• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Singers’ Wedding Booklet (28 Pages)

Jeff Ostrowski · January 21, 2025

LL OF US HAVE probably encountered priests who “ran the full gamut” (using plainsong terminology). While teaching high school in Texas, I met a very lax priest. He baptized a baby who was dead, and later gave a HOMILY justifying his actions, claiming: “That baptism was for the family not the child.” On the opposite side of the spectrum, as someone deeply involved in the TLM movement since the early 1990s, I met hundreds of TLM priests from all over the world: France, Germany, New Zealand, England, Ireland, and so forth.1 I’ve met my fair share of rigid TLM priests. For instance, one claimed publicly that anyone who failed to do “a serious and heavy penance” on every single day of Lent was guilty of mortal sin. (Perhaps he’d never read Mt 23:4.) More than twenty years ago, I provided music for the sister of a “super rigid” priest. She asked me to play music from a television show as her WEDDING PROCESSIONAL. I appealed to her brother, saying: “Father, you’ve always stressed how sacred the Mass is; do you really want me to play music from a television show?” I’ll never forget his response: “In this case, yes—because that’s what my sister wants.” I was gobsmacked.

In a moment, I’ll explain why I’m talking about laxity and rigidity. But first, let me be very clear: When it comes to WEDDINGS and FUNERALS, just because a choirmaster programs certain songs, that doesn’t mean he necessarily wants to. (See below.) Recently, in preparation for a wedding, I created a booklet for the singers. Some of you might enjoy looking it over:

*  PDF Download • BOOKLET FOR SINGERS (Wedding Mass)—28 pages

It mixes modern polyphony, accompanied plainsong, unaccompanied plainsong, Renaissance polyphony, hymnody, and so forth—all things I’ve spoken of so often in the past.

(1 of 3) Laxity Vs. Rigidity • Let’s say you’re hired to provide music for the funeral of the uncle of a lady named “Lucy.” Suppose Lucy usually hears sacro-pop (to use Father Skeris’ phrase) each Sunday where she attends Mass. In other words: music composed in a secular, undignified, off-Broadway style more suited to a toothpaste commercial than Holy Mass. How do you proceed? Let’s say you sing a bunch of music Lucy absolutely hates at her uncle’s funeral. Have you done your job?

(2 of 3) Laxity Vs. Rigidity • In my view, WEDDINGS and FUNERALS present a unique challenge to the conscientious choirmaster. We ardently desire to follow the example of Father Valentine Young (d. 2020), who each morning asked the Holy Ghost to help him follow God’s Will. Is it truly God’s Will to fill the funeral of Lucy’s uncle chock-full of music she absolutely hates? Is it likely this will help Lucy fall in love with authentic sacred music? On the other hand, is it God’s Will to allow improper music at Mass?

(3 of 3) Laxity Vs. Rigidity • I do not pretend to have the “correct answer” to all these questions. In light of the current crisis in the Catholic Church, it seems reasonable—in my humble opinion—to have some flexibility when it comes to WEDDINGS and FUNERALS. What does “flexibility” mean? Sometimes one can be creative; e.g. a song which has awful lyrics can perhaps be played (not sung) on the pipe organ as prelude music. It seems like this is something we must pray about.

(A) Rigid Rubrician • Indeed, many who brag about being “very rigid” are misinformed. For example, some priests condemn others harshly because they “don’t follow the rubrics.” Yet these same priests insist upon an extra CONFITEOR before Communion, although the 1962 rubrics couldn’t be more clear:

503. Quoties sancta Communio infra Missam distributur, celebrans, sumpto sacratissimo Sanguine, omissis confessione et absolutione, dictis tamen Ecce Agnus Dei et ter Dómine, non sum dignus, immediate ad distribtionem sanctæ Eucharistiæ procedit.

(B) Rigid Rubrician • I’ve also met priests who claim to follow “the real rubrics from before Pius XII reformed Holy Week.” I ask them: “So that means you never celebrate Mass in the afternoon or evening, right?” They reply: “No, I make an exception for that.” I then ask: “So during Holy Week, you don’t use incense unless you have Deacon and Subdeacon, right?” They reply: “No, I make an exception for that.” Then I press them further: “So when you celebrate Holy Week, you celebrate Holy Thursday Mass and the Easter Vigil in the morning, right?” They reply: “No, I make an exception for that.” Still not satisfied, I ask: “Regarding feasts 100% invented by 20th-century popes—such as the feast of Christ the King—you don’t celebrate those feasts, right?” They reply: “No, I make an exception for that.” I continue further still: “You don’t preach or distribute Holy Communion at a Solemn Requiem, right?” They reply: “No, I make an exception for that.” I ask them whether they allow vernacular hymns to be sung all throughout Low Mass—even during the readings!—as was widespread in the olden days. They reply: “That’s a traditional practice, but we don’t allow it.” I ask whether they allow the congregation to recite (at Low Mass) the Introit, Gradual, Alleluia, Offertory, Communion antiphon, and Pater Noster along with the priest. They reply: “I realize the rubrics explicitly allow that, but I do not.” Finally, somewhat exasperated, I demand to know whether they allow anyone (except the CELEBRANT himself) to receive Holy Communion during a High Mass—something almost never done in the old days. They reply: “No, I make an exception for that.”

(C) Rigid Rubrician • Maybe someday I will write an article pointing out 100 ways “rigid rubricians” aren’t following the rubrics. And what would be the point of such an exercise? Simply to remember that even the most rigid rubricians make exceptions constantly—although some would cut off their right arm rather than admit it. Although I could be wrong, it seems logical to allow certain ‘exceptions’ when it comes to WEDDINGS and FUNERALS—for the sake of charity. If you have a different opinion, I’d love to hear it!

(D) Rigid Rubrician • I would argue that—because God gave us a brain—there are certain times the rubrics should not be followed. For examples, the committee that reformed Holy Week in the 1950s moved the MANDATUM ceremony from where it traditionally belonged into the Mass itself. But they overlooked the fact an identical Communion antiphon (“Dóminus Jesus Postquam Cenávit”) is also used during the MANDATUM ceremony. If one follows the rubrics with rigidity, that same antiphon is sung twice in the space of a few minutes. This is clearly a mistake; but the “rigid rubrician” is only interested in what it says on paper. For the “rigid rubrician,” there’s no such thing as following the spirit of the law.

Addendum • In spite of “synodality,” the last few years have witnessed a reprehensible persecution of Catholics who have been helped in their spiritual lives by the Traditional Latin Mass. Some have attempted to justify this persecution. They claim the TLM must be eliminated because they have an issue with particular people who attend it. But this makes no sense. For one thing, there are ‘rotten eggs’ who attend the NOVUS ORDO, too—does that mean we must get rid of the NOVUS ORDO? Furthermore, one must address the issue; not some other issue. Similarly, if clerics at the Vatican have a problem with the ideology of certain people, they have an obligation to address that issue, not some other issue. What they’re doing makes as much sense as cutting off one’s elbow to “fix” a sore foot.

1 I was privileged to act as MASTER OF CEREMONIES for leaders of that movement—such as Father Arnaud Devillers and Father Josef Bisig—and I’ve frequently been in charge of music for TLM ceremonies celebrated by bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Wedding Nuptial Mass Music, Commissio Piana, Latin Mass Musical Diversity, Musical Laxity Vs Rigidity, Printable Wedding Booklet Music Scores Last Updated: January 23, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.