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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Jeff Ostrowski · September 13, 2022

ATHOLIC PRIESTS are (usually) forbidden by vows from having a wife and family, but Archbishop Fulton J. Sheen used to speak of ‘spiritual children’ which priests beget. I have been so edified to watch my students mature, bloom, and attain their own achievements. A former student of mine recently released a project—which looks wonderful—to add “embellishments” to the Brébeuf Catholic Hymnal. The embellishments they have planned (judging by the statements contained in their PREFACE below) include soprano descants, colorful and chromatic re-harmonizations, counter-melodies, and so forth.

Their inaugural release is a Eucharistic Hymn from the Brébeuf Hymnal, which was often sung on the octave of Corpus Christi (a.k.a. “In Octava Eucharistiæ”). You can download the entire book for free—all 45 pages! Part of the permission they received from Sophia Institute Press stipulated that everything must be offered freely online.1

*  PDF Download • Eucharistic Hymn; Latin & English (45 pages)
—Includes a Two-Voice Choral Setting by Flor Peeters (d. 1986) • Also a Soprano descant.
—Includes a version in English plus optional version in Latin.
—Includes an SATB setting based on the harmonies in the Saint Jean de Brébeuf Hymnal.
*  Softcover • Eligible for AMAZON PRIME ($7.99)

Squeaky Soprano • I recorded two verses to help my volunteer choir learn this splendid piece, but you’ll have to tolerate my squeaky soprano notes. (I’m a baritone.) I also omitted the organ accompaniment:

M Rehearsal videos for each individual voice await you at #48088 .

Melchizedek Prefigured Christ • The hymn in that video (“Hoste Dum Victo Triumphans”) speaks about Melchizedek, who was a ‘type’ of Christ. Abraham’s son Isaac was another ‘type’ of Christ because the Bible says Isaac carried the wood on his own back for the sacrifice (Genesis 22:6). Melchizedek mysteriously offered (Genesis 14) bread and wine as a sacrifice to the Most High God. The DROGO SACRAMENTARY, created circa 850AD, seems to have been made for the personal use of Charlemagne’s son DROGO, bishop of Metz. The beginning of the Roman Canon (“Te ígitur clementíssime…”) shows three different sacrifices mentioned in the Old Testament: Abel’s, Abraham’s, and Melchizedek’s.

*  PDF Download • Sacrifice of Melchizedek
—Drogo Sacramentary • Beginning of the Roman Canon (“Te igitur clementissime…”).

1 We have ordered this collection for our parish choir, because xerox copies (and sheets from a home printer) are obnoxious and impossible to store. The softcover books from AMAZON are impressive and slick.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Brébeuf Embellishment Choral Series, Drogo Sacramentary, Flor Peeters, Hoste Dum Victo Triumphans, Hymn Descant, In Octava Eucharistiae Last Updated: October 6, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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