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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SATB “Refrain” for Good Friday

Jeff Ostrowski · April 11, 2022

OME AUTHORS believe the 6th-century “Pange Lingua” (by Bishop Fortunatus) to be the greatest hymn of the Church. It is sung on Good Friday, and is featured prominently in the Brébeuf hymnal, with multiple translations, numerous melodies, various harmonizations, copious footnotes, and so forth. Those who wish to add polyphony to Good Friday might consider the following SATB REFRAIN setting by Maria Quinn (d. 1977):

*  PDF Download • “Crux Fidelis” (Maria Quinn)

Rehearsal videos for each individual voice await you at #54161.

Is it traditional?

Some ask whether it’s “traditional” to receive Holy Communion on Good Friday. The forthcoming CAMPION MISSAL, THIRD EDITION—published by Sophia Institute Press—contains the following information (reproduced with permission from Sophia).

A Favorite Communion Day: In the 1950 version of Good Friday, the priest alone receives Communion. However, in the early days of the Church, the entire congregation received on Good Friday, which was “a favorite Communion day” [Jungmann v2, p409] until near the end of the Middle Ages. In 1955, Pope Pius XII modified the Missa praesanctificatorum, allowing the entire congregation to receive. Father Hannibal Bugnini (yes, that Bugnini) and Father Carlo Braga published a commentary explaining the Holy Week reforms in EPHEMERIDES LITURGICAE (28 February 1956) under the title: Ordo Hebdomadae Sanctae Instauratus: Commentarium…etc. Pages 105-109 provide extensive documentation, with many sources cited, vis-à-vis Holy Communion on Good Friday. A very important source is the GELASIAN SACRAMENTARY—which dates from approximately 734AD—and here is the relevant citation from folio 66:

Istas orationes supra scriptas expletas, ingrediuntur diaconi in sacrario. Procedunt cum corpore et sanguinis Domini quod ante die remansit: et ponunt super altare. Et venit sacerdos ante altare, adorans crucem Domini et osculans. Et dicit “Orémus.” Et sequitur “Præcéptis salutáribus móniti,” et oratio Dominica. Inde “Líbera nos Domine quǽsumus.” Haec omnia expleta, adorant omnes sanctam crucem et communicant.

The Cross And The Mass: Reception of Holy Communion by the faithful on Good Friday was very much in accordance with I Corinthians 11:26: Quotiescúmque enim manducábitis panem hunc, et cálicem bibétis, mortem Domini annuntiábitis (“It is the Lord’s death you are heralding, whenever you eat this bread and drink this cup”). Indeed, Father Bugnini and Father Braga specifically cite this verse in their 1956 Commentarium (p105), yet the reformers would later carefully excise this verse from the 1970 Missal, whereas in the classical Roman Rite it was read each year on Holy Thursday (Epistle) and Corpus Christi (Communion).

A Change Took Place: General Communion on Good Friday was a “universal practice that perdured for centuries” [Giampietro p67]. But then a change took place; the priest alone received Holy Communion on Good Friday. This change is first explicitly documented in the 13th century. According to Cardinal Antonelli, this cessation “is easily understood in the context of the general rarification of communion which had reached such a stage by the 13th century that the Ecumenical Lateran Council of 1215 obliged all the faithful to approach the holy table at least once every year” [Giampietro p67]. Nevertheless, until the time of Pope Pius V, some liturgical books still allowed the faithful to receive Holy Communion on Good Friday; e.g. the Obsequiale Frisingense of 1493AD (folio 41r), cited by James Monti [Monti p443]. The first document that explicitly forbids reception by the faithful dates from 1622AD [Goddard p277]. When Pope Saint Pius X restored the practice of more frequent Communion, if he were being “consistent” he should have restored General Communion on Good Friday. On the other hand, there are several reasons why such a change may not have been desirable at that time. (Some authors note that the faithful did not usually attend the ceremonies of Good Friday, which were held early in the morning during the time of Pope Pius X.)

The Lord’s Prayer: To learn of the great antiquity of the PATER NOSTER in connection with distribution of Holy Communion, cf. Father Jungmann’s Missarum Sollemnia (Benziger Brothers, 1950), second volume, page 281. These theories were very much in vogue during the 1950s; e.g. “The priest begins the preparation for the Communion by singing the Our Father” [Solesmes1957 p19]. James Monti discovered several important ceremonies that—in former days—took place at this time in conjunction with the PATER NOSTER [Monti p442].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Glaring Omission Vatican II Lectionary Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The tradition of Roman documents establishes a clear hierarchy. Gregorian chant has pride of place; classical polyphony has a privileged role. It is because styles carry with them associations and even evoke a place—the style of a Broadway show tune evokes the theater; the style of cocktail music evokes the cocktail bar, yet we hear these styles in church. The priority of sacred styles needs re-emphasis.”

— Dr. William Peter Mahrt

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