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Views from the Choir Loft

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Corpus Christi Watershed · March 11, 2025

IXTEEN CHOIRS and over two-hundred fifty (250) children gathered in a cold but sunny morning—8 March 2025—at the Cathedral of the Holy Cross in Boston. The sun illuminated the saints on the stained glass windows from 1875. Ranging from fourth to twelfth grade, many woke up at dawn to travel 3+ hours to Boston for a long day of rehearsals followed by singing at Mass. Under the direction of Maestro Richard J. Clark, choirs from Massachusetts, Connecticut, New Hampshire, Maine, and even New York sang sacred music new and old including Gregorian Chant, works by Mozart, Marier, Ostrowski, Bartlett, and others. The entire Mass was exquisitely chanted by celebrant Bishop Robert P. Reed and dynamically accompanied by organist Kevin Lyczak.

*  PDF Download • VIEW THE MASS PROGRAM

Hope For The Future • Many had not sung much chant—to say nothing of a Latin INTROIT from the Graduale Romanum. But with mutual support, preparation, and opportunity, children are capable of most anything. Never underestimate what children can accomplish! Pueri Cantores is an international organization whose primary mission is evangelization and catechesis through sacred music. They hold such festivals all over the world. Please look for a festival in your area, and keep their great work in your prayers! The following clip is from rehearsal of the mode VI chant Ave Regina Cælorum. This Marian antiphon sung from the Feast of the Presentation of the Lord (a.k.a. “Purification”) to Holy Thursday.

Here’s the direct URL link.

Rehearsing of Mozart’s Ave Verum Corpus:

Here’s the direct URL link.

Notable was the participation of the Saint Paul’s Choir School, Harvard Square. As part of the prelude for Mass, they sang Ralph Vaughan William’s Antiphon from the Five Mystical  Songs under the direction of Maestro Brandon Straub with Mr. Nara Lee, accompanying.

Here’s the direct URL link.

The following clip was part of a filming for the Catholic Television Network of Cantate Domino, by Jesús López Moreno and arranged by Hernán Cortés.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 11, 2025

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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