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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Singers’ Wedding Booklet (28 Pages)

Jeff Ostrowski · January 21, 2025

LL OF US HAVE probably encountered priests who “ran the full gamut” (using plainsong terminology). While teaching high school in Texas, I met a very lax priest. He baptized a baby who was dead, and later gave a HOMILY justifying his actions, claiming: “That baptism was for the family not the child.” On the opposite side of the spectrum, as someone deeply involved in the TLM movement since the early 1990s, I met hundreds of TLM priests from all over the world: France, Germany, New Zealand, England, Ireland, and so forth.1 I’ve met my fair share of rigid TLM priests. For instance, one claimed publicly that anyone who failed to do “a serious and heavy penance” on every single day of Lent was guilty of mortal sin. (Perhaps he’d never read Mt 23:4.) More than twenty years ago, I provided music for the sister of a “super rigid” priest. She asked me to play music from a television show as her WEDDING PROCESSIONAL. I appealed to her brother, saying: “Father, you’ve always stressed how sacred the Mass is; do you really want me to play music from a television show?” I’ll never forget his response: “In this case, yes—because that’s what my sister wants.” I was gobsmacked.

In a moment, I’ll explain why I’m talking about laxity and rigidity. But first, let me be very clear: When it comes to WEDDINGS and FUNERALS, just because a choirmaster programs certain songs, that doesn’t mean he necessarily wants to. (See below.) Recently, in preparation for a wedding, I created a booklet for the singers. Some of you might enjoy looking it over:

*  PDF Download • BOOKLET FOR SINGERS (Wedding Mass)—28 pages

It mixes modern polyphony, accompanied plainsong, unaccompanied plainsong, Renaissance polyphony, hymnody, and so forth—all things I’ve spoken of so often in the past.

(1 of 3) Laxity Vs. Rigidity • Let’s say you’re hired to provide music for the funeral of the uncle of a lady named “Lucy.” Suppose Lucy usually hears sacro-pop (to use Father Skeris’ phrase) each Sunday where she attends Mass. In other words: music composed in a secular, undignified, off-Broadway style more suited to a toothpaste commercial than Holy Mass. How do you proceed? Let’s say you sing a bunch of music Lucy absolutely hates at her uncle’s funeral. Have you done your job?

(2 of 3) Laxity Vs. Rigidity • In my view, WEDDINGS and FUNERALS present a unique challenge to the conscientious choirmaster. We ardently desire to follow the example of Father Valentine Young (d. 2020), who each morning asked the Holy Ghost to help him follow God’s Will. Is it truly God’s Will to fill the funeral of Lucy’s uncle chock-full of music she absolutely hates? Is it likely this will help Lucy fall in love with authentic sacred music? On the other hand, is it God’s Will to allow improper music at Mass?

(3 of 3) Laxity Vs. Rigidity • I do not pretend to have the “correct answer” to all these questions. In light of the current crisis in the Catholic Church, it seems reasonable—in my humble opinion—to have some flexibility when it comes to WEDDINGS and FUNERALS. What does “flexibility” mean? Sometimes one can be creative; e.g. a song which has awful lyrics can perhaps be played (not sung) on the pipe organ as prelude music. It seems like this is something we must pray about.

(A) Rigid Rubrician • Indeed, many who brag about being “very rigid” are misinformed. For example, some priests condemn others harshly because they “don’t follow the rubrics.” Yet these same priests insist upon an extra CONFITEOR before Communion, although the 1962 rubrics couldn’t be more clear:

503. Quoties sancta Communio infra Missam distributur, celebrans, sumpto sacratissimo Sanguine, omissis confessione et absolutione, dictis tamen Ecce Agnus Dei et ter Dómine, non sum dignus, immediate ad distribtionem sanctæ Eucharistiæ procedit.

(B) Rigid Rubrician • I’ve also met priests who claim to follow “the real rubrics from before Pius XII reformed Holy Week.” I ask them: “So that means you never celebrate Mass in the afternoon or evening, right?” They reply: “No, I make an exception for that.” I then ask: “So during Holy Week, you don’t use incense unless you have Deacon and Subdeacon, right?” They reply: “No, I make an exception for that.” Then I press them further: “So when you celebrate Holy Week, you celebrate Holy Thursday Mass and the Easter Vigil in the morning, right?” They reply: “No, I make an exception for that.” Still not satisfied, I ask: “Regarding feasts 100% invented by 20th-century popes—such as the feast of Christ the King—you don’t celebrate those feasts, right?” They reply: “No, I make an exception for that.” I continue further still: “You don’t preach or distribute Holy Communion at a Solemn Requiem, right?” They reply: “No, I make an exception for that.” I ask them whether they allow vernacular hymns to be sung all throughout Low Mass—even during the readings!—as was widespread in the olden days. They reply: “That’s a traditional practice, but we don’t allow it.” I ask whether they allow the congregation to recite (at Low Mass) the Introit, Gradual, Alleluia, Offertory, Communion antiphon, and Pater Noster along with the priest. They reply: “I realize the rubrics explicitly allow that, but I do not.” Finally, somewhat exasperated, I demand to know whether they allow anyone (except the CELEBRANT himself) to receive Holy Communion during a High Mass—something almost never done in the old days. They reply: “No, I make an exception for that.”

(C) Rigid Rubrician • Maybe someday I will write an article pointing out 100 ways “rigid rubricians” aren’t following the rubrics. And what would be the point of such an exercise? Simply to remember that even the most rigid rubricians make exceptions constantly—although some would cut off their right arm rather than admit it. Although I could be wrong, it seems logical to allow certain ‘exceptions’ when it comes to WEDDINGS and FUNERALS—for the sake of charity. If you have a different opinion, I’d love to hear it!

(D) Rigid Rubrician • I would argue that—because God gave us a brain—there are certain times the rubrics should not be followed. For examples, the committee that reformed Holy Week in the 1950s moved the MANDATUM ceremony from where it traditionally belonged into the Mass itself. But they overlooked the fact an identical Communion antiphon (“Dóminus Jesus Postquam Cenávit”) is also used during the MANDATUM ceremony. If one follows the rubrics with rigidity, that same antiphon is sung twice in the space of a few minutes. This is clearly a mistake; but the “rigid rubrician” is only interested in what it says on paper. For the “rigid rubrician,” there’s no such thing as following the spirit of the law.

Addendum • In spite of “synodality,” the last few years have witnessed a reprehensible persecution of Catholics who have been helped in their spiritual lives by the Traditional Latin Mass. Some have attempted to justify this persecution. They claim the TLM must be eliminated because they have an issue with particular people who attend it. But this makes no sense. For one thing, there are ‘rotten eggs’ who attend the NOVUS ORDO, too—does that mean we must get rid of the NOVUS ORDO? Furthermore, one must address the issue; not some other issue. Similarly, if clerics at the Vatican have a problem with the ideology of certain people, they have an obligation to address that issue, not some other issue. What they’re doing makes as much sense as cutting off one’s elbow to “fix” a sore foot.

1 I was privileged to act as MASTER OF CEREMONIES for leaders of that movement—such as Father Arnaud Devillers and Father Josef Bisig—and I’ve frequently been in charge of music for TLM ceremonies celebrated by bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Wedding Nuptial Mass Music, Commissio Piana, Latin Mass Musical Diversity, Musical Laxity Vs Rigidity, Printable Wedding Booklet Music Scores Last Updated: January 23, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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