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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Dunstan Hymnal” (158 pages)

Jeff Ostrowski · May 24, 2024

OW CLOSE ARE Anglicans to us, in terms of their religious practices? The answer is: It depends. Some Anglicans pray the Rosary every day and fervently believe in a doctrine resembling Transubstantiation. Other Anglicans have female ‘priests’ and openly endorse immorality. Some Anglicans (such as Dr. John Mason Neale) were physically assaulted by other Anglicans because they started adopting beliefs that were “too Catholic.”

Winfred Douglas (1 of 3) • I strongly suspect that Charles Winfred Douglas (d. 1944) was more of a “High Church” Anglican. He produced a book of Gregorian hymn accompaniments for the organ. We took the trouble to scan it, and today release a PDF version (see below) of its 158 pages. The accompaniments are well done but old-fashioned, suffering from a lack of common tones between chords. As a result, the accompaniments are somewhat “bumpy” or “jagged” or “choppy.”

Winfred Douglas (2 of 3) • For myself, this book by Douglas is most valuable owing to its English translations. I’m always in search of elegant and fresh translations of ancient Latin hymns. One superb contemporary hymn-writer is Father Dominic Popplewell, FSSP, who’s translated many Gregorian hymns. Consider the 4th verse of Verbe, égal au Très, a hymn by Jean Racine (d. 1699) based on Consors Paterni Luminis (see below). My friends, this is sacral language! And notice his sophisticated internal rhymes:

4. O Father, Son and Spirit, God alone,
The Holy One, the Word, their Bond divine,
Our fervent prayer attend, whose empires own
Nor rise nor term, and self-illumined shine.

My choir (which consists 100% volunteers) sang that piece at Mass last week:

To access this hymn’s media in the Brébeuf Portal, click here.

Winfred Douglas (3 of 3) • Several English translations seem unique to this book. Consider the compelling English translation by Winfred Douglas of “Te Sæculorum Principem.” The Latin version was composed in 1925—when the FEAST OF CHRIST THE KING was instituted—by Fr. Vittorio Genovési (d. 1967), hymnographer of the Congregation of Rites from 1942 until his death.1 One reason I said that Winfred Douglas was probably a “high” Anglican is that he includes Eucharistic texts such as Adoro Te Devote, Latens Deitas. I believe you’ll want to download all 158 pages of this book, which I find fascinating:

*  PDF Download • SAINT DUNSTAN HYMNAL (158 pages) [14MB]
—Plainsong Hymns with Accompaniments, from the Manuscripts of Winfred Douglas (Anglican).

Tunes in the Saint Dunstan Hymnal:

M A solis ortus cardine
M Ad cœnam Agni providi
M Adoro te devote
M Aeterna caeli gloria
M Aeterne rerum Conditor
M Ales diei nuntius
M Angularis fundamentum
M Annue Christe
M Antra deserti teneris
M Audi benigne Conditor
M Aurea luce
M Aurora lucis rutilat
M Ave, maris stella
M Ave, verum Corpus
M Beata nobis gaudia
M Bone Pastor
M Caeli Deus sanctissime
M Christe, Redemptor omnium, conserva
M Christe, Redemptor omnuim, ex Patre
M Christe, sanctorum
M Claro Paschali gaudio
M Conditor alme siderum
M Cor, arca legem continens
M Corde natus ex Parentis
M Cultor Dei, memento
M Custodes hominum
M Deus Creator omnium
M Deus, tuorum militum
M Dies irae
M Divinum mvsterium
M Doctor egregie
M Ecce iam noctis
M Ex more docti mystico
M Exsultet caelum laudibus
M Fortem virili pectore
M Hostis Herodes impie
M Hujus obtentu
M Immense caeli Conditor
M Iste Confessor
M Iste, quem laeti
M Jam, Christe, sol justitiae
M Jam Christus astra ascenderat
M Jam lucis orto sidere
M Jam toto subitus
M Jesu, corona celsior
M Jesu, corona Virginum Jesu, decus angelicum
M Jesu, nostra redemptio
M Laetabundus
M Lauda Sion
M Lucis Creator optime
M Lustris sex qui jam peractis
M Martyrae Dei qui unicum
M Nocte surgentes (1)
M Nocte surgentes (2)
M Nunc Sancte nobis Spiritus
M O filii et filiae
M O gloriosa Domina
M O lux beata Trinitas
M O nimis felix
M O salutaris hostia
M O sola magnarum urbium
M Pange lingua gloriosi
M Pater superni luminis
M Petrus beatus
M Primo dierum omnium
M Quicumque Christum quaeritis
M Rector potens, verax Deus
M Rerum Deus tenax vigor
M Rex gloriose Martyrum
M Sacris solemniis
M Sanctorum meritis
M Splendor Paternae gloriae
M Stabat Mater dolorosa
M Tantum ergo sacramentum
M Te, Joseph, celebrent
M Telluris ingens Conditor
M Te lucis ante terminum
M Templi sacratas pande
M Te saeculorum Principem
M Tibi, Christe, splendor Patris
M Tristes erant Apostoli
M Tu, Trinitatis Unitas
M Urbs Jerusalem beata
M Ut queant laxis
M Veni, Creator Spiritus
M Veni, Sancte Spiritus
M Verbum supernum prodiens
M Vexilla Christus inclyta
M Vexilla Regis prodeunt
M Victimae Paschali
M Virgo virginum praeclara
M Vox clara ecce intonat
M ANTIPHON: “Ego sum panis”

1 Certain online authors sometimes claim the sacred liturgy was never changed until the 1960s. That’s actually not true. The FEAST OF CHRIST THE KING is a case in point. That feast was created in 1925. It’s not ancient at all. Traditionally, the “kingship” of our Savior had been celebrated at the Epiphany. Online authors who pine for the “pristine” liturgy that existed before Vatican II often don’t know what they’re talking about; e.g. the 19th-century liturgical calendar was virtually unrecognizable compared to the 1962 calendar.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: A solis ortus cardine, Ad Cenam Agni Providi, Adoro Te Devote, Aeterna Caeli Gloria, Antra Deserti Teneris, Jesu Corona Celsior, John Mason Neale, Winfred Douglas Last Updated: May 24, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

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