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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

Jeff Ostrowski · August 30, 2024

OR A NUMBER of years, I was involved with a project commissioned by the world’s largest Catholic publisher. It required a meticulous comparison between the 1950 Holy Week (sometimes erroneously called “pre-55”) and the version found in the 1962 books. During that process, something became crystal clear: viz. many who claim to be “experts” on the old Holy Week are ignorant of its basic facts—in particular what specifically was changed and what remained the same. Worse, these same folks have the audacity to claim they “hate and detest” the 1962 version. This phenomenon has been described by a very smart priest as the I don’t know what it is but I hate it syndrome. I’ll return to this theme in a moment.

(1 of 4) NAB Bible Translation • I’m the last person on earth who’d defend the English translation known as the NEW AMERICAN BIBLE (NAB). If memory serves, the NAB never uses the word “soul”—making certain Biblical passages into gobbledygook. Such tampering is iniquitous. The NAB also tried to adopt language that’s “overly colloquial” or “super casual”—and the results are frequently damnable. Examples might include the FIRST READING for the 22nd Sunday in Ordinary Time (Year A) or the GOSPEL for the 14th Sunday in Ordinary Time (Year B).1

(2 of 4) NAB Bible Translation • That having been said, when it comes to the NAB, certain online authors unwittingly manifest the ‘syndrome’ we spoke of earlier. In other words, they attack the NAB without understanding what it is they’re attacking.

(3 of 4) NAB Bible Translation • For example, many musicians claim the NAB Responsorial Psalms are “horrible” compared to the GRAIL PSALTER, or the so-called “Revised” Grail, or the Abbey Psalms And Canticles translation. A quick review: the Abbey Psalms And Canticles will (supposedly) be part of the new USA Lectionary which will (supposedly) arrive circa 2029. Some people also refer to the Abbey Psalms And Canticles as the “Revised-Revised Grail.” [I do realize all this is absurdly confusing … but please don’t shoot the messenger.]

(4 of 4) NAB Bible Translation • Is it really true the NAB is “horrendous” compared to the Abbey Psalms And Canticles translation? Well, the entire Abbey Psalms And Canticles Psalter was leaked a few years back. Here’s a brief comparison chart:

*  PDF Download • COMPARISON CHART
—NAB vs. the so-called Abbey Psalms And Canticles (“Revised-Revised Grail”).

Can anybody even tell which is which?

Conclusions • My colleague, CORRINNE MAY, correctly pointed out that I often do a poor job ending my articles. Therefore, let me provide a few concluding thoughts. The NAB has supposedly been “provisional” for a long time. For more than a decade, the USCCB pretended it was going to replace the NAB Responsorial Psalms with the so-called “revised” GRAIL PSALTER (whose rights are administered by a non-Christian company). Whatever you want to call such shenanigans—“head fake” or “dirty trick” or “misunderstanding” or whatever—the NAB Responsorial Psalms were never replaced. Currently, for a number of years we’ve been assured the Abbey Psalms And Canticles are going to replace the NAB Responsorial Psalms. At the same time, the USCCB is careful to say the Abbey Psalms And Canticles translation is “provisional.” That is to say, they reserve the right to make future changes for any reason (or for no reason at all). My question is simple: Why do we continue to play these games?

1 This isn’t to claim or assert that vernacular translations before Vatican II were above reproach, as Monsignor Knox demonstrated in his masterly treatise, On Englishing The Bible (1949), which was inexplicably published under multiple titles (including Trials Of A Translator).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, I do not know what it is but I love it, Monsignor Ronald Knox Traditional Mass, NAB deletes the word SOUL, New Lectionary Edition USA, Old Holy Week, Pius XII Holy Week, Pre-1954 Holy Week, Pre-1955 Holy Week, Restore the '54, Revised Grail Psalter USCCB GIA, Trials of a Translator 1949 Last Updated: September 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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