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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Letter from “Penelope” • (18 October 2023)

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy—in today’s dangerous society.

NITIALLY, I had missed your 2nd hymn quiz, but came across it today after reading another excellent recent article featuring hymns for the Holy Souls. I heard the familiar refrain of Gott Vater Sei Gepriesen during your organ improvisation. I think there are probably various English translations in use, so I recognize the refrain more readily anyways. This being said, I find your article of 16 October 2023 very timely. The idea of a new section of “Tricks for the Conscientious Choirmaster” is brilliant. I was recently asked to step in and lead someone else’s choir for a High Mass, with very little time to prepare. The variety you describe in your article is one of the key concepts I took away from attending the Sacred Music Symposium. Due to the time constraints on rehearsing with this choir (the night before), I gave some parts to the men, others to women, sang some of the Proper myself as a soloist (as requested by the director for whom I was the substitute), and taught them a couple of hymns (unison and in parts). At first the choir balked at “not being allowed” to sing absolutely everything. Understandably, they were used to their director, who’s an organist and accompanies even the Propers to help them sing everything. We did have a substitute organist for this Mass, but I did not ask him to accompany the Propers. In the end, it went fairly well and was very well received, thanks be to God. Another point that I greatly appreciate is the note on modal variety. That sense of balance between darker modes and brighter modes is certainly a good way of helping the faithful to pray. As a musician, of course, it becomes also something that feels like painting with sound. Anyhow, have a blessed day and may God reward you for all you do in His service! 🔷 Sincerely yours, Penelope.

Editor’s Note • The article Penelope refers to several times (published on 16 October 2023) may be found by clicking here:

*  Article • “Hymn for the Souls in Purgatory”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 18, 2023

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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