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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Richard J. Clark · December 9, 2024

N KEEPING WITH an ancient practice of the Holy Church, the moveable feasts of the coming year are announced following the Gospel. Interestingly, the rubrics indicate that the Gospel be sung! (However, even if read, that should not stop one from singing the proclamation):

On the Epiphany of the Lord, after the singing of the Gospel, a Deacon or cantor, in keeping with an ancient practice of the Holy Church, announces from the ambo the moveable feasts of the current year according to this formula:
Según la antigua tradición de la Iglesia, en el día de la Epifanía del Señor, después del canto del Evangelio, el diácono o cantor anuncia desde el ambo las fiestas movibles del año en curso, usando la siguiente fórmula:

IN THE MODERN AGE the Epiphany Proclamation is not about pragmatic dissemination of information. More importantly, it is a reminder of the centrality of the resurrection of the Lord in the liturgical year and the importance of the great mysteries of faith celebrated each year. As Easter is determined by the first ecclesiastical full moon after the vernal equinox, these great feasts further remind us of our immersion in God’s creation. Furthermore, this chant is a unique (and fun) expression that connects our present day to our ancient roots of the Church. It is a tradition that reminds of who we are, where we come from, and where we are going!

Remember to chose whatever starting note is most comfortable!

• Dioceses that celebrate Ascension on Thursday • (in the United States: Ecclesiastical Provinces of Boston, Hartford, New York, Newark, Omaha, Philadelphia): • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

• Dioceses that celebrate Ascension on Sunday: • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

* * YouTube • The Announcement of Easter and the Moveable Feasts • DEMO • (Ascension on a Thursday)

ANUNCIO DE LA PASCUA Y FIESTAS MOVIBLES

• En los lugares cuando la Ascensión se celebra el jueves: • en los Estados Unidos: Provincias Eclesiásticas de Boston, Hartford, Nueva York, Newark, Omaha, Filadelfia: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

• En los lugares cuando la Ascensión ha traslada al domingo VII de Pascua: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

* * YouTube • El Anuncio de la Pascua y Fiestas Movibles • DEMO • (Ascensión se celebra el jueves)

This chant is a wonderful way to add additional reverence to the liturgy. By leading us through key moments of salvation history, this proclamation reminds us—on the very day in which Christ is revealed to all nations—of Christ’s redeeming power in all our lives and to the whole world.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 11, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

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