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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Singers’ Wedding Booklet (28 Pages)

Jeff Ostrowski · January 21, 2025

LL OF US HAVE probably encountered priests who “ran the full gamut” (using plainsong terminology). While teaching high school in Texas, I met a very lax priest. He baptized a baby who was dead, and later gave a HOMILY justifying his actions, claiming: “That baptism was for the family not the child.” On the opposite side of the spectrum, as someone deeply involved in the TLM movement since the early 1990s, I met hundreds of TLM priests from all over the world: France, Germany, New Zealand, England, Ireland, and so forth.1 I’ve met my fair share of rigid TLM priests. For instance, one claimed publicly that anyone who failed to do “a serious and heavy penance” on every single day of Lent was guilty of mortal sin. (Perhaps he’d never read Mt 23:4.) More than twenty years ago, I provided music for the sister of a “super rigid” priest. She asked me to play music from a television show as her WEDDING PROCESSIONAL. I appealed to her brother, saying: “Father, you’ve always stressed how sacred the Mass is; do you really want me to play music from a television show?” I’ll never forget his response: “In this case, yes—because that’s what my sister wants.” I was gobsmacked.

In a moment, I’ll explain why I’m talking about laxity and rigidity. But first, let me be very clear: When it comes to WEDDINGS and FUNERALS, just because a choirmaster programs certain songs, that doesn’t mean he necessarily wants to. (See below.) Recently, in preparation for a wedding, I created a booklet for the singers. Some of you might enjoy looking it over:

*  PDF Download • BOOKLET FOR SINGERS (Wedding Mass)—28 pages

It mixes modern polyphony, accompanied plainsong, unaccompanied plainsong, Renaissance polyphony, hymnody, and so forth—all things I’ve spoken of so often in the past.

(1 of 3) Laxity Vs. Rigidity • Let’s say you’re hired to provide music for the funeral of the uncle of a lady named “Lucy.” Suppose Lucy usually hears sacro-pop (to use Father Skeris’ phrase) each Sunday where she attends Mass. In other words: music composed in a secular, undignified, off-Broadway style more suited to a toothpaste commercial than Holy Mass. How do you proceed? Let’s say you sing a bunch of music Lucy absolutely hates at her uncle’s funeral. Have you done your job?

(2 of 3) Laxity Vs. Rigidity • In my view, WEDDINGS and FUNERALS present a unique challenge to the conscientious choirmaster. We ardently desire to follow the example of Father Valentine Young (d. 2020), who each morning asked the Holy Ghost to help him follow God’s Will. Is it truly God’s Will to fill the funeral of Lucy’s uncle chock-full of music she absolutely hates? Is it likely this will help Lucy fall in love with authentic sacred music? On the other hand, is it God’s Will to allow improper music at Mass?

(3 of 3) Laxity Vs. Rigidity • I do not pretend to have the “correct answer” to all these questions. In light of the current crisis in the Catholic Church, it seems reasonable—in my humble opinion—to have some flexibility when it comes to WEDDINGS and FUNERALS. What does “flexibility” mean? Sometimes one can be creative; e.g. a song which has awful lyrics can perhaps be played (not sung) on the pipe organ as prelude music. It seems like this is something we must pray about.

(A) Rigid Rubrician • Indeed, many who brag about being “very rigid” are misinformed. For example, some priests condemn others harshly because they “don’t follow the rubrics.” Yet these same priests insist upon an extra CONFITEOR before Communion, although the 1962 rubrics couldn’t be more clear:

503. Quoties sancta Communio infra Missam distributur, celebrans, sumpto sacratissimo Sanguine, omissis confessione et absolutione, dictis tamen Ecce Agnus Dei et ter Dómine, non sum dignus, immediate ad distribtionem sanctæ Eucharistiæ procedit.

(B) Rigid Rubrician • I’ve also met priests who claim to follow “the real rubrics from before Pius XII reformed Holy Week.” I ask them: “So that means you never celebrate Mass in the afternoon or evening, right?” They reply: “No, I make an exception for that.” I then ask: “So during Holy Week, you don’t use incense unless you have Deacon and Subdeacon, right?” They reply: “No, I make an exception for that.” Then I press them further: “So when you celebrate Holy Week, you celebrate Holy Thursday Mass and the Easter Vigil in the morning, right?” They reply: “No, I make an exception for that.” Still not satisfied, I ask: “Regarding feasts 100% invented by 20th-century popes—such as the feast of Christ the King—you don’t celebrate those feasts, right?” They reply: “No, I make an exception for that.” I continue further still: “You don’t preach or distribute Holy Communion at a Solemn Requiem, right?” They reply: “No, I make an exception for that.” I ask them whether they allow vernacular hymns to be sung all throughout Low Mass—even during the readings!—as was widespread in the olden days. They reply: “That’s a traditional practice, but we don’t allow it.” I ask whether they allow the congregation to recite (at Low Mass) the Introit, Gradual, Alleluia, Offertory, Communion antiphon, and Pater Noster along with the priest. They reply: “I realize the rubrics explicitly allow that, but I do not.” Finally, somewhat exasperated, I demand to know whether they allow anyone (except the CELEBRANT himself) to receive Holy Communion during a High Mass—something almost never done in the old days. They reply: “No, I make an exception for that.”

(C) Rigid Rubrician • Maybe someday I will write an article pointing out 100 ways “rigid rubricians” aren’t following the rubrics. And what would be the point of such an exercise? Simply to remember that even the most rigid rubricians make exceptions constantly—although some would cut off their right arm rather than admit it. Although I could be wrong, it seems logical to allow certain ‘exceptions’ when it comes to WEDDINGS and FUNERALS—for the sake of charity. If you have a different opinion, I’d love to hear it!

(D) Rigid Rubrician • I would argue that—because God gave us a brain—there are certain times the rubrics should not be followed. For examples, the committee that reformed Holy Week in the 1950s moved the MANDATUM ceremony from where it traditionally belonged into the Mass itself. But they overlooked the fact an identical Communion antiphon (“Dóminus Jesus Postquam Cenávit”) is also used during the MANDATUM ceremony. If one follows the rubrics with rigidity, that same antiphon is sung twice in the space of a few minutes. This is clearly a mistake; but the “rigid rubrician” is only interested in what it says on paper. For the “rigid rubrician,” there’s no such thing as following the spirit of the law.

Addendum • In spite of “synodality,” the last few years have witnessed a reprehensible persecution of Catholics who have been helped in their spiritual lives by the Traditional Latin Mass. Some have attempted to justify this persecution. They claim the TLM must be eliminated because they have an issue with particular people who attend it. But this makes no sense. For one thing, there are ‘rotten eggs’ who attend the NOVUS ORDO, too—does that mean we must get rid of the NOVUS ORDO? Furthermore, one must address the issue; not some other issue. Similarly, if clerics at the Vatican have a problem with the ideology of certain people, they have an obligation to address that issue, not some other issue. What they’re doing makes as much sense as cutting off one’s elbow to “fix” a sore foot.

1 I was privileged to act as MASTER OF CEREMONIES for leaders of that movement—such as Father Arnaud Devillers and Father Josef Bisig—and I’ve frequently been in charge of music for TLM ceremonies celebrated by bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Catholic Wedding Nuptial Mass Music, Commissio Piana, Latin Mass Musical Diversity, Musical Laxity Vs Rigidity, Printable Wedding Booklet Music Scores Last Updated: January 23, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

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