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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

William J. Fritz · February 28, 2025

Before you dive in, scroll to the
bottom for a special Lenten gift!

ELLOW CCWatershed readers, Lent is nearly upon us, a time to deeply contemplate the central mystery of our salvation. Each year, during major liturgical season, I strive to introduce or refine something in our ministry—a decade of small changes adds up! As many of our bloggers have discussed, adapting, catechizing, and shaping liturgical music requires a patient, long-term approach. There are numerous “Choral Extensions” uploaded here on the website, like this one on Creed III; and this one on the Holy, Holy, Holy; and this one on Saint Noël Chabanel. (There are others! A search “Choral Extensions” will get you there!)

Adopting His Idea • Jeff’s work sparked an idea: how could I adapt this concept for my own parish? During Lent, we use the “Jubilate Deo” Mass setting from Pope St. Paul VI’s eponymous document. This document aimed to promote the essential Gregorian chants every Catholic should know. If you haven’t read it, it’s worth exploring, as it “contains a minimum selection of sacred chants…that all the faithful should know at least some Latin Gregorian chants…” (from the introductory Letter of Jubilate Deo). Having already incorporated choral harmonizations for this setting, I decided to try something different for Lent: straightforward choral extensions.

*  PDF Download • SAMPLE SCORE (Kyrie Extension)

I’ve just uploaded practice tracks for my choir on YouTube:

Kyrie All Parts Demo

Sanctus All Parts Demo

Memorial Acclamation All Parts Demo

Agnus Dei All Parts Demo

Full Playlist for Each Part

Now, for your Lenten gift: I’m offering a 100% discount code, exclusively for CCWatershed readers. Use IJUSTCHANT on my KoFi store (be sure to click “apply discount” when checking out), where you’ll find some of my choral and liturgical organ works: https://ko-fi.com/s/a9c7c802ec

Yes, this might seem like a bit of self-promotion, but I’ve been encouraged to share my work more. This code is valid until March 9th, 2025, so don’t miss out!

I plan to publish more content on KoFi in the future, so consider following me if you’re interested. I will pray your Lenten journey be filled with peace and grace. For Lent, I am going to post once each week: the other bloggers on this website will hold me accountable, I’m sure of it! Duc in altum!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Authentic Liturgical Renewal Reform, Choral Extensions, Jubilate Deo, Simple Steps To Improve Parish Music Last Updated: March 3, 2025

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

Recent Posts

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  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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