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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Podcast: James Kennerley: Sacred Music in Education, the Church and the World

Richard J. Clark · May 14, 2021

 

R. PATRICK Fiorillo, Parochial Vicar and Undergraduate Chaplain at Saint Paul’s Parish in Harvard Square interviews Maestro James Kennerley, Director of Music of the Saint Paul’s Choir School in Cambridge, Massachusetts. Kennerley is an internationally acclaimed conductor, organist, and composer.

Listen here:

* * PODCAST • The Harvard Catholic • James Kennerley: Sacred Music in Education, the Church and the World

IKE MANY CATHOLIC Schools in the Archdiocese of Boston, Saint Paul’s Choir School has offered in-person instruction five days a week since September of 2020. But exceedingly rare: St. Paul’s has been one of the few choirs in the world singing during the pandemic. They have done so safely with countless precautions while maintaining the highest standards in sacred music.

Fr. Fiorillo and Maestro Kennerley cover a breathtaking range of enlightened topics. These include the role of beauty and goodness in expressing truth, the influence of the Church in art and music, and the Church’s treasury of sacred music. Kennerley underscores the myriad salutary benefits of music education for children and that of a community that sings together. 

Fr. Fiorillo’s knowledge and appreciation for sacred music in the liturgy shines in his questions. (He also holds the rare distinction of having a hymn tune named in his honor in The Saint Jean de Brébeuf Hymnal!)

This interview begs for follow-up conversations! To follow Fr. Fiorillo’s podcast “The Harvard Catholic” click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 15, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

For the most part, a “good pope” is defined as someone who does what the critic would do if he were pope.

— William F. Buckley Jr. (6 September 1978)

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