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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Alfred Calabrese leads choir on EWTN with Archbishop Cordileone

Matthew Frederes · March 4, 2023

Band of Voices, a professional choir led by Alfred Calabrese, will appear on EWTN on Saturday, March 11 at 11am PST.

”Miserere: A Lenten Prayer Service” is a production of The Benedict XVI Institute in San Francisco.  Archbishop Cordileone will preside over this service from the beautiful Mission Dolores Basilica.  To stream this live broadcast, click on the link below and register. Registration is free.

The service features the choir singing eight Latin motets, four from the Renaissance and four from living composers writing in response to the same texts.   The four living composers are Daniel Knaggs, Mark Nowakowski, Jeffrey Quick, and Frank La Rocca, the Institute’s Composer in Residence. All but the LaRocca piece will be world premieres.

The texts include:

  • “Popule Meus” (Victoria/Knaggs)
  • “Timor et Tremor” (Lassus/Quick)
  • “Ad te levavi (Palestrina/Nowakowski)
  • “Miserere mei” (Lassus/La Rocca)

Archbishop Cordileone will be offering commentary which will be interspersed between the pairs of motets, creating a Lenten reflection that spans the ages and speaks to the timeless yet immediate trials and joys of our Lenten journey. The service was originally intended to take place two years ago but was postponed until now because of the pandemic.

Band of Voices is a new Dallas-based chamber choir founded by Calabrese in 2022. The 17 voices appearing in this event represent some of the finest singers in the DFW area.

Register Here for this Event!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 4, 2023

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About Matthew Frederes

Mr. Frederes is a software engineer, pilot, served as an organist for 31 years, and directed small parish choirs/scholas for 22 years. He and his wife have 12 children. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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