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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Update (25 April) • “Forthcoming Spanish Hymnal”

Jeff Ostrowski · April 25, 2024

HE FOREMOST scholar of the early 20th century was FATHER ADRIAN FORTESCUE—England’s “PPP” (Peerless Polyglottic Polymath). Fortescue died in 1923, the same year as Abbat Joseph Pothier, the greatest Gregorianist since Guido d’Arezzo. When it comes to the subject of vernacular hymnody, it’s said that Abbat Pothier was shocked and dismayed when shown the doggerel found in some American hymnals. For his part, Father Fortescue wrote on 25 March 1916: “In nothing are English Catholics so poor as in vernacular hymns. The real badness of most of our popular hymns, endeared, unfortunately, to the people by association, surpasses anything that could otherwise be imagined. When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations. If we do, there will be an end of the present odd anomaly, that, whereas our liturgical hymns are the finest in the world, our popular ones are easily the worst.” And Father Francis Brunner 1 wrote something similar in 1953: “Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person. And no one has yet had the courage to do anything about the problem that is thus created.”

New Spanish Hymnal (1 of 3) • When the Brébeuf Catholic Hymnal appeared, the problem of good hymns in English was solved—once and for all. One of the main authors for the Church Music Association of America Blog declared (6/10/2022) that the Brébeuf Hymnal “has no parallel and not even any close competitor.” But what about good hymns in Spanish?

New Spanish Hymnal (2 of 3) • We believe that Latino Catholics have been treated—broadly speaking—with contempt by the Catholic Church. They have been given “garbage” music with shoddy lyrics and uninspired, tedious, syncopated melodies. Indeed, many Spanish songs used in Catholic churches mindlessly repeat the same words over and over again.

New Spanish Hymnal (3 of 3) • Recently, we revealed details vis-à-vis a new Spanish hymnal. I won’t repeat everything that has already been said. As of this moment, the collection has not been given a title. Nor has any “date of publication” been announced—but exciting progress is being made each day. Indeed, this Spanish hymnody project has been decades in the making!

Consider this example, recorded yesterday morning:

Here’s the direct URL link.

English Translation for that Hymn:

1. Eternal king of the blessed,
creator of all things and the Father’s
co-equal Son from all eternity,
when the world was at its beginning

2. You created Adam and gave him
the image of Your own likeness,
joining a soul of noble destiny
with slime of the earth.

3. But when an envious, deceitful enemy
had covered mankind with the filth of sin,
You clothed Yourself in man’s flesh
and, a creator once again, gave man back
the beauty he had lost.

4. Once You were born of a virgin.
Now from from the tomb,
You command us, buried in sin,
to rise with You from the dead.

5. As our eternal shepherd
You wash Your flock in the
waters of baptism, where souls
are cleansed and sins are buried.

6. And as our redeemer, fastened to the
cross that we ought to have suffered,
You gave Your blood to the last drop
as the price of our salvation.

7. That You, O Jesus, may be
the unending paschal joy of their minds,
from the dreadful death of misdeeds
free those reborn to life.

8. To God the Father be glory,
and to the Son who from the dead
arose, and to the Paraclete,
unto everlasting ages.

Archbishop Bagshawe • One of the translators featured in the Brébeuf Catholic Hymnal was an Oratorian priest who became a bishop: viz. Edward Bagshawe (d. 1915). Verse six is particularly beautiful, and here’s how it was rendered by Bagshawe:

Thou—though to us the Cross was due—
Wast nailed upon its sacred wood,
And for salvation’s price didst give,
Unsparingly Thy Precious Blood.

1 Rev. Francis A. Brunner, C.SS.R. was Professor of Theology at Saint Joseph’s College in Kirkwood, Missouri. This priest-musician is remembered primarily for his English translation of Father Josef A. Jungmann’s enormously lengthy Missarum Sollemnia. Ten years ago, CORPUS CHRISTI WATERSHED scanned that book and made it available as a free PDF file.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Bagshawe Roman Catholic Bishop of Nottingham, Carmen Gregorianum, Josef A Jungmann Missarum Sollemnia, Missarum Sollemnia, Rev Fr Adrian Fortescue Liturgy, Spanish Hymnal for Catholics Last Updated: April 17, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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