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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Letter from “Penelope” • (18 October 2023)

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy—in today’s dangerous society.

NITIALLY, I had missed your 2nd hymn quiz, but came across it today after reading another excellent recent article featuring hymns for the Holy Souls. I heard the familiar refrain of Gott Vater Sei Gepriesen during your organ improvisation. I think there are probably various English translations in use, so I recognize the refrain more readily anyways. This being said, I find your article of 16 October 2023 very timely. The idea of a new section of “Tricks for the Conscientious Choirmaster” is brilliant. I was recently asked to step in and lead someone else’s choir for a High Mass, with very little time to prepare. The variety you describe in your article is one of the key concepts I took away from attending the Sacred Music Symposium. Due to the time constraints on rehearsing with this choir (the night before), I gave some parts to the men, others to women, sang some of the Proper myself as a soloist (as requested by the director for whom I was the substitute), and taught them a couple of hymns (unison and in parts). At first the choir balked at “not being allowed” to sing absolutely everything. Understandably, they were used to their director, who’s an organist and accompanies even the Propers to help them sing everything. We did have a substitute organist for this Mass, but I did not ask him to accompany the Propers. In the end, it went fairly well and was very well received, thanks be to God. Another point that I greatly appreciate is the note on modal variety. That sense of balance between darker modes and brighter modes is certainly a good way of helping the faithful to pray. As a musician, of course, it becomes also something that feels like painting with sound. Anyhow, have a blessed day and may God reward you for all you do in His service! 🔷 Sincerely yours, Penelope.

Editor’s Note • The article Penelope refers to several times (published on 16 October 2023) may be found by clicking here:

*  Article • “Hymn for the Souls in Purgatory”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 18, 2023

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President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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  • PDF Download • Introit (2nd Sn. Ord.)

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