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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Our Own Richard J. Clark Conducts 250 Children in Chant & Polyphony!

Corpus Christi Watershed · March 11, 2025

IXTEEN CHOIRS and over two-hundred fifty (250) children gathered in a cold but sunny morning—8 March 2025—at the Cathedral of the Holy Cross in Boston. The sun illuminated the saints on the stained glass windows from 1875. Ranging from fourth to twelfth grade, many woke up at dawn to travel 3+ hours to Boston for a long day of rehearsals followed by singing at Mass. Under the direction of Maestro Richard J. Clark, choirs from Massachusetts, Connecticut, New Hampshire, Maine, and even New York sang sacred music new and old including Gregorian Chant, works by Mozart, Marier, Ostrowski, Bartlett, and others. The entire Mass was exquisitely chanted by celebrant Bishop Robert P. Reed and dynamically accompanied by organist Kevin Lyczak.

*  PDF Download • VIEW THE MASS PROGRAM

Hope For The Future • Many had not sung much chant—to say nothing of a Latin INTROIT from the Graduale Romanum. But with mutual support, preparation, and opportunity, children are capable of most anything. Never underestimate what children can accomplish! Pueri Cantores is an international organization whose primary mission is evangelization and catechesis through sacred music. They hold such festivals all over the world. Please look for a festival in your area, and keep their great work in your prayers! The following clip is from rehearsal of the mode VI chant Ave Regina Cælorum. This Marian antiphon sung from the Feast of the Presentation of the Lord (a.k.a. “Purification”) to Holy Thursday.

Here’s the direct URL link.

Rehearsing of Mozart’s Ave Verum Corpus:

Here’s the direct URL link.

Notable was the participation of the Saint Paul’s Choir School, Harvard Square. As part of the prelude for Mass, they sang Ralph Vaughan William’s Antiphon from the Five Mystical  Songs under the direction of Maestro Brandon Straub with Mr. Nara Lee, accompanying.

Here’s the direct URL link.

The following clip was part of a filming for the Catholic Television Network of Cantate Domino, by Jesús López Moreno and arranged by Hernán Cortés.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 11, 2025

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President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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