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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing The Saint Hildegard Project

Daniel Tucker · January 15, 2023

Members of The Saint Hildegard Project. (Photo by James Richardson)

HANKS TO THE LEADERSHIP AND VISION of Mr. Jerome Cole, the Diocese of Fort Wayne-South Bend has been blessed by the presence of a new Catholic sacred music ensemble called The Saint Hildegard Project. Made up of local music directors and area musicians, the Saint Hildegard Project “seeks to communicate the beauty of the Roman Catholic liturgical tradition through the Church’s rich treasury of sacred music. Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.”

In a letter endorsing the group, the local Bishop Kevin C. Rhoades remarks that he is grateful to The Saint Hildegard Project for “embarking on the important local work of promoting a deeper appreciation for the Church’s rich musical heritage.” He quotes the Second Vatican Council’s constitution on the sacred liturgy, Sacrosanctum concilium, which emphasizes that “the musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (112). Finally, Bp. Rhoades notes the “true evangelizing potential of sacred music,” with its power to “exude beauty and lead souls to give sincere, joyful glory to God.”

Their inaugural concert was given this past November at St. Joseph’s church in Mishawaka, IN. The program featured music on Eucharistic themes, including works from the Gregorian repertoire as well as music by Palestrina, Byrd, Victoria, and others. Some live recordings from that concert are available below:

Byrd: Ave Verum Corpus

Palestrina: O Salutaris Hostia

Victoria: Jesu Dulcis Memoria

Salve Regina (Solemn Tone with Drone)

In addition to performing music from the rich patrimony of the Church, The Saint Hildegard Project also engages in educational outreach to local Catholic schools and parishes throughout the diocese. In the coming months, they will be leading two workshops on behalf of the Diocese of Fort Wayne-South Bend for the purpose of teaching other local music directors to lead Vespers in their parishes and to select doctrinally-orthodox Eucharistic hymnody for employment in the Holy Sacrifice of the Mass. More information about The Saint Hildegard Project’s members, aims, and upcoming activities can be found at their website, https://www.hildegardproject.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 15, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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