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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Festo Sancte Augustine

Daniel Tucker · August 27, 2023

St. Augustine – Philippe de Champaigne, c. 1650 (Public Domain)

IN A LETTER DATED A.D. 423, St. Augustine writes to a convent of nuns…of which his sister had formerly been the prioress! He chastises the nuns for their grumblings about the new prioress, and suggests some rules that will help to restore order amidst the chaos brought on by new leadership in the community.

In particular, with regard to singing, Augustine says:

“In the psalms and hymns used in your prayers to God, let that be pondered in the heart which is uttered by the voice; chant nothing but what you find prescribed to be chanted; whatever is not so prescribed is not to be chanted.”

For us church musicians, such a remark should both give us pause and offer us encouragement. It should give us pause because, if we “[ponder not] in the heart [that] which is uttered by the voice,” we become “only a resounding gong or a clanging cymbal” (1 Corinthians 13:1). Rather, let us ask St. Augustine’s intercession that we – who spend so much of our time immersed in the texts of the sacred liturgy, and especially the Psalms, as Augustine was! – be “doers of the word, and not hearers only” (James 1:22).

Secondly, as for the encouragement, it is first of all a relief to know that “there is nothing new under the sun” (Ecclesiastes 1:9)! St. Augustine wrote this letter exactly 1,600 years ago, and still today we are fighting to have chanted “what [we] find to be prescribed to be chanted” according to the mind of Holy Mother Church, rather than merely whatever music is trendy or superficially emotive. Let us beg the prayers of this great saint and Doctor of the Church, that through his intercession, the Lord would grant us, who work to make the liturgy suitably beautiful for the glory of God and the good of souls, the grace to be – as Augustine says elsewhere in the same letter – “persons enamored of spiritual beauty, and diffusing a sweet savor of Christ.”

St. Augustine, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 27, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Just before he left Letchworth, as he well knew to meet his death, he turned and bade good-bye to his little church, and silently kissed the altar-stone on which he had so frequently offered Mass.”

— From the life of Father Adrian Fortescue

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  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
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