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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

Jeff Ostrowski · August 30, 2024

OR A NUMBER of years, I was involved with a project commissioned by the world’s largest Catholic publisher. It required a meticulous comparison between the 1950 Holy Week (sometimes erroneously called “pre-55”) and the version found in the 1962 books. During that process, something became crystal clear: viz. many who claim to be “experts” on the old Holy Week are ignorant of its basic facts—in particular what specifically was changed and what remained the same. Worse, these same folks have the audacity to claim they “hate and detest” the 1962 version. This phenomenon has been described by a very smart priest as the I don’t know what it is but I hate it syndrome. I’ll return to this theme in a moment.

(1 of 4) NAB Bible Translation • I’m the last person on earth who’d defend the English translation known as the NEW AMERICAN BIBLE (NAB). If memory serves, the NAB never uses the word “soul”—making certain Biblical passages into gobbledygook. Such tampering is iniquitous. The NAB also tried to adopt language that’s “overly colloquial” or “super casual”—and the results are frequently damnable. Examples might include the FIRST READING for the 22nd Sunday in Ordinary Time (Year A) or the GOSPEL for the 14th Sunday in Ordinary Time (Year B).1

(2 of 4) NAB Bible Translation • That having been said, when it comes to the NAB, certain online authors unwittingly manifest the ‘syndrome’ we spoke of earlier. In other words, they attack the NAB without understanding what it is they’re attacking.

(3 of 4) NAB Bible Translation • For example, many musicians claim the NAB Responsorial Psalms are “horrible” compared to the GRAIL PSALTER, or the so-called “Revised” Grail, or the Abbey Psalms And Canticles translation. A quick review: the Abbey Psalms And Canticles will (supposedly) be part of the new USA Lectionary which will (supposedly) arrive circa 2029. Some people also refer to the Abbey Psalms And Canticles as the “Revised-Revised Grail.” [I do realize all this is absurdly confusing … but please don’t shoot the messenger.]

(4 of 4) NAB Bible Translation • Is it really true the NAB is “horrendous” compared to the Abbey Psalms And Canticles translation? Well, the entire Abbey Psalms And Canticles Psalter was leaked a few years back. Here’s a brief comparison chart:

*  PDF Download • COMPARISON CHART
—NAB vs. the so-called Abbey Psalms And Canticles (“Revised-Revised Grail”).

Can anybody even tell which is which?

Conclusions • My colleague, CORRINNE MAY, correctly pointed out that I often do a poor job ending my articles. Therefore, let me provide a few concluding thoughts. The NAB has supposedly been “provisional” for a long time. For more than a decade, the USCCB pretended it was going to replace the NAB Responsorial Psalms with the so-called “revised” GRAIL PSALTER (whose rights are administered by a non-Christian company). Whatever you want to call such shenanigans—“head fake” or “dirty trick” or “misunderstanding” or whatever—the NAB Responsorial Psalms were never replaced. Currently, for a number of years we’ve been assured the Abbey Psalms And Canticles are going to replace the NAB Responsorial Psalms. At the same time, the USCCB is careful to say the Abbey Psalms And Canticles translation is “provisional.” That is to say, they reserve the right to make future changes for any reason (or for no reason at all). My question is simple: Why do we continue to play these games?

1 This isn’t to claim or assert that vernacular translations before Vatican II were above reproach, as Monsignor Knox demonstrated in his masterly treatise, On Englishing The Bible (1949), which was inexplicably published under multiple titles (including Trials Of A Translator).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbey Psalms and Canticles, I do not know what it is but I love it, Monsignor Ronald Knox Traditional Mass, NAB deletes the word SOUL, New Lectionary Edition USA, Old Holy Week, Pius XII Holy Week, Pre-1954 Holy Week, Pre-1955 Holy Week, Restore the '54, Revised Grail Psalter USCCB GIA, Trials of a Translator 1949 Last Updated: September 5, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Just before he left Letchworth, as he well knew to meet his death, he turned and bade good-bye to his little church, and silently kissed the altar-stone on which he had so frequently offered Mass.”

— From the life of Father Adrian Fortescue

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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