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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing The Saint Hildegard Project

Daniel Tucker · January 15, 2023

Members of The Saint Hildegard Project. (Photo by James Richardson)

HANKS TO THE LEADERSHIP AND VISION of Mr. Jerome Cole, the Diocese of Fort Wayne-South Bend has been blessed by the presence of a new Catholic sacred music ensemble called The Saint Hildegard Project. Made up of local music directors and area musicians, the Saint Hildegard Project “seeks to communicate the beauty of the Roman Catholic liturgical tradition through the Church’s rich treasury of sacred music. Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.”

In a letter endorsing the group, the local Bishop Kevin C. Rhoades remarks that he is grateful to The Saint Hildegard Project for “embarking on the important local work of promoting a deeper appreciation for the Church’s rich musical heritage.” He quotes the Second Vatican Council’s constitution on the sacred liturgy, Sacrosanctum concilium, which emphasizes that “the musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (112). Finally, Bp. Rhoades notes the “true evangelizing potential of sacred music,” with its power to “exude beauty and lead souls to give sincere, joyful glory to God.”

Their inaugural concert was given this past November at St. Joseph’s church in Mishawaka, IN. The program featured music on Eucharistic themes, including works from the Gregorian repertoire as well as music by Palestrina, Byrd, Victoria, and others. Some live recordings from that concert are available below:

Byrd: Ave Verum Corpus

Palestrina: O Salutaris Hostia

Victoria: Jesu Dulcis Memoria

Salve Regina (Solemn Tone with Drone)

In addition to performing music from the rich patrimony of the Church, The Saint Hildegard Project also engages in educational outreach to local Catholic schools and parishes throughout the diocese. In the coming months, they will be leading two workshops on behalf of the Diocese of Fort Wayne-South Bend for the purpose of teaching other local music directors to lead Vespers in their parishes and to select doctrinally-orthodox Eucharistic hymnody for employment in the Holy Sacrifice of the Mass. More information about The Saint Hildegard Project’s members, aims, and upcoming activities can be found at their website, https://www.hildegardproject.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 15, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

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