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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Isabella Marie • “My Personal Testimony”

Corpus Christi Watershed · July 28, 2022

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HAVE NOT studied music for long, but I never knew a time without music in my life. Whether it was through dancing, playing piano, or listening to music at leisure, music was a deeply absorbing fascination. A basic, amateurish music education coupled with an unquenchable curiosity led me to start pursuing a Music degree with an emphasis in Composition.

Beyond My Imagination • The Sacred Music Symposium more than satisfied my craving for knowledge, taught me what is considered Sacred Music, improved my singing, stressed to me the important role of the choir during the Holy Mass, gave me insights into the composition of Sacred Music, and provided me with more resources to access it. It went beyond anything I ever thought of or expected from a five-day event, and it opened my mind to the world of Sacred Music—a world I was wholly unaware of before this summer.

Impressive & Invaluable • At the symposium, I learned from incredible, experienced musicians who are genuinely passionate about sacred music. The sheer amount of work that was put into the symposium booklets and each presentation, along with the knowledge they’ve acquired over years of directing, was impressive and invaluable. It was very stimulating to learn from Jeff Ostrowski and watch his zeal for music, to witness Dr. Alfred Calabrese’s stirring conducting and concentrated instruction, to see Richard Clark and Charles Weaver work with such gusto, and a privilege to sing Kevin Allen’s transcendent pieces. The entire thing was put together by Andrea Leal—and it went off without a hitch—with the assistance of the church’s magnificent organist William Fritz, a thoughtful and gentle person.

Extraordinary Form “Newbie” • From someone relatively new to the Traditional Latin Mass and singing in Latin, it was wonderful and inspiring to see so many well-seasoned musicians, choir directors, and volunteers from different parishes across the country and beyond so passionate about sacred music. When I joined a choir at a parish a little over a month before the symposium, I was exposed to singing chant and hymns. I had experience with choir at the university, but had never sung Gregorian chant. It was a blessing to have joined—and it helped me to engage more with the information I gathered at the symposium (owing to a basic familiarity). I found that even with my limited knowledge of sacred music, I was able to improve greatly. I hope to come back next year with more experience and friends from the university who are interested in sacred music and want to learn how to praise God more reverently and wholeheartedly.

My Personal Testimony • I had come to the symposium to learn more about sacred music, but came back with so much more: inspiration, a sense of community, fire for sharing this special kind of music, a deeper admiration for God and all His gifts, and an experience that I will never forget. The week of the Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Sacred Music Symposium 2022 Last Updated: July 28, 2022

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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