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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Lauda Sion” (Sequence) • Too Lengthy, Or Not?

Jeff Ostrowski · June 1, 2024

Y THE END of the American Civil War, nearly 33% (!) of United States currency in circulation was counterfeit. Many shops and businesses had no choice but to accept the false money. As a result, the SECRET SERVICE was established in 1865 with a mandate to suppress counterfeit money. In my seminar, Secrets of the Conscientious Choirmaster, I discuss choir directors who feel depressed about their job. Sometimes, it can feel as though very little progress is being made. Listening to recordings by one’s choir can be disheartening if one compares it to professional choirs like the TENEBRAE ENSEMBLE founded by Nigel Short. Some directors can feel as if they are “counterfeit.”

The Solution • During my seminar, I propose that such depression can be fought by remembering what we’re doing on a fundamental level: viz. teaching parishioners sacred music. As long as you’re doing that, you’re doing something good. [In particular, my comments are directed to a correspondent who expressed concern that his choir would “never” be able to sing the LAUDA SYON due to its enormous length and complexity.] Sometimes we must take a deep breath and remind ourselves what we’re doing. We’re not in competition with the world’s greatest choirs. Rather, we’re teaching parishioners how to sing and pray sacred music at Mass. Period.

Feast of Corpus Christi • On the feast of Corpus Christi, my volunteer choir sang the “Lauda Syon” Sequence by Saint Thomas Aquinas. I’m not saying it was perfect, but I was so proud of how they sang it, because it’s incredibly lengthy. My favorite part is the “AMEN,” sung by just the women. Here’s the ‘live’ recording from 30 May 2024:

Here’s the direct URL link.

*  PDF Download • NINE ORGAN ACCOMPANIMENTS
—Included in an article Jeff published on 2 June 2021.

Preparation • For many weeks, we prepared by discussing the meaning of its lyrics. In particular, we examined other Eucharistic texts found in the Brébeuf Catholic Hymnal, especially the marvelous Eucharistic hymns by Saint Robert Southwell. On 9 April 1964, POPE SAINT PAUL VI told a group of French pilgrims who taught Gregorian Chant that plainsong was not (!) in danger of being eliminated, and even cited to them specific decrees from the Second Vatican Council. On 15 August 1966, POPE SAINT PAUL VI wrote a letter to monks, reminding them they were obligated to pray the Divine Office in Latin. He wrote: “The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.” As we know, that’s not how things turned out. So let’s roll up our sleeves and get to work!

U.S. Marshal • After Mass on the feast of Corpus Christi, I was approached by one of my choir members. This particular man is a U.S. Marshal, a father of many children, husband to a wonderful wife, and a very successful person. He’d never had any musical training, but I recruited him for our choir anyway. He pulled me aside and looked me in the eye, saying:

“Jeff, I want you to know you’re the greatest teacher I’ve ever had in my entire life—and I don’t say that lightly.”

I was deeply moved, and emailed him later that night to express my gratitude. He replied: “It’s true, Jeff. I might be the only one to say it, but more people feel the same way.”

Conclusion • To my fellow choir directors, therefore, allow me to encourage you! If you ever feel despondent—or if you feel your choir isn’t making much progress—know that so long as you’re teaching parishioners sacred music, you are doing what God wants. Full stop.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Gregorian Chant Not In Any Danger Paul VI Tells French, Lauda Sion Salvatorem, Lauda Syon Sequence, Saint Robert Southwell, Saint Thomas Aquinas, Sequence for Corpus Christi Last Updated: June 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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