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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SATB “Refrain” for Good Friday

Jeff Ostrowski · April 11, 2022

OME AUTHORS believe the 6th-century “Pange Lingua” (by Bishop Fortunatus) to be the greatest hymn of the Church. It is sung on Good Friday, and is featured prominently in the Brébeuf hymnal, with multiple translations, numerous melodies, various harmonizations, copious footnotes, and so forth. Those who wish to add polyphony to Good Friday might consider the following SATB REFRAIN setting by Maria Quinn (d. 1977):

*  PDF Download • “Crux Fidelis” (Maria Quinn)

Rehearsal videos for each individual voice await you at #54161.

Is it traditional?

Some ask whether it’s “traditional” to receive Holy Communion on Good Friday. The forthcoming CAMPION MISSAL, THIRD EDITION—published by Sophia Institute Press—contains the following information (reproduced with permission from Sophia).

A Favorite Communion Day: In the 1950 version of Good Friday, the priest alone receives Communion. However, in the early days of the Church, the entire congregation received on Good Friday, which was “a favorite Communion day” [Jungmann v2, p409] until near the end of the Middle Ages. In 1955, Pope Pius XII modified the Missa praesanctificatorum, allowing the entire congregation to receive. Father Hannibal Bugnini (yes, that Bugnini) and Father Carlo Braga published a commentary explaining the Holy Week reforms in EPHEMERIDES LITURGICAE (28 February 1956) under the title: Ordo Hebdomadae Sanctae Instauratus: Commentarium…etc. Pages 105-109 provide extensive documentation, with many sources cited, vis-à-vis Holy Communion on Good Friday. A very important source is the GELASIAN SACRAMENTARY—which dates from approximately 734AD—and here is the relevant citation from folio 66:

Istas orationes supra scriptas expletas, ingrediuntur diaconi in sacrario. Procedunt cum corpore et sanguinis Domini quod ante die remansit: et ponunt super altare. Et venit sacerdos ante altare, adorans crucem Domini et osculans. Et dicit “Orémus.” Et sequitur “Præcéptis salutáribus móniti,” et oratio Dominica. Inde “Líbera nos Domine quǽsumus.” Haec omnia expleta, adorant omnes sanctam crucem et communicant.

The Cross And The Mass: Reception of Holy Communion by the faithful on Good Friday was very much in accordance with I Corinthians 11:26: Quotiescúmque enim manducábitis panem hunc, et cálicem bibétis, mortem Domini annuntiábitis (“It is the Lord’s death you are heralding, whenever you eat this bread and drink this cup”). Indeed, Father Bugnini and Father Braga specifically cite this verse in their 1956 Commentarium (p105), yet the reformers would later carefully excise this verse from the 1970 Missal, whereas in the classical Roman Rite it was read each year on Holy Thursday (Epistle) and Corpus Christi (Communion).

A Change Took Place: General Communion on Good Friday was a “universal practice that perdured for centuries” [Giampietro p67]. But then a change took place; the priest alone received Holy Communion on Good Friday. This change is first explicitly documented in the 13th century. According to Cardinal Antonelli, this cessation “is easily understood in the context of the general rarification of communion which had reached such a stage by the 13th century that the Ecumenical Lateran Council of 1215 obliged all the faithful to approach the holy table at least once every year” [Giampietro p67]. Nevertheless, until the time of Pope Pius V, some liturgical books still allowed the faithful to receive Holy Communion on Good Friday; e.g. the Obsequiale Frisingense of 1493AD (folio 41r), cited by James Monti [Monti p443]. The first document that explicitly forbids reception by the faithful dates from 1622AD [Goddard p277]. When Pope Saint Pius X restored the practice of more frequent Communion, if he were being “consistent” he should have restored General Communion on Good Friday. On the other hand, there are several reasons why such a change may not have been desirable at that time. (Some authors note that the faithful did not usually attend the ceremonies of Good Friday, which were held early in the morning during the time of Pope Pius X.)

The Lord’s Prayer: To learn of the great antiquity of the PATER NOSTER in connection with distribution of Holy Communion, cf. Father Jungmann’s Missarum Sollemnia (Benziger Brothers, 1950), second volume, page 281. These theories were very much in vogue during the 1950s; e.g. “The priest begins the preparation for the Communion by singing the Our Father” [Solesmes1957 p19]. James Monti discovered several important ceremonies that—in former days—took place at this time in conjunction with the PATER NOSTER [Monti p442].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Glaring Omission Vatican II Lectionary Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

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  • “Dies Irae” • A Monstrous Translation

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