• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Lauda Sion” (Sequence) • Too Lengthy, Or Not?

Jeff Ostrowski · June 1, 2024

Y THE END of the American Civil War, nearly 33% (!) of United States currency in circulation was counterfeit. Many shops and businesses had no choice but to accept the false money. As a result, the SECRET SERVICE was established in 1865 with a mandate to suppress counterfeit money. In my seminar, Secrets of the Conscientious Choirmaster, I discuss choir directors who feel depressed about their job. Sometimes, it can feel as though very little progress is being made. Listening to recordings by one’s choir can be disheartening if one compares it to professional choirs like the TENEBRAE ENSEMBLE founded by Nigel Short. Some directors can feel as if they are “counterfeit.”

The Solution • During my seminar, I propose that such depression can be fought by remembering what we’re doing on a fundamental level: viz. teaching parishioners sacred music. As long as you’re doing that, you’re doing something good. [In particular, my comments are directed to a correspondent who expressed concern that his choir would “never” be able to sing the LAUDA SYON due to its enormous length and complexity.] Sometimes we must take a deep breath and remind ourselves what we’re doing. We’re not in competition with the world’s greatest choirs. Rather, we’re teaching parishioners how to sing and pray sacred music at Mass. Period.

Feast of Corpus Christi • On the feast of Corpus Christi, my volunteer choir sang the “Lauda Syon” Sequence by Saint Thomas Aquinas. I’m not saying it was perfect, but I was so proud of how they sang it, because it’s incredibly lengthy. My favorite part is the “AMEN,” sung by just the women. Here’s the ‘live’ recording from 30 May 2024:

Here’s the direct URL link.

*  PDF Download • NINE ORGAN ACCOMPANIMENTS
—Included in an article Jeff published on 2 June 2021.

Preparation • For many weeks, we prepared by discussing the meaning of its lyrics. In particular, we examined other Eucharistic texts found in the Brébeuf Catholic Hymnal, especially the marvelous Eucharistic hymns by Saint Robert Southwell. On 9 April 1964, POPE SAINT PAUL VI told a group of French pilgrims who taught Gregorian Chant that plainsong was not (!) in danger of being eliminated, and even cited to them specific decrees from the Second Vatican Council. On 15 August 1966, POPE SAINT PAUL VI wrote a letter to monks, reminding them they were obligated to pray the Divine Office in Latin. He wrote: “The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.” As we know, that’s not how things turned out. So let’s roll up our sleeves and get to work!

U.S. Marshal • After Mass on the feast of Corpus Christi, I was approached by one of my choir members. This particular man is a U.S. Marshal, a father of many children, husband to a wonderful wife, and a very successful person. He’d never had any musical training, but I recruited him for our choir anyway. He pulled me aside and looked me in the eye, saying:

“Jeff, I want you to know you’re the greatest teacher I’ve ever had in my entire life—and I don’t say that lightly.”

I was deeply moved, and emailed him later that night to express my gratitude. He replied: “It’s true, Jeff. I might be the only one to say it, but more people feel the same way.”

Conclusion • To my fellow choir directors, therefore, allow me to encourage you! If you ever feel despondent—or if you feel your choir isn’t making much progress—know that so long as you’re teaching parishioners sacred music, you are doing what God wants. Full stop.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Robert Southwell, Gregorian Chant Not In Any Danger Paul VI Tells French, Lauda Sion Salvatorem, Lauda Syon Sequence, Saint Robert Southwell, Saint Thomas Aquinas, Sequence for Corpus Christi Last Updated: June 1, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia
  • PDF Download • “Anima Christi”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.