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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Introducing The Saint Hildegard Project

Daniel Tucker · January 15, 2023

Members of The Saint Hildegard Project. (Photo by James Richardson)

HANKS TO THE LEADERSHIP AND VISION of Mr. Jerome Cole, the Diocese of Fort Wayne-South Bend has been blessed by the presence of a new Catholic sacred music ensemble called The Saint Hildegard Project. Made up of local music directors and area musicians, the Saint Hildegard Project “seeks to communicate the beauty of the Roman Catholic liturgical tradition through the Church’s rich treasury of sacred music. Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.”

In a letter endorsing the group, the local Bishop Kevin C. Rhoades remarks that he is grateful to The Saint Hildegard Project for “embarking on the important local work of promoting a deeper appreciation for the Church’s rich musical heritage.” He quotes the Second Vatican Council’s constitution on the sacred liturgy, Sacrosanctum concilium, which emphasizes that “the musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (112). Finally, Bp. Rhoades notes the “true evangelizing potential of sacred music,” with its power to “exude beauty and lead souls to give sincere, joyful glory to God.”

Their inaugural concert was given this past November at St. Joseph’s church in Mishawaka, IN. The program featured music on Eucharistic themes, including works from the Gregorian repertoire as well as music by Palestrina, Byrd, Victoria, and others. Some live recordings from that concert are available below:

Byrd: Ave Verum Corpus

Palestrina: O Salutaris Hostia

Victoria: Jesu Dulcis Memoria

Salve Regina (Solemn Tone with Drone)

In addition to performing music from the rich patrimony of the Church, The Saint Hildegard Project also engages in educational outreach to local Catholic schools and parishes throughout the diocese. In the coming months, they will be leading two workshops on behalf of the Diocese of Fort Wayne-South Bend for the purpose of teaching other local music directors to lead Vespers in their parishes and to select doctrinally-orthodox Eucharistic hymnody for employment in the Holy Sacrifice of the Mass. More information about The Saint Hildegard Project’s members, aims, and upcoming activities can be found at their website, https://www.hildegardproject.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 15, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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