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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SATB “Refrain” for Good Friday

Jeff Ostrowski · April 11, 2022

OME AUTHORS believe the 6th-century “Pange Lingua” (by Bishop Fortunatus) to be the greatest hymn of the Church. It is sung on Good Friday, and is featured prominently in the Brébeuf hymnal, with multiple translations, numerous melodies, various harmonizations, copious footnotes, and so forth. Those who wish to add polyphony to Good Friday might consider the following SATB REFRAIN setting by Maria Quinn (d. 1977):

*  PDF Download • “Crux Fidelis” (Maria Quinn)

Rehearsal videos for each individual voice await you at #54161.

Is it traditional?

Some ask whether it’s “traditional” to receive Holy Communion on Good Friday. The forthcoming CAMPION MISSAL, THIRD EDITION—published by Sophia Institute Press—contains the following information (reproduced with permission from Sophia).

A Favorite Communion Day: In the 1950 version of Good Friday, the priest alone receives Communion. However, in the early days of the Church, the entire congregation received on Good Friday, which was “a favorite Communion day” [Jungmann v2, p409] until near the end of the Middle Ages. In 1955, Pope Pius XII modified the Missa praesanctificatorum, allowing the entire congregation to receive. Father Hannibal Bugnini (yes, that Bugnini) and Father Carlo Braga published a commentary explaining the Holy Week reforms in EPHEMERIDES LITURGICAE (28 February 1956) under the title: Ordo Hebdomadae Sanctae Instauratus: Commentarium…etc. Pages 105-109 provide extensive documentation, with many sources cited, vis-à-vis Holy Communion on Good Friday. A very important source is the GELASIAN SACRAMENTARY—which dates from approximately 734AD—and here is the relevant citation from folio 66:

Istas orationes supra scriptas expletas, ingrediuntur diaconi in sacrario. Procedunt cum corpore et sanguinis Domini quod ante die remansit: et ponunt super altare. Et venit sacerdos ante altare, adorans crucem Domini et osculans. Et dicit “Orémus.” Et sequitur “Præcéptis salutáribus móniti,” et oratio Dominica. Inde “Líbera nos Domine quǽsumus.” Haec omnia expleta, adorant omnes sanctam crucem et communicant.

The Cross And The Mass: Reception of Holy Communion by the faithful on Good Friday was very much in accordance with I Corinthians 11:26: Quotiescúmque enim manducábitis panem hunc, et cálicem bibétis, mortem Domini annuntiábitis (“It is the Lord’s death you are heralding, whenever you eat this bread and drink this cup”). Indeed, Father Bugnini and Father Braga specifically cite this verse in their 1956 Commentarium (p105), yet the reformers would later carefully excise this verse from the 1970 Missal, whereas in the classical Roman Rite it was read each year on Holy Thursday (Epistle) and Corpus Christi (Communion).

A Change Took Place: General Communion on Good Friday was a “universal practice that perdured for centuries” [Giampietro p67]. But then a change took place; the priest alone received Holy Communion on Good Friday. This change is first explicitly documented in the 13th century. According to Cardinal Antonelli, this cessation “is easily understood in the context of the general rarification of communion which had reached such a stage by the 13th century that the Ecumenical Lateran Council of 1215 obliged all the faithful to approach the holy table at least once every year” [Giampietro p67]. Nevertheless, until the time of Pope Pius V, some liturgical books still allowed the faithful to receive Holy Communion on Good Friday; e.g. the Obsequiale Frisingense of 1493AD (folio 41r), cited by James Monti [Monti p443]. The first document that explicitly forbids reception by the faithful dates from 1622AD [Goddard p277]. When Pope Saint Pius X restored the practice of more frequent Communion, if he were being “consistent” he should have restored General Communion on Good Friday. On the other hand, there are several reasons why such a change may not have been desirable at that time. (Some authors note that the faithful did not usually attend the ceremonies of Good Friday, which were held early in the morning during the time of Pope Pius X.)

The Lord’s Prayer: To learn of the great antiquity of the PATER NOSTER in connection with distribution of Holy Communion, cf. Father Jungmann’s Missarum Sollemnia (Benziger Brothers, 1950), second volume, page 281. These theories were very much in vogue during the 1950s; e.g. “The priest begins the preparation for the Communion by singing the Our Father” [Solesmes1957 p19]. James Monti discovered several important ceremonies that—in former days—took place at this time in conjunction with the PATER NOSTER [Monti p442].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Glaring Omission Vatican II Lectionary Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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