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Views from the Choir Loft

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Richard J. Clark · December 9, 2024

N KEEPING WITH an ancient practice of the Holy Church, the moveable feasts of the coming year are announced following the Gospel. Interestingly, the rubrics indicate that the Gospel be sung! (However, even if read, that should not stop one from singing the proclamation):

On the Epiphany of the Lord, after the singing of the Gospel, a Deacon or cantor, in keeping with an ancient practice of the Holy Church, announces from the ambo the moveable feasts of the current year according to this formula:
Según la antigua tradición de la Iglesia, en el día de la Epifanía del Señor, después del canto del Evangelio, el diácono o cantor anuncia desde el ambo las fiestas movibles del año en curso, usando la siguiente fórmula:

IN THE MODERN AGE the Epiphany Proclamation is not about pragmatic dissemination of information. More importantly, it is a reminder of the centrality of the resurrection of the Lord in the liturgical year and the importance of the great mysteries of faith celebrated each year. As Easter is determined by the first ecclesiastical full moon after the vernal equinox, these great feasts further remind us of our immersion in God’s creation. Furthermore, this chant is a unique (and fun) expression that connects our present day to our ancient roots of the Church. It is a tradition that reminds of who we are, where we come from, and where we are going!

Remember to chose whatever starting note is most comfortable!

• Dioceses that celebrate Ascension on Thursday • (in the United States: Ecclesiastical Provinces of Boston, Hartford, New York, Newark, Omaha, Philadelphia): • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

• Dioceses that celebrate Ascension on Sunday: • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

* * YouTube • The Announcement of Easter and the Moveable Feasts • DEMO • (Ascension on a Thursday)

ANUNCIO DE LA PASCUA Y FIESTAS MOVIBLES

• En los lugares cuando la Ascensión se celebra el jueves: • en los Estados Unidos: Provincias Eclesiásticas de Boston, Hartford, Nueva York, Newark, Omaha, Filadelfia: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

• En los lugares cuando la Ascensión ha traslada al domingo VII de Pascua: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

* * YouTube • El Anuncio de la Pascua y Fiestas Movibles • DEMO • (Ascensión se celebra el jueves)

This chant is a wonderful way to add additional reverence to the liturgy. By leading us through key moments of salvation history, this proclamation reminds us—on the very day in which Christ is revealed to all nations—of Christ’s redeeming power in all our lives and to the whole world.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 11, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

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  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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