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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Death stops us; it stops our race.” —Saint Newman

Corpus Christi Watershed · November 2, 2022

M Cardinal Newman (d. 1890) spoke about
M death in one of his sermons
M and below is an excerpt.

ONSIDER, THEN, what it is to die; “there is no work, device, knowledge, or wisdom, in the grave.” Death puts an end absolutely and irrevocably to all our plans and works, and it is inevitable. The Psalmist speaks to “high and low, rich and poor, one with another.” “No man can deliver his brother, nor make agreement unto God for him.” Even “wise men die, as well as the ignorant and foolish, and leave their riches for others.” Difficult as we may find it to bring it home to ourselves, to realize it, yet as surely as we are here assembled together, so surely will every one of us, sooner or later, one by one, be stretched on the bed of death. We naturally shrink from the thought of death, and of its attendant circumstances; but all that is hateful and fearful about it will be fulfilled in our case, one by one. But all this is nothing compared with the consequences implied in it. Death stops us; it stops our race. Men are engaged about their work, or about their pleasure; they are in the city, or the field; any how they are stopped; their deeds are suddenly gathered in—a reckoning is made—all is sealed up till the great day. What a change is this! In the words used familiarly in speaking of the dead, they are no more. They were full of schemes and projects; whether in a great or humbler rank, they had their hopes and fears, their prospects, their pursuits, their rivalries; all these are now come to an end.

One builds a house, and its roof is not finished; another buys merchandise, and it is not yet sold. And all their virtues and pleasing qualities which endeared them to their friends are, as far as this world is concerned, vanished. Where are they who were so active, so sanguine, so generous? the amiable, the modest and the kind? We were told that they were dead; they suddenly disappeared; that is all we know about it. They were silently taken from us; they are not met in the seat of the elders, nor in the assemblies of the people; in the mixed concourse of men, nor in the domestic retirement which they prized. As Scripture describes it, “the wind has passed over them, and they are gone, and their place shall know them no more.” And they have burst the many ties which held them; they were parents, brothers, sisters, children, and friends; but the bond of the kindred is broken, and the silver cord of love is loosed. They have been followed by the vehement grief of tears, and the long sorrow of aching hearts; but they make no return, they answer not; they do not even satisfy our wish to know that they sorrow for us as we for them.

We talk about them thenceforth as if they were persons we do not know; we talk about them as third persons; whereas they used to be always with us, and every other thought which was within us was shared by them. Or perhaps, if our grief is too deep, we do not mention their names at all.

* Read the entire sermon, thanks to Mdme. Google.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Newman, JOHN HENRY NEWMAN, John Henry Newman Sacred Music Last Updated: November 2, 2022

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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  • Using “Ye” Vs. “You” Correctly
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