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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2025

Richard J. Clark · December 9, 2024

N KEEPING WITH an ancient practice of the Holy Church, the moveable feasts of the coming year are announced following the Gospel. Interestingly, the rubrics indicate that the Gospel be sung! (However, even if read, that should not stop one from singing the proclamation):

On the Epiphany of the Lord, after the singing of the Gospel, a Deacon or cantor, in keeping with an ancient practice of the Holy Church, announces from the ambo the moveable feasts of the current year according to this formula:
Según la antigua tradición de la Iglesia, en el día de la Epifanía del Señor, después del canto del Evangelio, el diácono o cantor anuncia desde el ambo las fiestas movibles del año en curso, usando la siguiente fórmula:

IN THE MODERN AGE the Epiphany Proclamation is not about pragmatic dissemination of information. More importantly, it is a reminder of the centrality of the resurrection of the Lord in the liturgical year and the importance of the great mysteries of faith celebrated each year. As Easter is determined by the first ecclesiastical full moon after the vernal equinox, these great feasts further remind us of our immersion in God’s creation. Furthermore, this chant is a unique (and fun) expression that connects our present day to our ancient roots of the Church. It is a tradition that reminds of who we are, where we come from, and where we are going!

Remember to chose whatever starting note is most comfortable!

• Dioceses that celebrate Ascension on Thursday • (in the United States: Ecclesiastical Provinces of Boston, Hartford, New York, Newark, Omaha, Philadelphia): • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

• Dioceses that celebrate Ascension on Sunday: • PDF Download • The Announcement of Easter and the Moveable Feasts • 2025

* * YouTube • The Announcement of Easter and the Moveable Feasts • DEMO • (Ascension on a Thursday)

ANUNCIO DE LA PASCUA Y FIESTAS MOVIBLES

• En los lugares cuando la Ascensión se celebra el jueves: • en los Estados Unidos: Provincias Eclesiásticas de Boston, Hartford, Nueva York, Newark, Omaha, Filadelfia: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

• En los lugares cuando la Ascensión ha traslada al domingo VII de Pascua: • PDF descargar gratis • El Anuncio de la Pascua y Fiestas Movibles • 2025

* * YouTube • El Anuncio de la Pascua y Fiestas Movibles • DEMO • (Ascensión se celebra el jueves)

This chant is a wonderful way to add additional reverence to the liturgy. By leading us through key moments of salvation history, this proclamation reminds us—on the very day in which Christ is revealed to all nations—of Christ’s redeeming power in all our lives and to the whole world.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 11, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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