Views from the Choir Loft

Society for Catholic Liturgy Conference 2024

Fr. David Friel · July 20, 2024

OUSTON will be the setting for this year’s Society for Catholic Liturgy (SCL) conference. The event will take place September 26-27, 2024 on the beautiful campus of Saint Mary’s Seminary and will feature numerous interesting elements, including academic paper sessions, solemn liturgies, and plenty of fellowship among participants. The Society is especially pleased to welcome the participation of Cardinal DiNardo, Archbishop of Galveston-Houston, alongside an impressive international slate of scholars on the liturgy and related fields.

One of the most exciting features of this year’s conference will be a concert by the renowned vocal ensemble Cappella Romana, under the direction of Dr. Alexander Lingas. The group describes its mission as an exploration of “the transcendent beauty of the sacred music of the Christian East and West, especially of Byzantium, cultivating this rich cultural heritage and sharing it worldwide.” Lingas will also serve as one of the keynote speakers for the conference, presenting on the topic of “Late Antique Cathedral Liturgy and the Rite of the Great Church of Hagia Sophia.”

The night before the conference officially begins, a special members-only welcome reception will feature an address by Joseph Pearce, a well-known scholar on Shakespeare, Tolkien, and Chesterton. The focus of his presentation will be “Liturgy and Literature.”

Attendance at the general conference is not limited to members of the SCL. Anyone with an interest in the sacred liturgy is welcome to register for the conference through the SCL website. The full conference schedule, lodging information, and additional details are also available at the website.

OUNDED in 1995, the Society for Catholic Liturgy is a unique organization that brings together faithful Catholic scholars and artists from around the world to study and promote the rich liturgical tradition of the Church. The Society holds an annual conference and publishes Antiphon: A Journal for Liturgical Renewal, which deals with important theoretical and practical questions in the fields of liturgy and sacramental theology. Find out more about becoming a member on the Society’s website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Like! Like! Like!

You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.

—Jeff Ostrowski

Which Mass?

In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski