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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Lauda Sion” (Sequence) • Too Lengthy, Or Not?

Jeff Ostrowski · June 1, 2024

Y THE END of the American Civil War, nearly 33% (!) of United States currency in circulation was counterfeit. Many shops and businesses had no choice but to accept the false money. As a result, the SECRET SERVICE was established in 1865 with a mandate to suppress counterfeit money. In my seminar, Secrets of the Conscientious Choirmaster, I discuss choir directors who feel depressed about their job. Sometimes, it can feel as though very little progress is being made. Listening to recordings by one’s choir can be disheartening if one compares it to professional choirs like the TENEBRAE ENSEMBLE founded by Nigel Short. Some directors can feel as if they are “counterfeit.”

The Solution • During my seminar, I propose that such depression can be fought by remembering what we’re doing on a fundamental level: viz. teaching parishioners sacred music. As long as you’re doing that, you’re doing something good. [In particular, my comments are directed to a correspondent who expressed concern that his choir would “never” be able to sing the LAUDA SYON due to its enormous length and complexity.] Sometimes we must take a deep breath and remind ourselves what we’re doing. We’re not in competition with the world’s greatest choirs. Rather, we’re teaching parishioners how to sing and pray sacred music at Mass. Period.

Feast of Corpus Christi • On the feast of Corpus Christi, my volunteer choir sang the “Lauda Syon” Sequence by Saint Thomas Aquinas. I’m not saying it was perfect, but I was so proud of how they sang it, because it’s incredibly lengthy. My favorite part is the “AMEN,” sung by just the women. Here’s the ‘live’ recording from 30 May 2024:

Here’s the direct URL link.

*  PDF Download • NINE ORGAN ACCOMPANIMENTS
—Included in an article Jeff published on 2 June 2021.

Preparation • For many weeks, we prepared by discussing the meaning of its lyrics. In particular, we examined other Eucharistic texts found in the Brébeuf Catholic Hymnal, especially the marvelous Eucharistic hymns by Saint Robert Southwell. On 9 April 1964, POPE SAINT PAUL VI told a group of French pilgrims who taught Gregorian Chant that plainsong was not (!) in danger of being eliminated, and even cited to them specific decrees from the Second Vatican Council. On 15 August 1966, POPE SAINT PAUL VI wrote a letter to monks, reminding them they were obligated to pray the Divine Office in Latin. He wrote: “The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.” As we know, that’s not how things turned out. So let’s roll up our sleeves and get to work!

U.S. Marshal • After Mass on the feast of Corpus Christi, I was approached by one of my choir members. This particular man is a U.S. Marshal, a father of many children, husband to a wonderful wife, and a very successful person. He’d never had any musical training, but I recruited him for our choir anyway. He pulled me aside and looked me in the eye, saying:

“Jeff, I want you to know you’re the greatest teacher I’ve ever had in my entire life—and I don’t say that lightly.”

I was deeply moved, and emailed him later that night to express my gratitude. He replied: “It’s true, Jeff. I might be the only one to say it, but more people feel the same way.”

Conclusion • To my fellow choir directors, therefore, allow me to encourage you! If you ever feel despondent—or if you feel your choir isn’t making much progress—know that so long as you’re teaching parishioners sacred music, you are doing what God wants. Full stop.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Gregorian Chant Not In Any Danger Paul VI Tells French, Lauda Sion Salvatorem, Lauda Syon Sequence, Saint Robert Southwell, Saint Thomas Aquinas, Sequence for Corpus Christi Last Updated: June 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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