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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Released” • A Eucharistic Hymn You’ll Love!

Jeff Ostrowski · October 1, 2022

UNCTILIOUS. The editors of the Brébeuf Catholic Hymnal have been accused of being “punctilious” because they avoided Protestant translations.1 Rather, the committee selected outstanding translations by Catholic priests, bishops, and laymen. But the Brébeuf policy was wise, because many Protestant translators surreptitiously mutilate the texts whenever they disagree with Catholic theology. For instance, in the following—which is the oldest known Eucharistic hymn—a Protestant writer named Mr. Rambach “suppressed the third verse, as it seemed to speak too emphatically regarding the sacrament of the Eucharist.” The verse we’re speaking about says: Hoc sacraménto córporis et sánguinis omnes exúti ab inférni fáucibus. (In the few cases where the Brébeuf committee did allow a Protestant translation, an FSSP priest made sure it did not pervert authentic Catholic teaching.)

Oldest Known Eucharistic Hymn • Page 444 of the Brébeuf Hymnal gives a literal translation of the SANCTI VENITE, which Father Adrian Fortescue described as “the oldest known Latin Eucharistic Hymn.” The Book of Armagh, which was written in 807AD, contains a notice of the SANCTI VENITE, and Dr. James Henthorn Todd says: “This curious notice is valuable from its antiquity, and proves beyond all reasonable doubt that the hymn was known, and its recitation enjoined as a pious practice, as early as the close of the eight century in Ireland.” After the Brébeuf Hymnal gives the literal translation, numerous settings are provided (in English and Latin). Here is one:

M Rehearsal videos for each individual voice await you at #475.

Fourth Installment: This is the 4th installment in a new series called How Has Nobody Done This Before? It may be difficult to believe, but until the Brébeuf Hymnal appeared, singers wanting to rehearse SATB voice parts for hymns had nowhere to go. This situation was (perhaps) due to the fact that contemporary Catholic hymnals often bowdlerize hymn lyrics in an effort to be ‘politically correct,’ whereas the Brébeuf Hymnal uses the original words of each poet. In any event, our series features hundreds of rehearsal videos—for each individual voice—of the world’s greatest hymns.

Ancient Manuscript • According to the Brébeuf Hymnal, the ancient of SANCTI VENITE lyrics come from the Bangor Antiphonale, “which was composed at Bangor Abbey, an Irish monastery founded in 552AD.” You can examine this fascinating page:

*  PDF Download • “Sáncti Veníte” (7th century?)

Not Exhaustive • The Brébeuf editors included more translations and melodies for SANCTI VENITE than any other hymnal—and it’s not even close. That being said, no book can contain everything! Here’s a beautiful translation by Denis Florence MacCarthy (d. 1882), a famous Irish poet:

M Draw nigh, ye holy ones, draw nigh
M and take the body of the Lord,
M and drink the sacred blood outpoured,
M by which redeemed, ye shall not die.

M O saved from justice and the rod
M by this divinest flesh and blood,
M by these made strong, in grateful mood
M give thanks and praises unto God.

M By this, O blessèd news to tell,
M the sacrament of flesh and blood,
M have all been rescued from the flood:
M the flood of death, the pains of hell.

M The giver of salvation, he
M the Christ, the Son of God above,
M restored unto his Father’s love
M the world, by blood and by the tree.

M For all, of every clime and coast,
M the Lord is offered up to heav’n,
M for all the sacrifice is giv’n,
M himself at once the priest and host.

M Read well the story, through and through,
M of victims bleeding at the shrine,
M types of a myst’ry more divine,
M and shadows of a truth more true.

M The bounteous giver of all light,
M the Savior of the human race,
M a special glory and a grace
M doth give his saints who fear his might.

M Approach ye all, with fond and pure
M believing hearts, and for his sake
M the gage of your salvation take,
M your soul’s physician and its cure.

M The guardian of the saints, the Lord
M by whom ye move, and breathe, and live,
M eternal life doth largely give
M to those believing in his word.

M The bread of heav’n he doth bestow
M on hungry souls about to sink;
M the thirsty he permits to drink
M from out a living fountain’s flow.

M The source and stream, the first and last,
M e’en Christ the Lord, who died for men,
M now comes: but he will come again
M to judge the world when time hath passed.

This translation is found in a fascinating book by Father James Gaffney—which you can download from Google books—called The Ancient Irish Church (Dublin, 1863).

Is the Eucharist cannibalism?

I encourage everyone to read the “exposition” of the Most Blessed Sacrament, found in the Brébeuf Catholic Hymnal. A sample page:

The Bible says (John 6:53): “Then the Jews fell to disputing with one another, How can this man give us his flesh to eat?” Indeed, the Old Testament (Book of Leviticus) explicitly prohibits the drinking of blood. One of the Brébeuf Hymnal footnotes addresses people who erroneously insist that our Savior intended cannibalism:

“Christ is not present in the Eucharist under a form in which cannibalism could be possible. His body is really and substantially present, but not in a natural way. It is an entirely supernatural mode of presence which … excludes all notions of cannibalism.”

[Radio address by Father Leslie Rumble of Roman Catholic Radio Replies, 1940]

1 To be honest, it wasn’t a difficult choice. The offerings by Roman Catholic poets—such as Monsignor Knox, Prior Aylward, Father Fitzpatrick, Father Popplewell, Father Hopkins, Father Southwell, Sir Thomas More, Father Fortescue, and so forth—are so fine, it’s difficult to understand why most Catholic hymnals pass them over.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Eucharist Not Cannibalism, How Has Nobody Done This, Monsignor Ronald Knox Traditional Mass, Oldest Latin Eucharistic Hymn, Saint Robert Southwell, Sancti Venite Eucharistic Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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