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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Isabella Marie • “My Personal Testimony”

Corpus Christi Watershed · July 28, 2022

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HAVE NOT studied music for long, but I never knew a time without music in my life. Whether it was through dancing, playing piano, or listening to music at leisure, music was a deeply absorbing fascination. A basic, amateurish music education coupled with an unquenchable curiosity led me to start pursuing a Music degree with an emphasis in Composition.

Beyond My Imagination • The Sacred Music Symposium more than satisfied my craving for knowledge, taught me what is considered Sacred Music, improved my singing, stressed to me the important role of the choir during the Holy Mass, gave me insights into the composition of Sacred Music, and provided me with more resources to access it. It went beyond anything I ever thought of or expected from a five-day event, and it opened my mind to the world of Sacred Music—a world I was wholly unaware of before this summer.

Impressive & Invaluable • At the symposium, I learned from incredible, experienced musicians who are genuinely passionate about sacred music. The sheer amount of work that was put into the symposium booklets and each presentation, along with the knowledge they’ve acquired over years of directing, was impressive and invaluable. It was very stimulating to learn from Jeff Ostrowski and watch his zeal for music, to witness Dr. Alfred Calabrese’s stirring conducting and concentrated instruction, to see Richard Clark and Charles Weaver work with such gusto, and a privilege to sing Kevin Allen’s transcendent pieces. The entire thing was put together by Andrea Leal—and it went off without a hitch—with the assistance of the church’s magnificent organist William Fritz, a thoughtful and gentle person.

Extraordinary Form “Newbie” • From someone relatively new to the Traditional Latin Mass and singing in Latin, it was wonderful and inspiring to see so many well-seasoned musicians, choir directors, and volunteers from different parishes across the country and beyond so passionate about sacred music. When I joined a choir at a parish a little over a month before the symposium, I was exposed to singing chant and hymns. I had experience with choir at the university, but had never sung Gregorian chant. It was a blessing to have joined—and it helped me to engage more with the information I gathered at the symposium (owing to a basic familiarity). I found that even with my limited knowledge of sacred music, I was able to improve greatly. I hope to come back next year with more experience and friends from the university who are interested in sacred music and want to learn how to praise God more reverently and wholeheartedly.

My Personal Testimony • I had come to the symposium to learn more about sacred music, but came back with so much more: inspiration, a sense of community, fire for sharing this special kind of music, a deeper admiration for God and all His gifts, and an experience that I will never forget. The week of the Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Sacred Music Symposium 2022 Last Updated: July 28, 2022

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President’s Corner

    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

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  • Fulton J. Sheen • “24-Hour Catechism”
  • “Reminder” — Month of Febr. (2026)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.