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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Introducing The Saint Hildegard Project

Daniel Tucker · January 15, 2023

Members of The Saint Hildegard Project. (Photo by James Richardson)

HANKS TO THE LEADERSHIP AND VISION of Mr. Jerome Cole, the Diocese of Fort Wayne-South Bend has been blessed by the presence of a new Catholic sacred music ensemble called The Saint Hildegard Project. Made up of local music directors and area musicians, the Saint Hildegard Project “seeks to communicate the beauty of the Roman Catholic liturgical tradition through the Church’s rich treasury of sacred music. Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.”

In a letter endorsing the group, the local Bishop Kevin C. Rhoades remarks that he is grateful to The Saint Hildegard Project for “embarking on the important local work of promoting a deeper appreciation for the Church’s rich musical heritage.” He quotes the Second Vatican Council’s constitution on the sacred liturgy, Sacrosanctum concilium, which emphasizes that “the musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art” (112). Finally, Bp. Rhoades notes the “true evangelizing potential of sacred music,” with its power to “exude beauty and lead souls to give sincere, joyful glory to God.”

Their inaugural concert was given this past November at St. Joseph’s church in Mishawaka, IN. The program featured music on Eucharistic themes, including works from the Gregorian repertoire as well as music by Palestrina, Byrd, Victoria, and others. Some live recordings from that concert are available below:

Byrd: Ave Verum Corpus

Palestrina: O Salutaris Hostia

Victoria: Jesu Dulcis Memoria

Salve Regina (Solemn Tone with Drone)

In addition to performing music from the rich patrimony of the Church, The Saint Hildegard Project also engages in educational outreach to local Catholic schools and parishes throughout the diocese. In the coming months, they will be leading two workshops on behalf of the Diocese of Fort Wayne-South Bend for the purpose of teaching other local music directors to lead Vespers in their parishes and to select doctrinally-orthodox Eucharistic hymnody for employment in the Holy Sacrifice of the Mass. More information about The Saint Hildegard Project’s members, aims, and upcoming activities can be found at their website, https://www.hildegardproject.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 15, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words right above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición is based on the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong
  • Is the USCCB trolling us?

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