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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

William J. Fritz · February 28, 2025

Before you dive in, scroll to the
bottom for a special Lenten gift!

ELLOW CCWatershed readers, Lent is nearly upon us, a time to deeply contemplate the central mystery of our salvation. Each year, during major liturgical season, I strive to introduce or refine something in our ministry—a decade of small changes adds up! As many of our bloggers have discussed, adapting, catechizing, and shaping liturgical music requires a patient, long-term approach. There are numerous “Choral Extensions” uploaded here on the website, like this one on Creed III; and this one on the Holy, Holy, Holy; and this one on Saint Noël Chabanel. (There are others! A search “Choral Extensions” will get you there!)

Adopting His Idea • Jeff’s work sparked an idea: how could I adapt this concept for my own parish? During Lent, we use the “Jubilate Deo” Mass setting from Pope St. Paul VI’s eponymous document. This document aimed to promote the essential Gregorian chants every Catholic should know. If you haven’t read it, it’s worth exploring, as it “contains a minimum selection of sacred chants…that all the faithful should know at least some Latin Gregorian chants…” (from the introductory Letter of Jubilate Deo). Having already incorporated choral harmonizations for this setting, I decided to try something different for Lent: straightforward choral extensions.

*  PDF Download • SAMPLE SCORE (Kyrie Extension)

I’ve just uploaded practice tracks for my choir on YouTube:

Kyrie All Parts Demo

Sanctus All Parts Demo

Memorial Acclamation All Parts Demo

Agnus Dei All Parts Demo

Full Playlist for Each Part

Now, for your Lenten gift: I’m offering a 100% discount code, exclusively for CCWatershed readers. Use IJUSTCHANT on my KoFi store (be sure to click “apply discount” when checking out), where you’ll find some of my choral and liturgical organ works: https://ko-fi.com/s/a9c7c802ec

Yes, this might seem like a bit of self-promotion, but I’ve been encouraged to share my work more. This code is valid until March 9th, 2025, so don’t miss out!

I plan to publish more content on KoFi in the future, so consider following me if you’re interested. I will pray your Lenten journey be filled with peace and grace. For Lent, I am going to post once each week: the other bloggers on this website will hold me accountable, I’m sure of it! Duc in altum!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Authentic Liturgical Renewal Reform, Choral Extensions, Jubilate Deo, Simple Steps To Improve Parish Music Last Updated: March 3, 2025

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

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  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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