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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Natalia’s Message • “Explaining The Two Sections!”

Jeff Ostrowski · September 6, 2023

IEWING THIS FILM, you might think: “Wow, that’s an incredibly short video that probably took five seconds to create.” But I have been assisting SOPHIA INSTITUTE PRESS with the creation of some of these videos. Let me assure you: producing them takes longer than you could imagine. By the way, I was the one who recorded the background track (playing the pipe organ) so please don’t make any nasty comments about it!

Here’s the direct URL link.

There’s Work To Do • If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could? If we’re honest, probably less than .05% could do that. Do you agree this situation is intolerable and must be remedied as soon as possible? Perhaps that’s one reason I keep pushing the Brébeuf Catholic Hymnal, which is absolutely revolutionary in a multitude of different ways.

Making Your Life Easy! • The two sections (explained in the video above) demonstrate how an “average” parish can begin to expose members of the congregation to the rich treasury of Catholic sacred music (THESAURUS MUSICAE SACRAE). Needless to say, anyone who believes the status quo is acceptable would in all likelihood not want the Brébeuf Hymnal. Indeed, some have made comments like: “The Brébeuf is so different than the typical Protestant hymn book. Its editors should have tried to mimic Protestant hymnals.” Clearly, I disagree. For myself, I believe the status quo is completely unacceptable and we must do better. The Brébeuf collection—which includes the marvelous Choral Supplement and spiral-bound Organ Accompaniment—has completely revolutionized my choir rehearsals.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Thesaurus musicae sacrae Last Updated: September 6, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Bishops have a duty towards both wise and foolish. They have to rouse the devotion of the carnal people with material ornament, since they are incapable of spiritual things.

— St. Bernard of Clairvaux (†1153)

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  • “Music List” • 5th Sunday of Easter (Year C)
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