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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

We Were Where Peter Is

Veronica Moreno · July 2, 2024

N OUR HOMESCHOOL, we pray for Pope Francis every day. No matter how my heart is hurting, no matter how much it hurts to feel excluded for attending the Traditional Mass, no matter how much pain we have to hear rumors, we pray for our Pope.

We proudly say, or sing, each Creed, “one, holy, apostolic Church” with deep faith and devotion.

As a family of Catholics, we made sure to go to Rome to pray at the tomb of Peter. We’ve almost lost count of the tombs we’ve prayed at, but there is something extraordinarily special about praying where Peter is.

We remain on pilgrimage, so this is a brief and awkward post.

But we are a family that attends both the Extraordinary and the Ordinary Forms. We are Roman Catholics. And so we go on pilgrimage to pray at the tomb of Saint Peter.

We are a family that wakes up early on Sundays, that practices chants and Palestrina, that wrangles toddlers for Mass, that manages on a single income, that prays the Rosary.

And a few days ago, Pope Francis reached out to us on his way to pray at the tomb of Peter. The successor of Peter greeted my children.

I held my tears.

For a few moments at least, until I turned and saw my husband crying next to me. My emotions burst out of me, the nuns behind us handed us tissues. My husband’s parents gave us more.

We bring our prayers to Rome, to Saint Peter and his successor, and he held my children’s hands. May he hold our prayers in his heart.

(If anyone in Rome is reading this, we are faithful! This mother and her children were there to kneel at the tomb of Peter! Don’t exclude these traditions! We prayed where Peter is, don’t exclude us!)

You can listen to the magnificent choirs and organist below. Truly awe-inspiring. Program link.

Many thanks to all of those who made this possible.

Source of images: Vatican Media.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Moreno European Tour Last Updated: October 28, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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