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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Festo Sancte Augustine

Daniel Tucker · August 27, 2023

St. Augustine – Philippe de Champaigne, c. 1650 (Public Domain)

IN A LETTER DATED A.D. 423, St. Augustine writes to a convent of nuns…of which his sister had formerly been the prioress! He chastises the nuns for their grumblings about the new prioress, and suggests some rules that will help to restore order amidst the chaos brought on by new leadership in the community.

In particular, with regard to singing, Augustine says:

“In the psalms and hymns used in your prayers to God, let that be pondered in the heart which is uttered by the voice; chant nothing but what you find prescribed to be chanted; whatever is not so prescribed is not to be chanted.”

For us church musicians, such a remark should both give us pause and offer us encouragement. It should give us pause because, if we “[ponder not] in the heart [that] which is uttered by the voice,” we become “only a resounding gong or a clanging cymbal” (1 Corinthians 13:1). Rather, let us ask St. Augustine’s intercession that we – who spend so much of our time immersed in the texts of the sacred liturgy, and especially the Psalms, as Augustine was! – be “doers of the word, and not hearers only” (James 1:22).

Secondly, as for the encouragement, it is first of all a relief to know that “there is nothing new under the sun” (Ecclesiastes 1:9)! St. Augustine wrote this letter exactly 1,600 years ago, and still today we are fighting to have chanted “what [we] find to be prescribed to be chanted” according to the mind of Holy Mother Church, rather than merely whatever music is trendy or superficially emotive. Let us beg the prayers of this great saint and Doctor of the Church, that through his intercession, the Lord would grant us, who work to make the liturgy suitably beautiful for the glory of God and the good of souls, the grace to be – as Augustine says elsewhere in the same letter – “persons enamored of spiritual beauty, and diffusing a sweet savor of Christ.”

St. Augustine, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 27, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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