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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fauré Requiem Mass • Saint Paul’s Choir School 

Richard J. Clark · November 30, 2021

USIC FROM the Catholic Church’s vast treasury has the power to strengthen, uplift, and inspire conversion. Many new Catholics cite the beauty and truth expressed by the Church’s sacred music as a catalyst for their conversion. For others, it fortifies a lifelong struggle in faith. For some, beautiful sacred music has inspired vocations. Fr. William Kelly, Pastor of Saint Paul’s Church in Harvard Square attributes his call to the priesthood to singing in the Saint Paul’s Choir School (known then as the Boston Archdiocesan Choir School) under the direction of the school’s founder Theodore Marier.

The famous Requiem by Gabriel Fauré, Opus 48, is one such piece that inspires faith and conversion of heart. Recently, the Saint Paul’s Choir of Men and Boys sang the Requiem during a Mass in the Ordinary Form (Novus Ordo Vatican II Mass). A popular work often performed in concert, when sung within Mass, it offers boundless transcendence.

The livestream of the Mass begins at 1:01:40. It follows a lecture from Thomas Forrest Kelly, Harvard University, and Music Director, James Kennerley. You can download the Order of Mass here.

WHILE SINGING THIS SETTING in the Ordinary Form has its complications, i.e, the combined Introit and Kyrie and the Agnus Dei joined with the communion antiphon Lux Aeterna, many have done so in creative fashion as is true in this case. Some choose to split movements where liturgically necessary. Maestro James Kennerley chose to keep them intact, e.g., singing the Agnus Dei XVIII and then the Fauré setting during Communion. Adding profound context and delight was the singing of the Sequence Dies Irae in the Ordinary Form. Many in the congregation gladly joined in. Furthermore, Fr. Kelly’s brief homily spoke about his experience of singing Fauré’s Pie Jesu as a chorister while coping with the death of family members. Undoubtedly, such music profoundly transforms the soul.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 1, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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