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Views from the Choir Loft

CRCCM Repertoire Project Released!

Richard J. Clark · June 28, 2023

HE CONFERENCE of Roman Catholic Cathedral Musicians (CRCCM) has just launched a remarkable free resource created to serve the entire Catholic Church. The CRCCM Repertoire Project offers recommendations of choral music, antiphons, propers, and more for all Sundays of the liturgical calendar, solemnities, and certain Ritual Masses. This resource is open to the public, i.e., no pay wall, no membership requirement! It has been created out of great love for the sacred liturgy, to serve the Church, and perhaps to evangelize beyond. This project seeks to collect treasures old and new that are beautiful, sacred, and universal, and in the words of Pope Saint Pius X that will bring about “the glory of God and the sanctification and edification of the faithful.” (Tra le Sollecitudini, § 1)

• The project is available here on the CRCCM website.

• You may download the Press Release here.

Navigation

THE ORGANIZATION of this website is exhaustively thorough. Under “Browse by Category” one may search by liturgical calendar, Ritual Mass, ensemble (voicing and accompaniment), language, and liturgical use. One may also search by composer.

The submission process requires cataloguing ample pertinent information. The result is a highly useful database of choral works for the Roman Catholic liturgy.

Just the Beginning!

This website is a treasure-trove and is expected to grow exponentially as CRCCM members contribute links and data to published works and manuscripts for download to unpublished works. With such comprehensive cataloguing of categories, it is very easy to get sucked down the rabbit–hole of so much transcendent sacred music, “a treasure of inestimable value, greater even than that of any other art.” (§112 Sacrosanctum Concilium) And it’s all available at one’s fingertips!

Many thanks Brian Luckner, the Steering Committee, and tireless work of CRCCM members.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 28, 2023

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

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