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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CRCCM Repertoire Project Released!

Richard J. Clark · June 28, 2023

HE CONFERENCE of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource created to serve the entire Catholic Church. The CRCCM Repertoire Project offers recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and certain Ritual Masses. This resource is open to the public, i.e., no pay wall, no membership requirement! It has been created out of great love for the sacred liturgy, to serve the Church, and perhaps to evangelize beyond. This project seeks to collect treasures old and new that are beautiful, sacred, and universal, and in the words of Pope Saint Pius X that will bring about “the glory of God and the sanctification and edification of the faithful.” (Tra le Sollecitudini, § 1)

• The project is available here on the CRCCM website.

• You may download the Press Release here.

Navigation

THE ORGANIZATION of this website is exhaustively thorough. Under “Browse by Category” one may search by liturgical calendar, Ritual Mass, ensemble (voicing and accompaniment), language, and liturgical use. One may also search by composer.

The submission process requires cataloguing ample pertinent information. The result is a highly useful database of choral works for the Roman Catholic liturgy.

Just the Beginning!

This website is a treasure-trove and is expected to grow exponentially as CRCCM members contribute links and data to published works and manuscripts for download to unpublished works. With such comprehensive cataloguing of categories, it is very easy to get sucked down the rabbit–hole of so much transcendent sacred music, “a treasure of inestimable value, greater even than that of any other art.” (§112 Sacrosanctum Concilium) And it’s all available at one’s fingertips!

Many thanks Brian Luckner, the Steering Committee, and tireless work of CRCCM members.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 28, 2023

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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