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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

720,000 Views … and Counting!

Veronica Moreno · July 20, 2024

S A CANTOR AT MY local parish for twenty years, this video from my friend and colleague—which has caught fire on social media with close to a million views so far—really resonated with my heart. “I was intruding in that silence,” she says.

Here’s the direct URL link.

My journey was quite similar to Corrinne’s, so her reflection immediately reminded me of the following quotes about clapping:

In Calvary there were those applauding Christ’s death: soldiers and demons. – Padre Pio

Silence is important. I am struck by a verse from the Book of Wisdom that was read with Christmas in mind, which says: “While gentle silence enveloped all things, your all-powerful word leaped from heaven.” The moment of most silence God manifested himself. It is important to think about silence in this age in which it does not seem to have much value. – Pope Francis

Video Summary • In last Friday’s Eucharistic Conference, Corrinne May underscored that Silence is an integral and essential part in the Holy Sacrifice of the Mass. She candidly shared that as a Church pianist for 12 years back in Los Angeles, she unknowingly encroached into the palpable silence with light instrumentals during Holy Mass. Inspired subsequently by these works, “The Spirit of the Liturgy”, of both Servant of God Father Romano Guardini and Joseph Cardinal Ratzinger, she understood the profound Gift and Beauty of Silence as the indispensable doorway to the Divine, drawing one’s soul into divine intimacy with Our Eucharistic Lord. Cardinal Ratzinger notes on Silence in the Sacred Liturgy, “We are realising more and more clearly that silence is part of the liturgy. We respond, by singing and praying, to the God who addresses us, but the greater mystery, surpassing all words, summons us to silence. It must, of course, be a silence with content, not just the absence of speech and action. We should expect the liturgy to give us a positive stillness that will restore us.” Legionary of Christ Father Edward McNamara, professor of liturgy at the Regina Apostolorum Pontifical Athenaeum comments on the General Instruction of the Roman Missal (GIRM) #45: “The specific periods of silence recommended in the GIRM encourage a general atmosphere of interior and exterior silence for all the participants at Mass. This silence should be sought while listening to the readings, the homily, or the proclamation of the Eucharistic and other priestly prayers. This helps quiet our imagination, our worries and our toils so as to join our hearts to the prayers and be fully attentive to whatever the Holy Spirit should inspire in us. Thus silence at Mass is an active, not a passive disposition.” Ms. Corrinne May hopes for Catholic Christians to recognise the Beauty of Silence in Holy Mass, and to beseech the grace to love Our Eucharistic Lord with the heart of Our Blessed Mother, the model par excellence of Silence.

SOURCE: Totus Tuus Apostolate Facebook

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 20, 2024

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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