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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SATB “Refrain” for Good Friday

Jeff Ostrowski · April 11, 2022

OME AUTHORS believe the 6th-century “Pange Lingua” (by Bishop Fortunatus) to be the greatest hymn of the Church. It is sung on Good Friday, and is featured prominently in the Brébeuf hymnal, with multiple translations, numerous melodies, various harmonizations, copious footnotes, and so forth. Those who wish to add polyphony to Good Friday might consider the following SATB REFRAIN setting by Maria Quinn (d. 1977):

*  PDF Download • “Crux Fidelis” (Maria Quinn)

Rehearsal videos for each individual voice await you at #54161.

Is it traditional?

Some ask whether it’s “traditional” to receive Holy Communion on Good Friday. The forthcoming CAMPION MISSAL, THIRD EDITION—published by Sophia Institute Press—contains the following information (reproduced with permission from Sophia).

A Favorite Communion Day: In the 1950 version of Good Friday, the priest alone receives Communion. However, in the early days of the Church, the entire congregation received on Good Friday, which was “a favorite Communion day” [Jungmann v2, p409] until near the end of the Middle Ages. In 1955, Pope Pius XII modified the Missa praesanctificatorum, allowing the entire congregation to receive. Father Hannibal Bugnini (yes, that Bugnini) and Father Carlo Braga published a commentary explaining the Holy Week reforms in EPHEMERIDES LITURGICAE (28 February 1956) under the title: Ordo Hebdomadae Sanctae Instauratus: Commentarium…etc. Pages 105-109 provide extensive documentation, with many sources cited, vis-à-vis Holy Communion on Good Friday. A very important source is the GELASIAN SACRAMENTARY—which dates from approximately 734AD—and here is the relevant citation from folio 66:

Istas orationes supra scriptas expletas, ingrediuntur diaconi in sacrario. Procedunt cum corpore et sanguinis Domini quod ante die remansit: et ponunt super altare. Et venit sacerdos ante altare, adorans crucem Domini et osculans. Et dicit “Orémus.” Et sequitur “Præcéptis salutáribus móniti,” et oratio Dominica. Inde “Líbera nos Domine quǽsumus.” Haec omnia expleta, adorant omnes sanctam crucem et communicant.

The Cross And The Mass: Reception of Holy Communion by the faithful on Good Friday was very much in accordance with I Corinthians 11:26: Quotiescúmque enim manducábitis panem hunc, et cálicem bibétis, mortem Domini annuntiábitis (“It is the Lord’s death you are heralding, whenever you eat this bread and drink this cup”). Indeed, Father Bugnini and Father Braga specifically cite this verse in their 1956 Commentarium (p105), yet the reformers would later carefully excise this verse from the 1970 Missal, whereas in the classical Roman Rite it was read each year on Holy Thursday (Epistle) and Corpus Christi (Communion).

A Change Took Place: General Communion on Good Friday was a “universal practice that perdured for centuries” [Giampietro p67]. But then a change took place; the priest alone received Holy Communion on Good Friday. This change is first explicitly documented in the 13th century. According to Cardinal Antonelli, this cessation “is easily understood in the context of the general rarification of communion which had reached such a stage by the 13th century that the Ecumenical Lateran Council of 1215 obliged all the faithful to approach the holy table at least once every year” [Giampietro p67]. Nevertheless, until the time of Pope Pius V, some liturgical books still allowed the faithful to receive Holy Communion on Good Friday; e.g. the Obsequiale Frisingense of 1493AD (folio 41r), cited by James Monti [Monti p443]. The first document that explicitly forbids reception by the faithful dates from 1622AD [Goddard p277]. When Pope Saint Pius X restored the practice of more frequent Communion, if he were being “consistent” he should have restored General Communion on Good Friday. On the other hand, there are several reasons why such a change may not have been desirable at that time. (Some authors note that the faithful did not usually attend the ceremonies of Good Friday, which were held early in the morning during the time of Pope Pius X.)

The Lord’s Prayer: To learn of the great antiquity of the PATER NOSTER in connection with distribution of Holy Communion, cf. Father Jungmann’s Missarum Sollemnia (Benziger Brothers, 1950), second volume, page 281. These theories were very much in vogue during the 1950s; e.g. “The priest begins the preparation for the Communion by singing the Our Father” [Solesmes1957 p19]. James Monti discovered several important ceremonies that—in former days—took place at this time in conjunction with the PATER NOSTER [Monti p442].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Glaring Omission Vatican II Lectionary Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— “De musica sacra et sacra liturgia” (3 September 1958)

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