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Views from the Choir Loft

Letter from “Penelope” • (18 October 2023)

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy—in today’s dangerous society.

NITIALLY, I had missed your 2nd hymn quiz, but came across it today after reading another excellent recent article featuring hymns for the Holy Souls. I heard the familiar refrain of Gott Vater Sei Gepriesen during your organ improvisation. I think there are probably various English translations in use, so I recognize the refrain more readily anyways. This being said, I find your article of 16 October 2023 very timely. The idea of a new section of “Tricks for the Conscientious Choirmaster” is brilliant. I was recently asked to step in and lead someone else’s choir for a High Mass, with very little time to prepare. The variety you describe in your article is one of the key concepts I took away from attending the Sacred Music Symposium. Due to the time constraints on rehearsing with this choir (the night before), I gave some parts to the men, others to women, sang some of the Proper myself as a soloist (as requested by the director for whom I was the substitute), and taught them a couple of hymns (unison and in parts). At first the choir balked at “not being allowed” to sing absolutely everything. Understandably, they were used to their director, who’s an organist and accompanies even the Propers to help them sing everything. We did have a substitute organist for this Mass, but I did not ask him to accompany the Propers. In the end, it went fairly well and was very well received, thanks be to God. Another point that I greatly appreciate is the note on modal variety. That sense of balance between darker modes and brighter modes is certainly a good way of helping the faithful to pray. As a musician, of course, it becomes also something that feels like painting with sound. Anyhow, have a blessed day and may God reward you for all you do in His service! 🔷 Sincerely yours, Penelope.

Editor’s Note • The article Penelope refers to several times (published on 16 October 2023) may be found by clicking here:

*  Article • “Hymn for the Souls in Purgatory”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 18, 2023

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

Recent Posts

  • Luis Martínez Must Go!
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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