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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Update (25 April) • “Forthcoming Spanish Hymnal”

Jeff Ostrowski · April 25, 2024

HE FOREMOST scholar of the early 20th century was FATHER ADRIAN FORTESCUE—England’s “PPP” (Peerless Polyglottic Polymath). Fortescue died in 1923, the same year as Abbat Joseph Pothier, the greatest Gregorianist since Guido d’Arezzo. When it comes to the subject of vernacular hymnody, it’s said that Abbat Pothier was shocked and dismayed when shown the doggerel found in some American hymnals. For his part, Father Fortescue wrote on 25 March 1916: “In nothing are English Catholics so poor as in vernacular hymns. The real badness of most of our popular hymns, endeared, unfortunately, to the people by association, surpasses anything that could otherwise be imagined. When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations. If we do, there will be an end of the present odd anomaly, that, whereas our liturgical hymns are the finest in the world, our popular ones are easily the worst.” And Father Francis Brunner 1 wrote something similar in 1953: “Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person. And no one has yet had the courage to do anything about the problem that is thus created.”

New Spanish Hymnal (1 of 3) • When the Brébeuf Catholic Hymnal appeared, the problem of good hymns in English was solved—once and for all. One of the main authors for the Church Music Association of America Blog declared (6/10/2022) that the Brébeuf Hymnal “has no parallel and not even any close competitor.” But what about good hymns in Spanish?

New Spanish Hymnal (2 of 3) • We believe that Latino Catholics have been treated—broadly speaking—with contempt by the Catholic Church. They have been given “garbage” music with shoddy lyrics and uninspired, tedious, syncopated melodies. Indeed, many Spanish songs used in Catholic churches mindlessly repeat the same words over and over again.

New Spanish Hymnal (3 of 3) • Recently, we revealed details vis-à-vis a new Spanish hymnal. I won’t repeat everything that has already been said. As of this moment, the collection has not been given a title. Nor has any “date of publication” been announced—but exciting progress is being made each day. Indeed, this Spanish hymnody project has been decades in the making!

Consider this example, recorded yesterday morning:

Here’s the direct URL link.

English Translation for that Hymn:

1. Eternal king of the blessed,
creator of all things and the Father’s
co-equal Son from all eternity,
when the world was at its beginning

2. You created Adam and gave him
the image of Your own likeness,
joining a soul of noble destiny
with slime of the earth.

3. But when an envious, deceitful enemy
had covered mankind with the filth of sin,
You clothed Yourself in man’s flesh
and, a creator once again, gave man back
the beauty he had lost.

4. Once You were born of a virgin.
Now from from the tomb,
You command us, buried in sin,
to rise with You from the dead.

5. As our eternal shepherd
You wash Your flock in the
waters of baptism, where souls
are cleansed and sins are buried.

6. And as our redeemer, fastened to the
cross that we ought to have suffered,
You gave Your blood to the last drop
as the price of our salvation.

7. That You, O Jesus, may be
the unending paschal joy of their minds,
from the dreadful death of misdeeds
free those reborn to life.

8. To God the Father be glory,
and to the Son who from the dead
arose, and to the Paraclete,
unto everlasting ages.

Archbishop Bagshawe • One of the translators featured in the Brébeuf Catholic Hymnal was an Oratorian priest who became a bishop: viz. Edward Bagshawe (d. 1915). Verse six is particularly beautiful, and here’s how it was rendered by Bagshawe:

Thou—though to us the Cross was due—
Wast nailed upon its sacred wood,
And for salvation’s price didst give,
Unsparingly Thy Precious Blood.

1 Rev. Francis A. Brunner, C.SS.R. was Professor of Theology at Saint Joseph’s College in Kirkwood, Missouri. This priest-musician is remembered primarily for his English translation of Father Josef A. Jungmann’s enormously lengthy Missarum Sollemnia. Ten years ago, CORPUS CHRISTI WATERSHED scanned that book and made it available as a free PDF file.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Bagshawe Roman Catholic Bishop of Nottingham, Carmen Gregorianum, Josef A Jungmann Missarum Sollemnia, Missarum Sollemnia, Rev Fr Adrian Fortescue Liturgy, Spanish Hymnal for Catholics Last Updated: April 17, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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