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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

Jeff Ostrowski · July 22, 2022

URING Sacred Music Symposium 2022, I had the honor of giving a lecture in which I presented evidence supporting Abbat Pothier’s condemnation (1906) of the rhythmic signs imposed upon the official edition by his student, Dom André Mocquereau. Professor Peter Wagner (an eminent Gregorianist) called these private additions to the official melodies: “an untraditional garment draped over the melodies.” Indeed, these rhythmic symbols were never accepted by the Germans, Belgians, or the Austrians. Many feel that Mocquereau’s excessive elongations—which contradict the official rhythm—change Gregorian chant into something heavy, funereal, and plodding.

For The First Time! Back in 2008, I allowed Jeffrey Tucker to scan my personal copy of the 1908 Graduale Romanum (VATICAN PRESS). But today we release the 1908 Schwann edition, which is larger, clearer, and more elegantly printed than the Vatican Press version:

*  PDF Download • 1908 SCHWANN EDITION (1,129 pages)
—63.3MB • “Pure” Editio Vaticana • GRADUALE + KYRIALE.

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Stay Tuned: We still have 1,400 more pages (from two more books) to release. These forthcoming books are extremely rare … and we’ve had them professionally scanned!

Are you excited? You should be!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Abbat Joseph Pothier, Abbot Joseph Pothier of Solesmes, Dom Josef Pothier, Dom Mocquereau, Mocquereau Rhythmic Signs, Pothier De Caetero 1906 Last Updated: July 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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