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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • All Seven (7) Movements: “Mass in Honor of Saint Noël Chabanel”

Jeff Ostrowski · September 26, 2023

HE SECOND VATICAN Council solemnly declared: “The treasury of sacred music [Thesaurus Musicæ Sacræ] is to be preserved and fostered with great care.” Unfortunately, many priests and bishops since 1970 have interpreted the words “preserved and fostered with great care” to mean “banished, condemned, and outlawed.” I cannot explain how such a situation arose; only God knows. What does this flagrant and widespread disregard for Vatican II mean? Should we become discouraged and throw in the towel? Or should we imitate the saints, who never asked the question: “How much can I get away with?” In particular, should we not imitate Father Noël Chabanel, who did his best and left the rest to God?

My Mass Setting—Released! • Today,1 on the feast of Saint Noël Chabanel (26 September), I am releasing all seven (7) movements of the Mass in Honor of Saint Noël Chabanel for the Ordinary Form. It involves your CONGREGATION, your CANTRIX, and your CHOIR. My setting was designed to be extremely brief and (since it’s vernacular) it works for choirmasters whose priests have forbidden the traditional lingua sacra of the church.

My Goals • I believe this Mass is an excellent way to introduce the THESAURUS MUSICAE SACRAE to congregations in a way that’s gentle and non-threatening. I believe the conscientious choirmaster already has more than enough obstacles to overcome! Therefore, several movements use a CONTRAFACT (the same polyphony over and over). That means your choir will be able to sing it with excellence: the way it’s supposed to sound. The polyphony was composed by a priest who lived in the 16th century, but (so far) only Dr. Charles Weaver has been able to figure out which piece it comes from. If anyone out there appreciates my Mass setting—which I offer freely—please pray to Saint Noël Chabanel, that he will intercede for my family. Thank you!

(1 of 7) • Hymn Extension PDF Score (#38110)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(2 of 7) • Kýrie with Extension PDF Score (#39164)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(3 of 7) • “Glory To God” PDF Score (#38310)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(4 of 7) • Gospel Alleluia with Extension PDF Score (#39162)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube
Those who provide music for Mass in the Ordinary Form should download the Gospel Acclamations in Honor of Father Simon Le Moyne—all 173 pages!—which correspond perfectly to this ALLELUIA EXTENSION when it’s raised by a whole step. If you’re confused, don’t worry. Simply download the PDF file below, which explains everything. Furthermore, that document provides the URL download Le Moyne collection and gives alternate tones for EF choirmasters who wish to employ this ALLELUIA EXTENSION:
*  PDF • ALLELUIA EXTENSION (Transposed) — #38690
—This PDF document (#38690) explains how everything works.
—A video of the Alleluia sans verses is #38685.
—The PDF score sans verses—in the lower key—is #38688.

(5 of 7) • “Holy, Holy, Holy” PDF Score (#39167)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(6 of 7) • “Our Father” PDF Score (#38886)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

(7 of 7) • “Lamb of God” PDF Score (#39171)

VERSION WITH FULL PLAINSONG : YouTube
EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Congregational Inserts •  If you find any mistakes, please let me know. Moreover, if you desire “congregational inserts” for my Mass settings—in Gregorian notation or in modern notation—please send an email to: dom.pothier@gmail.com

*  PDF Download • CONGREGATIONAL BOOKLET
—Requested by Mr. Seth Bauer • Size = 6×9.

*  PDF Download • KYRIE (Extraordinary Form)
—Demonstrating how Jeff’s “Chabanel Kyrie” can be used in the Extraordinary Form.

Here’s the direct URL link.

A Message We Received:

Dear Corpus Christi Watershed:
Thank you for your passion for and tireless work to create and promote music which elevates the Sacred Liturgy. I recently resigned from my position as music director of a medium-sized Ordinary Form parish. When I arrived 6 years ago, the parishioners very much expected music from the big three every week. However, the priest had introduced them to the communion antiphons and the ICEL chants which they sang confidently, but didn’t really have a fondness for them. Every time an opportunity was given, I attempted to educate the choir, cantors, and folks in the pews about appropriate Liturgical music, the beautiful traditions that the music supports and how music is integral to the Liturgy. I prepared 6-week adult formation classes on various aspects of Sacred Music, wrote many articles, held chant workshops, and graciously answered questions as they arose. Your articles and insights were invaluable in all of these endeavors. I am most thankful to say that, after 6 years, I left a parish that chants all the antiphons—even at the school Masess—only sings a bare minimum of the old Glory & Praise favorites (very infrequently), has deacons that chant Vespers, and has a choir that is growing into a decent SATB choir with some trained vocalists that who cantor and lead the choir sections. The choir has a growing number of hymns from the Brébeuf Catholic Hymnal in their repertoire which further enhances the celebration of the Mass for all.
It can be done. I thank you for your constant encouragement and advice. I give all the support to my successor that I can so that he can build upon the foundation laid during my tenure. He is excited about the Mass in Honor of Saint Noël Chabanel. Thank you again!
In the peace of Christ,
[We usually don’t publish names on our blog.]

Final Thought • One of my compositional “trademarks” has been my affinity for stepwise motion in the bass—but this is hardly an invention of mine! Consider the following:

I recently stumbled across to one of my earliest compositions, and what do I see?

*  PDF • Early Composition by Jeff Ostrowski

1 In the Ordinary Form, the feast of the Jesuit Martyrs of North America falls on 19 October—but not in Canada. In Canada, their feast is observed on 26 September (the same day as the Classical Roman Rite).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Father Noel Chabanel, Kyrie VIII with Polyphony Added, MASS IN HONOR OF NOEL CHABANEL, Missa de angelis, Thesaurus musicae sacrae Last Updated: March 7, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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