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Views from the Choir Loft

Biography • Matthew D. Frederes

Matthew Frederes · December 3, 2021

ATTHEW D. FREDERES learned pipe organ technique from a Franciscan sister in elementary school, and played his first Mass at the age of twelve. Since then, studying and providing music for the Sacred Liturgy has been a significant part of his life, in service to God and the Church. Mr. Frederes continued to play the organ at Mass on a weekly basis for the next thirty-one (31) years, at various parishes in the upper-Midwest, while raising a family, starting a software development firm, and working in various capacities for Catholic apostolates. Mr. Frederes directed parish choirs and Gregorian chant Schola Cantorum for the last twenty-one years (21) of his tenure in the loft. His family was a founding member of a diocesan Traditional Latin Mass community, where he enjoyed training altar servers and occasionally assisting priests learning to say the Mass, in addition to providing music for the community. Mr. Frederes is also a licensed airplane pilot.

*  Publicity Photo • MATTHEW FREDERES

Mr. Frederes and his wife have twelve children (8 boys, 4 girls), whom they homeschool. The Frederes family has recently moved to the Sierra foothills of Northern California. Some of his hobbies include aviation, woodworking, photography, amateur radio, reproducing famous recipes in the kitchen, and hiking with the family among the amazing redwoods in the area. Mr. Frederes has had the privilege of long discussions with Monsignor Richard J. Schuler, and treasures the various emails he received from this famous church musician. He looks forward to writing and contributing research to the cause of restoring tradition, especially sacred music.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: December 3, 2022

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About Matthew Frederes

Mr. Frederes is a software engineer, pilot, served as an organist for 31 years, and directed small parish choirs/scholas for 22 years. He and his wife have 12 children. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We turn to the East when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

— Saint Augustine of Hippo

Recent Posts

  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)
  • “Truly Great Processional” • (Pipe Organ)

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