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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Three Myths About Hymns

Jeff Ostrowski · September 14, 2021

ELOW YOU WILL FIND three common myths about hymns—as well as the correct answers! This is part of a larger project being undertaken by SOPHIA INSTITUTE PRESS which concerns positive steps to restore authentic Catholic music at the parish level. When you read the “answers” below, please let me know whether you discover anything that needs correction. Thank you!

Covid Devastation: We were not allowed to rehearse for 14 months due to Covid-19. Our volunteer choir—in which 80% had no prior musical training—has been trying to make up for lost time. We recently learned this Gospel Acclamation, which can be used in the Ordinary Form or the Extraordinary Form. Here’s a live recording from last Sunday:

The Value of Hymnody: In an effort to get the singers to “hear one another”—and thereby tune harmoniously—we have been learning hymns from the Brébeuf hymnal in SATB. Due to time constraints, we never get to rehearse these hymns properly; but I hope that if we just keep singing them they will improve. On 12 September 2021, we sang an ancient hymn to our lady, since that is traditionally the feast of the Most Holy Name of Mary.

*  PDF Download • HILDERSTONE HYMN
—Latin version of Hymn #396 in the John Brébeuf Hymnal.

Three Myths about Catholic Hymns:

Q. I recently attended a liturgical
conference where the speaker said
hymns don’t belong at Mass…
Read Answer

Q. Is it true that Catholics “stole”
the idea of singing hymns from
Protestant churches?
Read Answer

Q. My Protestant friend says
Catholics are wrong to omit
verses when singing hymns…
Read Answer

Vernacular Hymns During Mass: Since 2013 we have often spoken about the perplexing practice of singing vernacular hymns all through Low Mass: even during the Gospel; even during the Canon; even singing the Lord’s Prayer in English while the priest says it in Latin; even during the Creed; and so forth. In my humble opinion, that’s an absurd way to assist at Mass. On the other hand, this was a common practice in the United States before Vatican II—and we have scanned and uploaded numerous books which prove this beyond all doubt. But just because something happened, that doesn’t make it right. I am someone who believes we must be aware of what went on in the past, even if we don’t agree with it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Alleluia Polyphonic Extension, Catholic Composer Cristobal de Morales, Low Mass Vernacular Hymns, Quem Terra Pontus Last Updated: September 14, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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