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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Corpus Christi Watershed · March 11, 2025

IXTEEN CHOIRS and over two-hundred fifty (250) children gathered in a cold but sunny morning—8 March 2025—at the Cathedral of the Holy Cross in Boston. The sun illuminated the saints on the stained glass windows from 1875. Ranging from fourth to twelfth grade, many woke up at dawn to travel 3+ hours to Boston for a long day of rehearsals followed by singing at Mass. Under the direction of Maestro Richard J. Clark, choirs from Massachusetts, Connecticut, New Hampshire, Maine, and even New York sang sacred music new and old including Gregorian Chant, works by Mozart, Marier, Ostrowski, Bartlett, and others. The entire Mass was exquisitely chanted by celebrant Bishop Robert P. Reed and dynamically accompanied by organist Kevin Lyczak.

*  PDF Download • VIEW THE MASS PROGRAM

Hope For The Future • Many had not sung much chant—to say nothing of a Latin INTROIT from the Graduale Romanum. But with mutual support, preparation, and opportunity, children are capable of most anything. Never underestimate what children can accomplish! Pueri Cantores is an international organization whose primary mission is evangelization and catechesis through sacred music. They hold such festivals all over the world. Please look for a festival in your area, and keep their great work in your prayers! The following clip is from rehearsal of the mode VI chant Ave Regina Cælorum. This Marian antiphon sung from the Feast of the Presentation of the Lord (a.k.a. “Purification”) to Holy Thursday.

Here’s the direct URL link.

Rehearsing of Mozart’s Ave Verum Corpus:

Here’s the direct URL link.

Notable was the participation of the Saint Paul’s Choir School, Harvard Square. As part of the prelude for Mass, they sang Ralph Vaughan William’s Antiphon from the Five Mystical  Songs under the direction of Maestro Brandon Straub with Mr. Nara Lee, accompanying.

Here’s the direct URL link.

The following clip was part of a filming for the Catholic Television Network of Cantate Domino, by Jesús López Moreno and arranged by Hernán Cortés.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 11, 2025

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

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  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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