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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Singers’ Wedding Booklet (28 Pages)

Jeff Ostrowski · January 21, 2025

LL OF US HAVE probably encountered priests who “ran the full gamut” (using plainsong terminology). While teaching high school in Texas, I met a very lax priest. He baptized a baby who was dead, and later gave a HOMILY justifying his actions, claiming: “That baptism was for the family not the child.” On the opposite side of the spectrum, as someone deeply involved in the TLM movement since the early 1990s, I met hundreds of TLM priests from all over the world: France, Germany, New Zealand, England, Ireland, and so forth.1 I’ve met my fair share of rigid TLM priests. For instance, one claimed publicly that anyone who failed to do “a serious and heavy penance” on every single day of Lent was guilty of mortal sin. (Perhaps he’d never read Mt 23:4.) More than twenty years ago, I provided music for the sister of a “super rigid” priest. She asked me to play music from a television show as her WEDDING PROCESSIONAL. I appealed to her brother, saying: “Father, you’ve always stressed how sacred the Mass is; do you really want me to play music from a television show?” I’ll never forget his response: “In this case, yes—because that’s what my sister wants.” I was gobsmacked.

In a moment, I’ll explain why I’m talking about laxity and rigidity. But first, let me be very clear: When it comes to WEDDINGS and FUNERALS, just because a choirmaster programs certain songs, that doesn’t mean he necessarily wants to. (See below.) Recently, in preparation for a wedding, I created a booklet for the singers. Some of you might enjoy looking it over:

*  PDF Download • BOOKLET FOR SINGERS (Wedding Mass)—28 pages

It mixes modern polyphony, accompanied plainsong, unaccompanied plainsong, Renaissance polyphony, hymnody, and so forth—all things I’ve spoken of so often in the past.

(1 of 3) Laxity Vs. Rigidity • Let’s say you’re hired to provide music for the funeral of the uncle of a lady named “Lucy.” Suppose Lucy usually hears sacro-pop (to use Father Skeris’ phrase) each Sunday where she attends Mass. In other words: music composed in a secular, undignified, off-Broadway style more suited to a toothpaste commercial than Holy Mass. How do you proceed? Let’s say you sing a bunch of music Lucy absolutely hates at her uncle’s funeral. Have you done your job?

(2 of 3) Laxity Vs. Rigidity • In my view, WEDDINGS and FUNERALS present a unique challenge to the conscientious choirmaster. We ardently desire to follow the example of Father Valentine Young (d. 2020), who each morning asked the Holy Ghost to help him follow God’s Will. Is it truly God’s Will to fill the funeral of Lucy’s uncle chock-full of music she absolutely hates? Is it likely this will help Lucy fall in love with authentic sacred music? On the other hand, is it God’s Will to allow improper music at Mass?

(3 of 3) Laxity Vs. Rigidity • I do not pretend to have the “correct answer” to all these questions. In light of the current crisis in the Catholic Church, it seems reasonable—in my humble opinion—to have some flexibility when it comes to WEDDINGS and FUNERALS. What does “flexibility” mean? Sometimes one can be creative; e.g. a song which has awful lyrics can perhaps be played (not sung) on the pipe organ as prelude music. It seems like this is something we must pray about.

(A) Rigid Rubrician • Indeed, many who brag about being “very rigid” are misinformed. For example, some priests condemn others harshly because they “don’t follow the rubrics.” Yet these same priests insist upon an extra CONFITEOR before Communion, although the 1962 rubrics couldn’t be more clear:

503. Quoties sancta Communio infra Missam distributur, celebrans, sumpto sacratissimo Sanguine, omissis confessione et absolutione, dictis tamen Ecce Agnus Dei et ter Dómine, non sum dignus, immediate ad distribtionem sanctæ Eucharistiæ procedit.

(B) Rigid Rubrician • I’ve also met priests who claim to follow “the real rubrics from before Pius XII reformed Holy Week.” I ask them: “So that means you never celebrate Mass in the afternoon or evening, right?” They reply: “No, I make an exception for that.” I then ask: “So during Holy Week, you don’t use incense unless you have Deacon and Subdeacon, right?” They reply: “No, I make an exception for that.” Then I press them further: “So when you celebrate Holy Week, you celebrate Holy Thursday Mass and the Easter Vigil in the morning, right?” They reply: “No, I make an exception for that.” Still not satisfied, I ask: “Regarding feasts 100% invented by 20th-century popes—such as the feast of Christ the King—you don’t celebrate those feasts, right?” They reply: “No, I make an exception for that.” I continue further still: “You don’t preach or distribute Holy Communion at a Solemn Requiem, right?” They reply: “No, I make an exception for that.” I ask them whether they allow vernacular hymns to be sung all throughout Low Mass—even during the readings!—as was widespread in the olden days. They reply: “That’s a traditional practice, but we don’t allow it.” I ask whether they allow the congregation to recite (at Low Mass) the Introit, Gradual, Alleluia, Offertory, Communion antiphon, and Pater Noster along with the priest. They reply: “I realize the rubrics explicitly allow that, but I do not.” Finally, somewhat exasperated, I demand to know whether they allow anyone (except the CELEBRANT himself) to receive Holy Communion during a High Mass—something almost never done in the old days. They reply: “No, I make an exception for that.”

(C) Rigid Rubrician • Maybe someday I will write an article pointing out 100 ways “rigid rubricians” aren’t following the rubrics. And what would be the point of such an exercise? Simply to remember that even the most rigid rubricians make exceptions constantly—although some would cut off their right arm rather than admit it. Although I could be wrong, it seems logical to allow certain ‘exceptions’ when it comes to WEDDINGS and FUNERALS—for the sake of charity. If you have a different opinion, I’d love to hear it!

(D) Rigid Rubrician • I would argue that—because God gave us a brain—there are certain times the rubrics should not be followed. For examples, the committee that reformed Holy Week in the 1950s moved the MANDATUM ceremony from where it traditionally belonged into the Mass itself. But they overlooked the fact an identical Communion antiphon (“Dóminus Jesus Postquam Cenávit”) is also used during the MANDATUM ceremony. If one follows the rubrics with rigidity, that same antiphon is sung twice in the space of a few minutes. This is clearly a mistake; but the “rigid rubrician” is only interested in what it says on paper. For the “rigid rubrician,” there’s no such thing as following the spirit of the law.

Addendum • In spite of “synodality,” the last few years have witnessed a reprehensible persecution of Catholics who have been helped in their spiritual lives by the Traditional Latin Mass. Some have attempted to justify this persecution. They claim the TLM must be eliminated because they have an issue with particular people who attend it. But this makes no sense. For one thing, there are ‘rotten eggs’ who attend the NOVUS ORDO, too—does that mean we must get rid of the NOVUS ORDO? Furthermore, one must address the issue; not some other issue. Similarly, if clerics at the Vatican have a problem with the ideology of certain people, they have an obligation to address that issue, not some other issue. What they’re doing makes as much sense as cutting off one’s elbow to “fix” a sore foot.

1 I was privileged to act as MASTER OF CEREMONIES for leaders of that movement—such as Father Arnaud Devillers and Father Josef Bisig—and I’ve frequently been in charge of music for TLM ceremonies celebrated by bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Wedding Nuptial Mass Music, Commissio Piana, Latin Mass Musical Diversity, Musical Laxity Vs Rigidity, Printable Wedding Booklet Music Scores Last Updated: January 23, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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