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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Dunstan Hymnal” (158 pages)

Jeff Ostrowski · May 24, 2024

OW CLOSE ARE Anglicans to us, in terms of their religious practices? The answer is: It depends. Some Anglicans pray the Rosary every day and fervently believe in a doctrine resembling Transubstantiation. Other Anglicans have female ‘priests’ and openly endorse immorality. Some Anglicans (such as Dr. John Mason Neale) were physically assaulted by other Anglicans because they started adopting beliefs that were “too Catholic.”

Winfred Douglas (1 of 3) • I strongly suspect that Charles Winfred Douglas (d. 1944) was more of a “High Church” Anglican. He produced a book of Gregorian hymn accompaniments for the organ. We took the trouble to scan it, and today release a PDF version (see below) of its 158 pages. The accompaniments are well done but old-fashioned, suffering from a lack of common tones between chords. As a result, the accompaniments are somewhat “bumpy” or “jagged” or “choppy.”

Winfred Douglas (2 of 3) • For myself, this book by Douglas is most valuable owing to its English translations. I’m always in search of elegant and fresh translations of ancient Latin hymns. One superb contemporary hymn-writer is Father Dominic Popplewell, FSSP, who’s translated many Gregorian hymns. Consider the 4th verse of Verbe, égal au Très, a hymn by Jean Racine (d. 1699) based on Consors Paterni Luminis (see below). My friends, this is sacral language! And notice his sophisticated internal rhymes:

4. O Father, Son and Spirit, God alone,
The Holy One, the Word, their Bond divine,
Our fervent prayer attend, whose empires own
Nor rise nor term, and self-illumined shine.

My choir (which consists 100% volunteers) sang that piece at Mass last week:

To access this hymn’s media in the Brébeuf Portal, click here.

Winfred Douglas (3 of 3) • Several English translations seem unique to this book. Consider the compelling English translation by Winfred Douglas of “Te Sæculorum Principem.” The Latin version was composed in 1925—when the FEAST OF CHRIST THE KING was instituted—by Fr. Vittorio Genovési (d. 1967), hymnographer of the Congregation of Rites from 1942 until his death.1 One reason I said that Winfred Douglas was probably a “high” Anglican is that he includes Eucharistic texts such as Adoro Te Devote, Latens Deitas. I believe you’ll want to download all 158 pages of this book, which I find fascinating:

*  PDF Download • SAINT DUNSTAN HYMNAL (158 pages) [14MB]
—Plainsong Hymns with Accompaniments, from the Manuscripts of Winfred Douglas (Anglican).

Tunes in the Saint Dunstan Hymnal:

M A solis ortus cardine
M Ad cœnam Agni providi
M Adoro te devote
M Aeterna caeli gloria
M Aeterne rerum Conditor
M Ales diei nuntius
M Angularis fundamentum
M Annue Christe
M Antra deserti teneris
M Audi benigne Conditor
M Aurea luce
M Aurora lucis rutilat
M Ave, maris stella
M Ave, verum Corpus
M Beata nobis gaudia
M Bone Pastor
M Caeli Deus sanctissime
M Christe, Redemptor omnium, conserva
M Christe, Redemptor omnuim, ex Patre
M Christe, sanctorum
M Claro Paschali gaudio
M Conditor alme siderum
M Cor, arca legem continens
M Corde natus ex Parentis
M Cultor Dei, memento
M Custodes hominum
M Deus Creator omnium
M Deus, tuorum militum
M Dies irae
M Divinum mvsterium
M Doctor egregie
M Ecce iam noctis
M Ex more docti mystico
M Exsultet caelum laudibus
M Fortem virili pectore
M Hostis Herodes impie
M Hujus obtentu
M Immense caeli Conditor
M Iste Confessor
M Iste, quem laeti
M Jam, Christe, sol justitiae
M Jam Christus astra ascenderat
M Jam lucis orto sidere
M Jam toto subitus
M Jesu, corona celsior
M Jesu, corona Virginum Jesu, decus angelicum
M Jesu, nostra redemptio
M Laetabundus
M Lauda Sion
M Lucis Creator optime
M Lustris sex qui jam peractis
M Martyrae Dei qui unicum
M Nocte surgentes (1)
M Nocte surgentes (2)
M Nunc Sancte nobis Spiritus
M O filii et filiae
M O gloriosa Domina
M O lux beata Trinitas
M O nimis felix
M O salutaris hostia
M O sola magnarum urbium
M Pange lingua gloriosi
M Pater superni luminis
M Petrus beatus
M Primo dierum omnium
M Quicumque Christum quaeritis
M Rector potens, verax Deus
M Rerum Deus tenax vigor
M Rex gloriose Martyrum
M Sacris solemniis
M Sanctorum meritis
M Splendor Paternae gloriae
M Stabat Mater dolorosa
M Tantum ergo sacramentum
M Te, Joseph, celebrent
M Telluris ingens Conditor
M Te lucis ante terminum
M Templi sacratas pande
M Te saeculorum Principem
M Tibi, Christe, splendor Patris
M Tristes erant Apostoli
M Tu, Trinitatis Unitas
M Urbs Jerusalem beata
M Ut queant laxis
M Veni, Creator Spiritus
M Veni, Sancte Spiritus
M Verbum supernum prodiens
M Vexilla Christus inclyta
M Vexilla Regis prodeunt
M Victimae Paschali
M Virgo virginum praeclara
M Vox clara ecce intonat
M ANTIPHON: “Ego sum panis”

1 Certain online authors sometimes claim the sacred liturgy was never changed until the 1960s. That’s actually not true. The FEAST OF CHRIST THE KING is a case in point. That feast was created in 1925. It’s not ancient at all. Traditionally, the “kingship” of our Savior had been celebrated at the Epiphany. Online authors who pine for the “pristine” liturgy that existed before Vatican II often don’t know what they’re talking about; e.g. the 19th-century liturgical calendar was virtually unrecognizable compared to the 1962 calendar.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: A solis ortus cardine, Ad Cenam Agni Providi, Adoro Te Devote, Aeterna Caeli Gloria, Antra Deserti Teneris, Jesu Corona Celsior, John Mason Neale, Winfred Douglas Last Updated: May 24, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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