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Views from the Choir Loft

PDF Download • Three Myths About Hymns

Jeff Ostrowski · September 14, 2021

ELOW YOU WILL FIND three common myths about hymns—as well as the correct answers! This is part of a larger project being undertaken by SOPHIA INSTITUTE PRESS which concerns positive steps to restore authentic Catholic music at the parish level. When you read the “answers” below, please let me know whether you discover anything that needs correction. Thank you!

Covid Devastation: We were not allowed to rehearse for 14 months due to Covid-19. Our volunteer choir—in which 80% had no prior musical training—has been trying to make up for lost time. We recently learned this Gospel Acclamation, which can be used in the Ordinary Form or the Extraordinary Form. Here’s a live recording from last Sunday:

The Value of Hymnody: In an effort to get the singers to “hear one another”—and thereby tune harmoniously—we have been learning hymns from the Brébeuf hymnal in SATB. Due to time constraints, we never get to rehearse these hymns properly; but I hope that if we just keep singing them they will improve. On 12 September 2021, we sang an ancient hymn to our lady, since that is traditionally the feast of the Most Holy Name of Mary.

*  PDF Download • HILDERSTONE HYMN
—Latin version of Hymn #396 in the John Brébeuf Hymnal.

Three Myths about Catholic Hymns:

Q. I recently attended a liturgical
conference where the speaker said
hymns don’t belong at Mass…
Read Answer

Q. Is it true that Catholics “stole”
the idea of singing hymns from
Protestant churches?
Read Answer

Q. My Protestant friend says
Catholics are wrong to omit
verses when singing hymns…
Read Answer

Vernacular Hymns During Mass: Since 2013 we have often spoken about the perplexing practice of singing vernacular hymns all through Low Mass: even during the Gospel; even during the Canon; even singing the Lord’s Prayer in English while the priest says it in Latin; even during the Creed; and so forth. In my humble opinion, that’s an absurd way to assist at Mass. On the other hand, this was a common practice in the United States before Vatican II—and we have scanned and uploaded numerous books which prove this beyond all doubt. But just because something happened, that doesn’t make it right. I am someone who believes we must be aware of what went on in the past, even if we don’t agree with it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Alleluia Polyphonic Extension, Catholic Composer Cristobal de Morales, Low Mass Vernacular Hymns, Quem Terra Pontus Last Updated: September 14, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

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