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Views from the Choir Loft

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

Jeff Ostrowski · September 26, 2023

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music [Thesaurus Musicæ Sacræ] is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words “preserved and fostered with great care” to mean “banished, condemned, and outlawed.” I cannot explain how such a situation arose; only God knows. What does this flagrant and widespread disregard for Vatican II mean? Should we become discouraged and throw in the towel? Or should we imitate the saints, who never asked the question: “How much can I get away with?” In particular, should we not imitate Father Noël Chabanel, who did his best and left the rest to God?

My Mass Setting—Released! • Today,1 on the feast of Saint Noël Chabanel (26 September), I am releasing all seven (7) movements of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church.

My Goals • I believe this Mass is an excellent way to introduce the THESAURUS MUSICAE SACRAE to congregations in a way that’s gentle and non-threatening. I believe the conscientious choirmaster already has more than enough obstacles to overcome! Therefore, several movements use a CONTRAFACT (the same polyphony over and over). That means your choir will be able to sing it with excellence: the way it’s supposed to sound. The polyphony was composed by a priest who lived in the 16th century, but (so far) only Dr. Charles Weaver has been able to figure out which piece it comes from. If anyone out there appreciates my Mass setting—which I offer freely—please pray to Saint Noël Chabanel, that he will intercede for my family. Thank you!

(1 of 7) • Hymn Extension PDF Score (#38110)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(2 of 7) • Kýrie with Extension PDF Score (#39164)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(3 of 7) • “Glory To God” PDF Score (#38310)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(4 of 7) • Gospel Alleluia with Extension PDF Score (#39162)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube
Those who provide music for Mass in the Ordinary Form should download the Gospel Acclamations in Honor of Father Simon Le Moyne—all 173 pages!—which correspond perfectly to this ALLELUIA EXTENSION when it’s raised by a whole step. If you’re confused, don’t worry. Simply download the PDF file below, which explains everything. Furthermore, that document provides the URL download Le Moyne collection and gives alternate tones for EF choirmasters who wish to employ this ALLELUIA EXTENSION:
*  PDF • ALLELUIA EXTENSION (Transposed) — #38690
—This PDF document (#38690) explains how everything works.
—A video of the Alleluia sans verses is #38685.
—The PDF score sans verses—in the lower key—is #38688.

(5 of 7) • “Holy, Holy, Holy” PDF Score (#39167)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(6 of 7) • “Our Father” PDF Score (#38886)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(7 of 7) • “Lamb of God” PDF Score (#39171)

VERSION WITH FULL PLAINSONG : YouTube
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Congregational Inserts •  If you find any mistakes, please let me know. Moreover, if you desire “congregational inserts” for my Mass settings—in Gregorian notation or in modern notation—please send an email to: dom.pothier@gmail.com

*  PDF Download • CONGREGATIONAL BOOKLET
—Requested by Mr. Seth Bauer • Size = 6×9.

*  PDF Download • KYRIE (Extraordinary Form)
—Demonstrating how Jeff’s “Chabanel Kyrie” can be used in the Extraordinary Form.

Here’s the direct URL link.

A Message We Received:

Dear Corpus Christi Watershed:
Thank you for your passion for and tireless work to create and promote music which elevates the Sacred Liturgy. I recently resigned from my position as music director of a medium-sized Ordinary Form parish. When I arrived 6 years ago, the parishioners very much expected music from the big three every week. However, the priest had introduced them to the communion antiphons and the ICEL chants which they sang confidently, but didn’t really have a fondness for them. Every time an opportunity was given, I attempted to educate the choir, cantors, and folks in the pews about appropriate Liturgical music, the beautiful traditions that the music supports and how music is integral to the Liturgy. I prepared 6-week adult formation classes on various aspects of Sacred Music, wrote many articles, held chant workshops, and graciously answered questions as they arose. Your articles and insights were invaluable in all of these endeavors. I am most thankful to say that, after 6 years, I left a parish that chants all the antiphons—even at the school Masess—only sings a bare minimum of the old Glory & Praise favorites (very infrequently), has deacons that chant Vespers, and has a choir that is growing into a decent SATB choir with some trained vocalists that who cantor and lead the choir sections. The choir has a growing number of hymns from the Brébeuf Catholic Hymnal in their repertoire which further enhances the celebration of the Mass for all.
It can be done. I thank you for your constant encouragement and advice. I give all the support to my successor that I can so that he can build upon the foundation laid during my tenure. He is excited about the Mass in Honor of Saint Noël Chabanel. Thank you again!
In the peace of Christ,
[We usually don’t publish names on our blog.]

Final Thought • One of my compositional “trademarks” has been my affinity for stepwise motion in the bass—but this is hardly an invention of mine! Consider the following:

I recently stumbled across to one of my earliest compositions, and what do I see?

*  PDF • Early Composition by Jeff Ostrowski

1 In the Ordinary Form, the feast of the Jesuit Martyrs of North America falls on 19 October—but not in Canada. In Canada, their feast is observed on 26 September (the same day as the Classical Roman Rite).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, Kyrie VIII with Polyphony Added, MASS IN HONOR OF NOEL CHABANEL, Missa de angelis, Thesaurus musicae sacrae Last Updated: March 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A penalty is decreed against clerics, who, being in sacred Orders, or holding benefices, do not wear a dress befitting their Order. […] In these days, the contempt of religion has grown to such a pitch that—making but little account of their own dignity, and of the clerical honor—some even wear in public the dress of laymen…”

— ‘Council of Trent (Session 14, Chapter 6)’

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