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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

Jeff Ostrowski · September 26, 2023

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music [Thesaurus Musicæ Sacræ] is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words “preserved and fostered with great care” to mean “banished, condemned, and outlawed.” I cannot explain how such a situation arose; only God knows. What does this flagrant and widespread disregard for Vatican II mean? Should we become discouraged and throw in the towel? Or should we imitate the saints, who never asked the question: “How much can I get away with?” In particular, should we not imitate Father Noël Chabanel, who did his best and left the rest to God?

My Mass Setting—Released! • Today,1 on the feast of Saint Noël Chabanel (26 September), I am releasing all seven (7) movements of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church.

My Goals • I believe this Mass is an excellent way to introduce the THESAURUS MUSICAE SACRAE to congregations in a way that’s gentle and non-threatening. I believe the conscientious choirmaster already has more than enough obstacles to overcome! Therefore, several movements use a CONTRAFACT (the same polyphony over and over). That means your choir will be able to sing it with excellence: the way it’s supposed to sound. The polyphony was composed by a priest who lived in the 16th century, but (so far) only Dr. Charles Weaver has been able to figure out which piece it comes from. If anyone out there appreciates my Mass setting—which I offer freely—please pray to Saint Noël Chabanel, that he will intercede for my family. Thank you!

(1 of 7) • Hymn Extension PDF Score (#38110)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(2 of 7) • Kýrie with Extension PDF Score (#39164)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(3 of 7) • “Glory To God” PDF Score (#38310)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(4 of 7) • Gospel Alleluia with Extension PDF Score (#39162)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube
Those who provide music for Mass in the Ordinary Form should download the Gospel Acclamations in Honor of Father Simon Le Moyne—all 173 pages!—which correspond perfectly to this ALLELUIA EXTENSION when it’s raised by a whole step. If you’re confused, don’t worry. Simply download the PDF file below, which explains everything. Furthermore, that document provides the URL download Le Moyne collection and gives alternate tones for EF choirmasters who wish to employ this ALLELUIA EXTENSION:
*  PDF • ALLELUIA EXTENSION (Transposed) — #38690
—This PDF document (#38690) explains how everything works.
—A video of the Alleluia sans verses is #38685.
—The PDF score sans verses—in the lower key—is #38688.

(5 of 7) • “Holy, Holy, Holy” PDF Score (#39167)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(6 of 7) • “Our Father” PDF Score (#38886)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(7 of 7) • “Lamb of God” PDF Score (#39171)

VERSION WITH FULL PLAINSONG : YouTube
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Congregational Inserts •  If you find any mistakes, please let me know. Moreover, if you desire “congregational inserts” for my Mass settings—in Gregorian notation or in modern notation—please send an email to: dom.pothier@gmail.com

*  PDF Download • CONGREGATIONAL BOOKLET
—Requested by Mr. Seth Bauer • Size = 6×9.

*  PDF Download • KYRIE (Extraordinary Form)
—Demonstrating how Jeff’s “Chabanel Kyrie” can be used in the Extraordinary Form.

Here’s the direct URL link.

A Message We Received:

Dear Corpus Christi Watershed:
Thank you for your passion for and tireless work to create and promote music which elevates the Sacred Liturgy. I recently resigned from my position as music director of a medium-sized Ordinary Form parish. When I arrived 6 years ago, the parishioners very much expected music from the big three every week. However, the priest had introduced them to the communion antiphons and the ICEL chants which they sang confidently, but didn’t really have a fondness for them. Every time an opportunity was given, I attempted to educate the choir, cantors, and folks in the pews about appropriate Liturgical music, the beautiful traditions that the music supports and how music is integral to the Liturgy. I prepared 6-week adult formation classes on various aspects of Sacred Music, wrote many articles, held chant workshops, and graciously answered questions as they arose. Your articles and insights were invaluable in all of these endeavors. I am most thankful to say that, after 6 years, I left a parish that chants all the antiphons—even at the school Masess—only sings a bare minimum of the old Glory & Praise favorites (very infrequently), has deacons that chant Vespers, and has a choir that is growing into a decent SATB choir with some trained vocalists that who cantor and lead the choir sections. The choir has a growing number of hymns from the Brébeuf Catholic Hymnal in their repertoire which further enhances the celebration of the Mass for all.
It can be done. I thank you for your constant encouragement and advice. I give all the support to my successor that I can so that he can build upon the foundation laid during my tenure. He is excited about the Mass in Honor of Saint Noël Chabanel. Thank you again!
In the peace of Christ,
[We usually don’t publish names on our blog.]

Final Thought • One of my compositional “trademarks” has been my affinity for stepwise motion in the bass—but this is hardly an invention of mine! Consider the following:

I recently stumbled across to one of my earliest compositions, and what do I see?

*  PDF • Early Composition by Jeff Ostrowski

1 In the Ordinary Form, the feast of the Jesuit Martyrs of North America falls on 19 October—but not in Canada. In Canada, their feast is observed on 26 September (the same day as the Classical Roman Rite).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, Kyrie VIII with Polyphony Added, MASS IN HONOR OF NOEL CHABANEL, Missa de angelis, Thesaurus musicae sacrae Last Updated: March 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski
    PDF Download • 3 September
    According to the MISSALE RECENS, the Feast of Saint Gregory the Great occurs on 3 September (the date Gregory became pope). Formerly, his feast was celebrated during Lent, on 12 March (the day Gregory died). In Latin, the feast is: Die 3 Septembris: S. Gregorii Magni, papæ et Ecclesiæ doctoris. you can download the Latin Introit, the Latin Offertory, as well as the Communion with gorgeous fauxbordon in English. Abbat Joseph Pothier—along with Dom André Mocquereau, Bishop Laurent Janssens, Father De Santi, and other Gregorian superstars—sang with a choir of 1,210 voices (from 36 different Roman colleges) under the direction of Monsignor Antonio Rella. That Mass included the “Alma cohors,” a special SEQUENCE for Saint Gregory…much to the dismay of those who believe in strict adherence to rubrics. The Mass on 11 April 1904 was celebrated by Pope Saint Pius X, at the great GREGORIAN CONGRESS held in Rome “to mark the 13th Centenary of the death of Saint Gregory the Great.” Someday, there’s much I’d love to say about this congress. We even have recordings (!) from it (made in 1904 by the Gramophone Company) with choirs conducted by Dom Pothier, Dom Mocquereau, Dom Janssens, Monsignor Rella, Baron Kanzler, and others.
    —Jeff Ostrowski
    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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  • PDF Download • 3 September

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