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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

Jeff Ostrowski · September 26, 2023

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music [Thesaurus Musicæ Sacræ] is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words “preserved and fostered with great care” to mean “banished, condemned, and outlawed.” I cannot explain how such a situation arose; only God knows. What does this flagrant and widespread disregard for Vatican II mean? Should we become discouraged and throw in the towel? Or should we imitate the saints, who never asked the question: “How much can I get away with?” In particular, should we not imitate Father Noël Chabanel, who did his best and left the rest to God?

My Mass Setting—Released! • Today,1 on the feast of Saint Noël Chabanel (26 September), I am releasing all seven (7) movements of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church.

My Goals • I believe this Mass is an excellent way to introduce the THESAURUS MUSICAE SACRAE to congregations in a way that’s gentle and non-threatening. I believe the conscientious choirmaster already has more than enough obstacles to overcome! Therefore, several movements use a CONTRAFACT (the same polyphony over and over). That means your choir will be able to sing it with excellence: the way it’s supposed to sound. The polyphony was composed by a priest who lived in the 16th century, but (so far) only Dr. Charles Weaver has been able to figure out which piece it comes from. If anyone out there appreciates my Mass setting—which I offer freely—please pray to Saint Noël Chabanel, that he will intercede for my family. Thank you!

(1 of 7) • Hymn Extension PDF Score (#38110)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(2 of 7) • Kýrie with Extension PDF Score (#39164)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(3 of 7) • “Glory To God” PDF Score (#38310)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(4 of 7) • Gospel Alleluia with Extension PDF Score (#39162)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube
Those who provide music for Mass in the Ordinary Form should download the Gospel Acclamations in Honor of Father Simon Le Moyne—all 173 pages!—which correspond perfectly to this ALLELUIA EXTENSION when it’s raised by a whole step. If you’re confused, don’t worry. Simply download the PDF file below, which explains everything. Furthermore, that document provides the URL download Le Moyne collection and gives alternate tones for EF choirmasters who wish to employ this ALLELUIA EXTENSION:
*  PDF • ALLELUIA EXTENSION (Transposed) — #38690
—This PDF document (#38690) explains how everything works.
—A video of the Alleluia sans verses is #38685.
—The PDF score sans verses—in the lower key—is #38688.

(5 of 7) • “Holy, Holy, Holy” PDF Score (#39167)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(6 of 7) • “Our Father” PDF Score (#38886)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(7 of 7) • “Lamb of God” PDF Score (#39171)

VERSION WITH FULL PLAINSONG : YouTube
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Congregational Inserts •  If you find any mistakes, please let me know. Moreover, if you desire “congregational inserts” for my Mass settings—in Gregorian notation or in modern notation—please send an email to: dom.pothier@gmail.com

*  PDF Download • CONGREGATIONAL BOOKLET
—Requested by Mr. Seth Bauer • Size = 6×9.

*  PDF Download • KYRIE (Extraordinary Form)
—Demonstrating how Jeff’s “Chabanel Kyrie” can be used in the Extraordinary Form.

Here’s the direct URL link.

A Message We Received:

Dear Corpus Christi Watershed:
Thank you for your passion for and tireless work to create and promote music which elevates the Sacred Liturgy. I recently resigned from my position as music director of a medium-sized Ordinary Form parish. When I arrived 6 years ago, the parishioners very much expected music from the big three every week. However, the priest had introduced them to the communion antiphons and the ICEL chants which they sang confidently, but didn’t really have a fondness for them. Every time an opportunity was given, I attempted to educate the choir, cantors, and folks in the pews about appropriate Liturgical music, the beautiful traditions that the music supports and how music is integral to the Liturgy. I prepared 6-week adult formation classes on various aspects of Sacred Music, wrote many articles, held chant workshops, and graciously answered questions as they arose. Your articles and insights were invaluable in all of these endeavors. I am most thankful to say that, after 6 years, I left a parish that chants all the antiphons—even at the school Masess—only sings a bare minimum of the old Glory & Praise favorites (very infrequently), has deacons that chant Vespers, and has a choir that is growing into a decent SATB choir with some trained vocalists that who cantor and lead the choir sections. The choir has a growing number of hymns from the Brébeuf Catholic Hymnal in their repertoire which further enhances the celebration of the Mass for all.
It can be done. I thank you for your constant encouragement and advice. I give all the support to my successor that I can so that he can build upon the foundation laid during my tenure. He is excited about the Mass in Honor of Saint Noël Chabanel. Thank you again!
In the peace of Christ,
[We usually don’t publish names on our blog.]

Final Thought • One of my compositional “trademarks” has been my affinity for stepwise motion in the bass—but this is hardly an invention of mine! Consider the following:

I recently stumbled across to one of my earliest compositions, and what do I see?

*  PDF • Early Composition by Jeff Ostrowski

1 In the Ordinary Form, the feast of the Jesuit Martyrs of North America falls on 19 October—but not in Canada. In Canada, their feast is observed on 26 September (the same day as the Classical Roman Rite).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, Kyrie VIII with Polyphony Added, MASS IN HONOR OF NOEL CHABANEL, Missa de angelis, Thesaurus musicae sacrae Last Updated: March 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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