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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Dunstan Hymnal” (158 pages)

Jeff Ostrowski · May 24, 2024

OW CLOSE ARE Anglicans to us, in terms of their religious practices? The answer is: It depends. Some Anglicans pray the Rosary every day and fervently believe in a doctrine resembling Transubstantiation. Other Anglicans have female ‘priests’ and openly endorse immorality. Some Anglicans (such as Dr. John Mason Neale) were physically assaulted by other Anglicans because they started adopting beliefs that were “too Catholic.”

Winfred Douglas (1 of 3) • I strongly suspect that Charles Winfred Douglas (d. 1944) was more of a “High Church” Anglican. He produced a book of Gregorian hymn accompaniments for the organ. We took the trouble to scan it, and today release a PDF version (see below) of its 158 pages. The accompaniments are well done but old-fashioned, suffering from a lack of common tones between chords. As a result, the accompaniments are somewhat “bumpy” or “jagged” or “choppy.”

Winfred Douglas (2 of 3) • For myself, this book by Douglas is most valuable owing to its English translations. I’m always in search of elegant and fresh translations of ancient Latin hymns. One superb contemporary hymn-writer is Father Dominic Popplewell, FSSP, who’s translated many Gregorian hymns. Consider the 4th verse of Verbe, égal au Très, a hymn by Jean Racine (d. 1699) based on Consors Paterni Luminis (see below). My friends, this is sacral language! And notice his sophisticated internal rhymes:

4. O Father, Son and Spirit, God alone,
The Holy One, the Word, their Bond divine,
Our fervent prayer attend, whose empires own
Nor rise nor term, and self-illumined shine.

My choir (which consists 100% volunteers) sang that piece at Mass last week:

To access this hymn’s media in the Brébeuf Portal, click here.

Winfred Douglas (3 of 3) • Several English translations seem unique to this book. Consider the compelling English translation by Winfred Douglas of “Te Sæculorum Principem.” The Latin version was composed in 1925—when the FEAST OF CHRIST THE KING was instituted—by Fr. Vittorio Genovési (d. 1967), hymnographer of the Congregation of Rites from 1942 until his death.1 One reason I said that Winfred Douglas was probably a “high” Anglican is that he includes Eucharistic texts such as Adoro Te Devote, Latens Deitas. I believe you’ll want to download all 158 pages of this book, which I find fascinating:

*  PDF Download • SAINT DUNSTAN HYMNAL (158 pages) [14MB]
—Plainsong Hymns with Accompaniments, from the Manuscripts of Winfred Douglas (Anglican).

Tunes in the Saint Dunstan Hymnal:

M A solis ortus cardine
M Ad cœnam Agni providi
M Adoro te devote
M Aeterna caeli gloria
M Aeterne rerum Conditor
M Ales diei nuntius
M Angularis fundamentum
M Annue Christe
M Antra deserti teneris
M Audi benigne Conditor
M Aurea luce
M Aurora lucis rutilat
M Ave, maris stella
M Ave, verum Corpus
M Beata nobis gaudia
M Bone Pastor
M Caeli Deus sanctissime
M Christe, Redemptor omnium, conserva
M Christe, Redemptor omnuim, ex Patre
M Christe, sanctorum
M Claro Paschali gaudio
M Conditor alme siderum
M Cor, arca legem continens
M Corde natus ex Parentis
M Cultor Dei, memento
M Custodes hominum
M Deus Creator omnium
M Deus, tuorum militum
M Dies irae
M Divinum mvsterium
M Doctor egregie
M Ecce iam noctis
M Ex more docti mystico
M Exsultet caelum laudibus
M Fortem virili pectore
M Hostis Herodes impie
M Hujus obtentu
M Immense caeli Conditor
M Iste Confessor
M Iste, quem laeti
M Jam, Christe, sol justitiae
M Jam Christus astra ascenderat
M Jam lucis orto sidere
M Jam toto subitus
M Jesu, corona celsior
M Jesu, corona Virginum Jesu, decus angelicum
M Jesu, nostra redemptio
M Laetabundus
M Lauda Sion
M Lucis Creator optime
M Lustris sex qui jam peractis
M Martyrae Dei qui unicum
M Nocte surgentes (1)
M Nocte surgentes (2)
M Nunc Sancte nobis Spiritus
M O filii et filiae
M O gloriosa Domina
M O lux beata Trinitas
M O nimis felix
M O salutaris hostia
M O sola magnarum urbium
M Pange lingua gloriosi
M Pater superni luminis
M Petrus beatus
M Primo dierum omnium
M Quicumque Christum quaeritis
M Rector potens, verax Deus
M Rerum Deus tenax vigor
M Rex gloriose Martyrum
M Sacris solemniis
M Sanctorum meritis
M Splendor Paternae gloriae
M Stabat Mater dolorosa
M Tantum ergo sacramentum
M Te, Joseph, celebrent
M Telluris ingens Conditor
M Te lucis ante terminum
M Templi sacratas pande
M Te saeculorum Principem
M Tibi, Christe, splendor Patris
M Tristes erant Apostoli
M Tu, Trinitatis Unitas
M Urbs Jerusalem beata
M Ut queant laxis
M Veni, Creator Spiritus
M Veni, Sancte Spiritus
M Verbum supernum prodiens
M Vexilla Christus inclyta
M Vexilla Regis prodeunt
M Victimae Paschali
M Virgo virginum praeclara
M Vox clara ecce intonat
M ANTIPHON: “Ego sum panis”

1 Certain online authors sometimes claim the sacred liturgy was never changed until the 1960s. That’s actually not true. The FEAST OF CHRIST THE KING is a case in point. That feast was created in 1925. It’s not ancient at all. Traditionally, the “kingship” of our Savior had been celebrated at the Epiphany. Online authors who pine for the “pristine” liturgy that existed before Vatican II often don’t know what they’re talking about; e.g. the 19th-century liturgical calendar was virtually unrecognizable compared to the 1962 calendar.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: A solis ortus cardine, Ad Cenam Agni Providi, Adoro Te Devote, Aeterna Caeli Gloria, Antra Deserti Teneris, Jesu Corona Celsior, John Mason Neale, Winfred Douglas Last Updated: May 24, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The frequent elisions, as in the verse “Hoc óstium arcae in látere est Genti ad salútem pósitum” (feast of the Sacred Heart) make for an unpronounceable and unsingable hymn, and slightly less so does the hymn for Christ the King.

— Archbishop Hannibal Bugnini

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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