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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fauré Requiem Mass • Saint Paul’s Choir School 

Richard J. Clark · November 30, 2021

USIC FROM the Catholic Church’s vast treasury has the power to strengthen, uplift, and inspire conversion. Many new Catholics cite the beauty and truth expressed by the Church’s sacred music as a catalyst for their conversion. For others, it fortifies a lifelong struggle in faith. For some, beautiful sacred music has inspired vocations. Fr. William Kelly, Pastor of Saint Paul’s Church in Harvard Square attributes his call to the priesthood to singing in the Saint Paul’s Choir School (known then as the Boston Archdiocesan Choir School) under the direction of the school’s founder Theodore Marier.

The famous Requiem by Gabriel Fauré, Opus 48, is one such piece that inspires faith and conversion of heart. Recently, the Saint Paul’s Choir of Men and Boys sang the Requiem during a Mass in the Ordinary Form (Novus Ordo Vatican II Mass). A popular work often performed in concert, when sung within Mass, it offers boundless transcendence.

The livestream of the Mass begins at 1:01:40. It follows a lecture from Thomas Forrest Kelly, Harvard University, and Music Director, James Kennerley. You can download the Order of Mass here.

WHILE SINGING THIS SETTING in the Ordinary Form has its complications, i.e, the combined Introit and Kyrie and the Agnus Dei joined with the communion antiphon Lux Aeterna, many have done so in creative fashion as is true in this case. Some choose to split movements where liturgically necessary. Maestro James Kennerley chose to keep them intact, e.g., singing the Agnus Dei XVIII and then the Fauré setting during Communion. Adding profound context and delight was the singing of the Sequence Dies Irae in the Ordinary Form. Many in the congregation gladly joined in. Furthermore, Fr. Kelly’s brief homily spoke about his experience of singing Fauré’s Pie Jesu as a chorister while coping with the death of family members. Undoubtedly, such music profoundly transforms the soul.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 1, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

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