB would never actually file a lawsuit, because during the “discovery” phase its various shell corporations would be forced to disclose their profits.) However, as you can see the British versions were free to print the correct verses in their version of the LECTIONARY.

Still Broken • The version below is the (allegedly-forthcoming) The Abbey Psalms & Canticles which—in various iterations—has been “close to release” for almost two decades. You can see that twenty-seven (27) years after the LECTIONARY 1998 revision this psalm still hasn’t been fixed:

*  PDF • ABBEY PSALMS AND CANTICLES (20th Ord. B)

Unanswered Questions:

Lack Of Transparency • How long will the faithful tolerate this situation? Catholics pay all the bills through their tithes, including the widow’s mite. Why haven’t they demanded to see—immediately—the total amount of royalties which the USCCB and its shell corporations have “earned” by selling the sacred prayers and readings for Mass? Furthermore, why don’t Catholics demand that OREGON CATHOLIC PRESS, which claims to be a non-profit organization, immediately explain why it claims $53,459,465.00 in assets but only reported $27,152 in salaries and wages during 2016? That’s not even enough salary for one person; is everyone who works at OCP a volunteer? Does that seem likely? It seems bizarre to me. (I’m just being honest.)

Intolerable Situation • Why are the sacred Mass prayers and readings being sold at all? Why do Catholic companies which desire to make corrections get threatened with legal action? Some of the errors are quite serious. For example, consider the Easter Vigil:

*  PDF • OFFICIAL LATIN TEXT (Holy Saturday)

But the 1998 “revision” of the LECTIONARY got things completely wrong—literally 100% backwards. The so-called Abbey Psalms & Canticles reproduces the error from 1998:

*  PDF • ABBEY PSALMS AND CANTICLES (Holy Saturday)

What possible good could come from allowing certain corporations to make a profit by selling our sacred Mass prayers and readings? Was the person who gave total control over the entire psalter (!) to a non-Christian company ever reprimanded? What is the reason for all this secrecy? Am I the only one who cares about this? I hope you will let me know your thoughts.

1 Jeffrey Tucker, former managing editor for the Church Music Association of America, publicly declared the USCCB’s actions “simony”—and it would be difficult to argue with his characterization. Back in 2008, Jeffrey Tucker desperately begged and pleaded with the USCCB not to allow a non-Christian company to administer the copyright for the mandated psalter used by Catholics in the United States. His urgent plea was ignored. Recently, Michael Hichborn’s revelations about GIA PUBLICATIONS show the situation was even more scandalous than Jeffrey Tucker realized.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, Dr Jerry Galipeau WLP, Jeffrey Tucker CMAA, Jeffrey Tucker Sacred Music, Lectionary Error Typo, New Lectionary Edition USA, Novus Ordo Lectionary Reform, Oregon Catholic Press Last Updated: April 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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