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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing The Saint Hildegard Project

Daniel Tucker · January 15, 2023

Members of The Saint Hildegard Project. (Photo by James Richardson)

HANKS TO THE LEADERSHIP AND VISION of Mr. Jerome Cole, the Diocese of Fort Wayne-South Bend has been blessed by the presence of a new Catholic sacred music ensemble called The Saint Hildegard Project. Made up of local music directors and area musicians, the Saint Hildegard Project “seeks to communicate the beauty of the Roman Catholic liturgical tradition through the Church’s rich treasury of sacred music. Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.”

In a letter endorsing the group, the local Bishop Kevin C. Rhoades remarks that he is grateful to The Saint Hildegard Project for “embarking on the important local work of promoting a deeper appreciation for the Church’s rich musical heritage.” He quotes the Second Vatican Council’s constitution on the sacred liturgy, Sacrosanctum concilium, which emphasizes that “the musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (112). Finally, Bp. Rhoades notes the “true evangelizing potential of sacred music,” with its power to “exude beauty and lead souls to give sincere, joyful glory to God.”

Their inaugural concert was given this past November at St. Joseph’s church in Mishawaka, IN. The program featured music on Eucharistic themes, including works from the Gregorian repertoire as well as music by Palestrina, Byrd, Victoria, and others. Some live recordings from that concert are available below:

Byrd: Ave Verum Corpus

Palestrina: O Salutaris Hostia

Victoria: Jesu Dulcis Memoria

Salve Regina (Solemn Tone with Drone)

In addition to performing music from the rich patrimony of the Church, The Saint Hildegard Project also engages in educational outreach to local Catholic schools and parishes throughout the diocese. In the coming months, they will be leading two workshops on behalf of the Diocese of Fort Wayne-South Bend for the purpose of teaching other local music directors to lead Vespers in their parishes and to select doctrinally-orthodox Eucharistic hymnody for employment in the Holy Sacrifice of the Mass. More information about The Saint Hildegard Project’s members, aims, and upcoming activities can be found at their website, https://www.hildegardproject.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 15, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

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  • Psalm Tone Challenge!
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