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Views from the Choir Loft

PDF Download • Three Myths About Hymns

Jeff Ostrowski · September 14, 2021

ELOW YOU WILL FIND three common myths about hymns—as well as the correct answers! This is part of a larger project being undertaken by SOPHIA INSTITUTE PRESS which concerns positive steps to restore authentic Catholic music at the parish level. When you read the “answers” below, please let me know whether you discover anything that needs correction. Thank you!

Covid Devastation: We were not allowed to rehearse for 14 months due to Covid-19. Our volunteer choir—in which 80% had no prior musical training—has been trying to make up for lost time. We recently learned this Gospel Acclamation, which can be used in the Ordinary Form or the Extraordinary Form. Here’s a live recording from last Sunday:

The Value of Hymnody: In an effort to get the singers to “hear one another”—and thereby tune harmoniously—we have been learning hymns from the Brébeuf hymnal in SATB. Due to time constraints, we never get to rehearse these hymns properly; but I hope that if we just keep singing them they will improve. On 12 September 2021, we sang an ancient hymn to our lady, since that is traditionally the feast of the Most Holy Name of Mary.

*  PDF Download • HILDERSTONE HYMN
—Latin version of Hymn #396 in the John Brébeuf Hymnal.

Three Myths about Catholic Hymns:

Q. I recently attended a liturgical
conference where the speaker said
hymns don’t belong at Mass…
Read Answer

Q. Is it true that Catholics “stole”
the idea of singing hymns from
Protestant churches?
Read Answer

Q. My Protestant friend says
Catholics are wrong to omit
verses when singing hymns…
Read Answer

Vernacular Hymns During Mass: Since 2013 we have often spoken about the perplexing practice of singing vernacular hymns all through Low Mass: even during the Gospel; even during the Canon; even singing the Lord’s Prayer in English while the priest says it in Latin; even during the Creed; and so forth. In my humble opinion, that’s an absurd way to assist at Mass. On the other hand, this was a common practice in the United States before Vatican II—and we have scanned and uploaded numerous books which prove this beyond all doubt. But just because something happened, that doesn’t make it right. I am someone who believes we must be aware of what went on in the past, even if we don’t agree with it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Alleluia Polyphonic Extension, Catholic Composer Cristobal de Morales, Low Mass Vernacular Hymns, Quem Terra Pontus Last Updated: September 14, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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