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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Three Myths About Hymns

Jeff Ostrowski · September 14, 2021

ELOW YOU WILL FIND three common myths about hymns—as well as the correct answers! This is part of a larger project being undertaken by SOPHIA INSTITUTE PRESS which concerns positive steps to restore authentic Catholic music at the parish level. When you read the “answers” below, please let me know whether you discover anything that needs correction. Thank you!

Covid Devastation: We were not allowed to rehearse for 14 months due to Covid-19. Our volunteer choir—in which 80% had no prior musical training—has been trying to make up for lost time. We recently learned this Gospel Acclamation, which can be used in the Ordinary Form or the Extraordinary Form. Here’s a live recording from last Sunday:

The Value of Hymnody: In an effort to get the singers to “hear one another”—and thereby tune harmoniously—we have been learning hymns from the Brébeuf hymnal in SATB. Due to time constraints, we never get to rehearse these hymns properly; but I hope that if we just keep singing them they will improve. On 12 September 2021, we sang an ancient hymn to our lady, since that is traditionally the feast of the Most Holy Name of Mary.

*  PDF Download • HILDERSTONE HYMN
—Latin version of Hymn #396 in the John Brébeuf Hymnal.

Three Myths about Catholic Hymns:

Q. I recently attended a liturgical
conference where the speaker said
hymns don’t belong at Mass…
Read Answer

Q. Is it true that Catholics “stole”
the idea of singing hymns from
Protestant churches?
Read Answer

Q. My Protestant friend says
Catholics are wrong to omit
verses when singing hymns…
Read Answer

Vernacular Hymns During Mass: Since 2013 we have often spoken about the perplexing practice of singing vernacular hymns all through Low Mass: even during the Gospel; even during the Canon; even singing the Lord’s Prayer in English while the priest says it in Latin; even during the Creed; and so forth. In my humble opinion, that’s an absurd way to assist at Mass. On the other hand, this was a common practice in the United States before Vatican II—and we have scanned and uploaded numerous books which prove this beyond all doubt. But just because something happened, that doesn’t make it right. I am someone who believes we must be aware of what went on in the past, even if we don’t agree with it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Alleluia Polyphonic Extension, Catholic Composer Cristobal de Morales, Low Mass Vernacular Hymns, Quem Terra Pontus Last Updated: September 14, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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