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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Released” • A Eucharistic Hymn You’ll Love!

Jeff Ostrowski · October 1, 2022

UNCTILIOUS. The editors of the Brébeuf Catholic Hymnal have been accused of being “punctilious” because they avoided Protestant translations.1 Rather, the committee selected outstanding translations by Catholic priests, bishops, and laymen. But the Brébeuf policy was wise, because many Protestant translators surreptitiously mutilate the texts whenever they disagree with Catholic theology. For instance, in the following—which is the oldest known Eucharistic hymn—a Protestant writer named Mr. Rambach “suppressed the third verse, as it seemed to speak too emphatically regarding the sacrament of the Eucharist.” The verse we’re speaking about says: Hoc sacraménto córporis et sánguinis omnes exúti ab inférni fáucibus. (In the few cases where the Brébeuf committee did allow a Protestant translation, an FSSP priest made sure it did not pervert authentic Catholic teaching.)

Oldest Known Eucharistic Hymn • Page 444 of the Brébeuf Hymnal gives a literal translation of the SANCTI VENITE, which Father Adrian Fortescue described as “the oldest known Latin Eucharistic Hymn.” The Book of Armagh, which was written in 807AD, contains a notice of the SANCTI VENITE, and Dr. James Henthorn Todd says: “This curious notice is valuable from its antiquity, and proves beyond all reasonable doubt that the hymn was known, and its recitation enjoined as a pious practice, as early as the close of the eight century in Ireland.” After the Brébeuf Hymnal gives the literal translation, numerous settings are provided (in English and Latin). Here is one:

M Rehearsal videos for each individual voice await you at #475.

Fourth Installment: This is the 4th installment in a new series called How Has Nobody Done This Before? It may be difficult to believe, but until the Brébeuf Hymnal appeared, singers wanting to rehearse SATB voice parts for hymns had nowhere to go. This situation was (perhaps) due to the fact that contemporary Catholic hymnals often bowdlerize hymn lyrics in an effort to be ‘politically correct,’ whereas the Brébeuf Hymnal uses the original words of each poet. In any event, our series features hundreds of rehearsal videos—for each individual voice—of the world’s greatest hymns.

Ancient Manuscript • According to the Brébeuf Hymnal, the ancient of SANCTI VENITE lyrics come from the Bangor Antiphonale, “which was composed at Bangor Abbey, an Irish monastery founded in 552AD.” You can examine this fascinating page:

*  PDF Download • “Sáncti Veníte” (7th century?)

Not Exhaustive • The Brébeuf editors included more translations and melodies for SANCTI VENITE than any other hymnal—and it’s not even close. That being said, no book can contain everything! Here’s a beautiful translation by Denis Florence MacCarthy (d. 1882), a famous Irish poet:

M Draw nigh, ye holy ones, draw nigh
M and take the body of the Lord,
M and drink the sacred blood outpoured,
M by which redeemed, ye shall not die.

M O saved from justice and the rod
M by this divinest flesh and blood,
M by these made strong, in grateful mood
M give thanks and praises unto God.

M By this, O blessèd news to tell,
M the sacrament of flesh and blood,
M have all been rescued from the flood:
M the flood of death, the pains of hell.

M The giver of salvation, he
M the Christ, the Son of God above,
M restored unto his Father’s love
M the world, by blood and by the tree.

M For all, of every clime and coast,
M the Lord is offered up to heav’n,
M for all the sacrifice is giv’n,
M himself at once the priest and host.

M Read well the story, through and through,
M of victims bleeding at the shrine,
M types of a myst’ry more divine,
M and shadows of a truth more true.

M The bounteous giver of all light,
M the Savior of the human race,
M a special glory and a grace
M doth give his saints who fear his might.

M Approach ye all, with fond and pure
M believing hearts, and for his sake
M the gage of your salvation take,
M your soul’s physician and its cure.

M The guardian of the saints, the Lord
M by whom ye move, and breathe, and live,
M eternal life doth largely give
M to those believing in his word.

M The bread of heav’n he doth bestow
M on hungry souls about to sink;
M the thirsty he permits to drink
M from out a living fountain’s flow.

M The source and stream, the first and last,
M e’en Christ the Lord, who died for men,
M now comes: but he will come again
M to judge the world when time hath passed.

This translation is found in a fascinating book by Father James Gaffney—which you can download from Google books—called The Ancient Irish Church (Dublin, 1863).

Is the Eucharist cannibalism?

I encourage everyone to read the “exposition” of the Most Blessed Sacrament, found in the Brébeuf Catholic Hymnal. A sample page:

The Bible says (John 6:53): “Then the Jews fell to disputing with one another, How can this man give us his flesh to eat?” Indeed, the Old Testament (Book of Leviticus) explicitly prohibits the drinking of blood. One of the Brébeuf Hymnal footnotes addresses people who erroneously insist that our Savior intended cannibalism:

“Christ is not present in the Eucharist under a form in which cannibalism could be possible. His body is really and substantially present, but not in a natural way. It is an entirely supernatural mode of presence which … excludes all notions of cannibalism.”

[Radio address by Father Leslie Rumble of Roman Catholic Radio Replies, 1940]

1 To be honest, it wasn’t a difficult choice. The offerings by Roman Catholic poets—such as Monsignor Knox, Prior Aylward, Father Fitzpatrick, Father Popplewell, Father Hopkins, Father Southwell, Sir Thomas More, Father Fortescue, and so forth—are so fine, it’s difficult to understand why most Catholic hymnals pass them over.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Eucharist Not Cannibalism, How Has Nobody Done This, Monsignor Ronald Knox Traditional Mass, Oldest Latin Eucharistic Hymn, Saint Robert Southwell, Sancti Venite Eucharistic Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In

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