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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

Jeff Ostrowski · August 30, 2024

OR A NUMBER of years, I was involved with a project commissioned by the world’s largest Catholic publisher. It required a meticulous comparison between the 1950 Holy Week (sometimes erroneously called “pre-55”) and the version found in the 1962 books. During that process, something became crystal clear: viz. many who claim to be “experts” on the old Holy Week are ignorant of its basic facts—in particular what specifically was changed and what remained the same. Worse, these same folks have the audacity to claim they “hate and detest” the 1962 version. This phenomenon has been described by a very smart priest as the I don’t know what it is but I hate it syndrome. I’ll return to this theme in a moment.

(1 of 4) NAB Bible Translation • I’m the last person on earth who’d defend the English translation known as the NEW AMERICAN BIBLE (NAB). If memory serves, the NAB never uses the word “soul”—making certain Biblical passages into gobbledygook. Such tampering is iniquitous. The NAB also tried to adopt language that’s “overly colloquial” or “super casual”—and the results are frequently damnable. Examples might include the FIRST READING for the 22nd Sunday in Ordinary Time (Year A) or the GOSPEL for the 14th Sunday in Ordinary Time (Year B).1

(2 of 4) NAB Bible Translation • That having been said, when it comes to the NAB, certain online authors unwittingly manifest the ‘syndrome’ we spoke of earlier. In other words, they attack the NAB without understanding what it is they’re attacking.

(3 of 4) NAB Bible Translation • For example, many musicians claim the NAB Responsorial Psalms are “horrible” compared to the GRAIL PSALTER, or the so-called “Revised” Grail, or the Abbey Psalms And Canticles translation. A quick review: the Abbey Psalms And Canticles will (supposedly) be part of the new USA Lectionary which will (supposedly) arrive circa 2029. Some people also refer to the Abbey Psalms And Canticles as the “Revised-Revised Grail.” [I do realize all this is absurdly confusing … but please don’t shoot the messenger.]

(4 of 4) NAB Bible Translation • Is it really true the NAB is “horrendous” compared to the Abbey Psalms And Canticles translation? Well, the entire Abbey Psalms And Canticles Psalter was leaked a few years back. Here’s a brief comparison chart:

*  PDF Download • COMPARISON CHART
—NAB vs. the so-called Abbey Psalms And Canticles (“Revised-Revised Grail”).

Can anybody even tell which is which?

Conclusions • My colleague, CORRINNE MAY, correctly pointed out that I often do a poor job ending my articles. Therefore, let me provide a few concluding thoughts. The NAB has supposedly been “provisional” for a long time. For more than a decade, the USCCB pretended it was going to replace the NAB Responsorial Psalms with the so-called “revised” GRAIL PSALTER (whose rights are administered by a non-Christian company). Whatever you want to call such shenanigans—“head fake” or “dirty trick” or “misunderstanding” or whatever—the NAB Responsorial Psalms were never replaced. Currently, for a number of years we’ve been assured the Abbey Psalms And Canticles are going to replace the NAB Responsorial Psalms. At the same time, the USCCB is careful to say the Abbey Psalms And Canticles translation is “provisional.” That is to say, they reserve the right to make future changes for any reason (or for no reason at all). My question is simple: Why do we continue to play these games?

1 This isn’t to claim or assert that vernacular translations before Vatican II were above reproach, as Monsignor Knox demonstrated in his masterly treatise, On Englishing The Bible (1949), which was inexplicably published under multiple titles (including Trials Of A Translator).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, I do not know what it is but I love it, Monsignor Ronald Knox Traditional Mass, NAB deletes the word SOUL, New Lectionary Edition USA, Old Holy Week, Pius XII Holy Week, Pre-1954 Holy Week, Pre-1955 Holy Week, Restore the '54, Revised Grail Psalter USCCB GIA, Trials of a Translator 1949 Last Updated: September 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.

— Rev. Adrian Fortescue (1912)

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