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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SATB “Refrain” for Good Friday

Jeff Ostrowski · April 11, 2022

OME AUTHORS believe the 6th-century “Pange Lingua” (by Bishop Fortunatus) to be the greatest hymn of the Church. It is sung on Good Friday, and is featured prominently in the Brébeuf hymnal, with multiple translations, numerous melodies, various harmonizations, copious footnotes, and so forth. Those who wish to add polyphony to Good Friday might consider the following SATB REFRAIN setting by Maria Quinn (d. 1977):

*  PDF Download • “Crux Fidelis” (Maria Quinn)

Rehearsal videos for each individual voice await you at #54161.

Is it traditional?

Some ask whether it’s “traditional” to receive Holy Communion on Good Friday. The forthcoming CAMPION MISSAL, THIRD EDITION—published by Sophia Institute Press—contains the following information (reproduced with permission from Sophia).

A Favorite Communion Day: In the 1950 version of Good Friday, the priest alone receives Communion. However, in the early days of the Church, the entire congregation received on Good Friday, which was “a favorite Communion day” [Jungmann v2, p409] until near the end of the Middle Ages. In 1955, Pope Pius XII modified the Missa praesanctificatorum, allowing the entire congregation to receive. Father Hannibal Bugnini (yes, that Bugnini) and Father Carlo Braga published a commentary explaining the Holy Week reforms in EPHEMERIDES LITURGICAE (28 February 1956) under the title: Ordo Hebdomadae Sanctae Instauratus: Commentarium…etc. Pages 105-109 provide extensive documentation, with many sources cited, vis-à-vis Holy Communion on Good Friday. A very important source is the GELASIAN SACRAMENTARY—which dates from approximately 734AD—and here is the relevant citation from folio 66:

Istas orationes supra scriptas expletas, ingrediuntur diaconi in sacrario. Procedunt cum corpore et sanguinis Domini quod ante die remansit: et ponunt super altare. Et venit sacerdos ante altare, adorans crucem Domini et osculans. Et dicit “Orémus.” Et sequitur “Præcéptis salutáribus móniti,” et oratio Dominica. Inde “Líbera nos Domine quǽsumus.” Haec omnia expleta, adorant omnes sanctam crucem et communicant.

The Cross And The Mass: Reception of Holy Communion by the faithful on Good Friday was very much in accordance with I Corinthians 11:26: Quotiescúmque enim manducábitis panem hunc, et cálicem bibétis, mortem Domini annuntiábitis (“It is the Lord’s death you are heralding, whenever you eat this bread and drink this cup”). Indeed, Father Bugnini and Father Braga specifically cite this verse in their 1956 Commentarium (p105), yet the reformers would later carefully excise this verse from the 1970 Missal, whereas in the classical Roman Rite it was read each year on Holy Thursday (Epistle) and Corpus Christi (Communion).

A Change Took Place: General Communion on Good Friday was a “universal practice that perdured for centuries” [Giampietro p67]. But then a change took place; the priest alone received Holy Communion on Good Friday. This change is first explicitly documented in the 13th century. According to Cardinal Antonelli, this cessation “is easily understood in the context of the general rarification of communion which had reached such a stage by the 13th century that the Ecumenical Lateran Council of 1215 obliged all the faithful to approach the holy table at least once every year” [Giampietro p67]. Nevertheless, until the time of Pope Pius V, some liturgical books still allowed the faithful to receive Holy Communion on Good Friday; e.g. the Obsequiale Frisingense of 1493AD (folio 41r), cited by James Monti [Monti p443]. The first document that explicitly forbids reception by the faithful dates from 1622AD [Goddard p277]. When Pope Saint Pius X restored the practice of more frequent Communion, if he were being “consistent” he should have restored General Communion on Good Friday. On the other hand, there are several reasons why such a change may not have been desirable at that time. (Some authors note that the faithful did not usually attend the ceremonies of Good Friday, which were held early in the morning during the time of Pope Pius X.)

The Lord’s Prayer: To learn of the great antiquity of the PATER NOSTER in connection with distribution of Holy Communion, cf. Father Jungmann’s Missarum Sollemnia (Benziger Brothers, 1950), second volume, page 281. These theories were very much in vogue during the 1950s; e.g. “The priest begins the preparation for the Communion by singing the Our Father” [Solesmes1957 p19]. James Monti discovered several important ceremonies that—in former days—took place at this time in conjunction with the PATER NOSTER [Monti p442].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Glaring Omission Vatican II Lectionary Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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