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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Jeff Ostrowski · September 13, 2022

ATHOLIC PRIESTS are (usually) forbidden by vows from having a wife and family, but Archbishop Fulton J. Sheen used to speak of ‘spiritual children’ which priests beget. I have been so edified to watch my students mature, bloom, and attain their own achievements. A former student of mine recently released a project—which looks wonderful—to add “embellishments” to the Brébeuf Catholic Hymnal. The embellishments they have planned (judging by the statements contained in their PREFACE below) include soprano descants, colorful and chromatic re-harmonizations, counter-melodies, and so forth.

Their inaugural release is a Eucharistic Hymn from the Brébeuf Hymnal, which was often sung on the octave of Corpus Christi (a.k.a. “In Octava Eucharistiæ”). You can download the entire book for free—all 45 pages! Part of the permission they received from Sophia Institute Press stipulated that everything must be offered freely online.1

*  PDF Download • Eucharistic Hymn; Latin & English (45 pages)
—Includes a Two-Voice Choral Setting by Flor Peeters (d. 1986) • Also a Soprano descant.
—Includes a version in English plus optional version in Latin.
—Includes an SATB setting based on the harmonies in the Saint Jean de Brébeuf Hymnal.
*  Softcover • Eligible for AMAZON PRIME ($7.99)

Squeaky Soprano • I recorded two verses to help my volunteer choir learn this splendid piece, but you’ll have to tolerate my squeaky soprano notes. (I’m a baritone.) I also omitted the organ accompaniment:

M Rehearsal videos for each individual voice await you at #48088 .

Melchizedek Prefigured Christ • The hymn in that video (“Hoste Dum Victo Triumphans”) speaks about Melchizedek, who was a ‘type’ of Christ. Abraham’s son Isaac was another ‘type’ of Christ because the Bible says Isaac carried the wood on his own back for the sacrifice (Genesis 22:6). Melchizedek mysteriously offered (Genesis 14) bread and wine as a sacrifice to the Most High God. The DROGO SACRAMENTARY, created circa 850AD, seems to have been made for the personal use of Charlemagne’s son DROGO, bishop of Metz. The beginning of the Roman Canon (“Te ígitur clementíssime…”) shows three different sacrifices mentioned in the Old Testament: Abel’s, Abraham’s, and Melchizedek’s.

*  PDF Download • Sacrifice of Melchizedek
—Drogo Sacramentary • Beginning of the Roman Canon (“Te igitur clementissime…”).

1 We have ordered this collection for our parish choir, because xerox copies (and sheets from a home printer) are obnoxious and impossible to store. The softcover books from AMAZON are impressive and slick.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Brébeuf Embellishment Choral Series, Drogo Sacramentary, Flor Peeters, Hoste Dum Victo Triumphans, Hymn Descant, In Octava Eucharistiae Last Updated: October 6, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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