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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Isabella Marie • “My Personal Testimony”

Corpus Christi Watershed · July 28, 2022

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HAVE NOT studied music for long, but I never knew a time without music in my life. Whether it was through dancing, playing piano, or listening to music at leisure, music was a deeply absorbing fascination. A basic, amateurish music education coupled with an unquenchable curiosity led me to start pursuing a Music degree with an emphasis in Composition.

Beyond My Imagination • The Sacred Music Symposium more than satisfied my craving for knowledge, taught me what is considered Sacred Music, improved my singing, stressed to me the important role of the choir during the Holy Mass, gave me insights into the composition of Sacred Music, and provided me with more resources to access it. It went beyond anything I ever thought of or expected from a five-day event, and it opened my mind to the world of Sacred Music—a world I was wholly unaware of before this summer.

Impressive & Invaluable • At the symposium, I learned from incredible, experienced musicians who are genuinely passionate about sacred music. The sheer amount of work that was put into the symposium booklets and each presentation, along with the knowledge they’ve acquired over years of directing, was impressive and invaluable. It was very stimulating to learn from Jeff Ostrowski and watch his zeal for music, to witness Dr. Alfred Calabrese’s stirring conducting and concentrated instruction, to see Richard Clark and Charles Weaver work with such gusto, and a privilege to sing Kevin Allen’s transcendent pieces. The entire thing was put together by Andrea Leal—and it went off without a hitch—with the assistance of the church’s magnificent organist William Fritz, a thoughtful and gentle person.

Extraordinary Form “Newbie” • From someone relatively new to the Traditional Latin Mass and singing in Latin, it was wonderful and inspiring to see so many well-seasoned musicians, choir directors, and volunteers from different parishes across the country and beyond so passionate about sacred music. When I joined a choir at a parish a little over a month before the symposium, I was exposed to singing chant and hymns. I had experience with choir at the university, but had never sung Gregorian chant. It was a blessing to have joined—and it helped me to engage more with the information I gathered at the symposium (owing to a basic familiarity). I found that even with my limited knowledge of sacred music, I was able to improve greatly. I hope to come back next year with more experience and friends from the university who are interested in sacred music and want to learn how to praise God more reverently and wholeheartedly.

My Personal Testimony • I had come to the symposium to learn more about sacred music, but came back with so much more: inspiration, a sense of community, fire for sharing this special kind of music, a deeper admiration for God and all His gifts, and an experience that I will never forget. The week of the Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Sacred Music Symposium 2022 Last Updated: July 28, 2022

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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