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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Re: “Christ the King Hymnal” (Imprimatur, 1954)

Jeff Ostrowski · May 10, 2021

NE OF THE RAREST hymnals we ever released was produced by Father Gabriel Aloysius Knauff (Saskatchewan, Canada) and Sister Pauline of Saint Clare Convent (Cincinnati, Ohio). I am speaking about the Christ the King Hymnal (232 pages), which Corpus Christi Watershed scanned and uploaded in October of 2015. The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. Although the hymnal was unsuccessful, the effort they put forward was truly extraordinary: second to none! Many Catholics still don’t realize that in the pre-conciliar United States—that is to say, before the Second Vatican Council—it was extremely common to sing hymns in English during Low Mass. We have provided massive evidence of this:

*  Vernacular Hymns during Traditional Latin Mass
—A series of articles by Corpus Christi Watershed.

If you scroll to the bottom of this article, you will see even more evidence, directly from the Christ the King Hymnal (1954).

Vernacular Hymns During Latin Mass?

It is true that—in a 1958 document—Pope Pius XII explicitly allowed vernacular hymns during High Mass:

However, as we have already discussed, the legislation before the Second Vatican Council never had in mind vernacular hymns during the distribution of Holy Communion at High Mass, because distributing Holy Communion at High Mass (except on Holy Thursday) was very rare. When Holy Communion was given to the Faithful, such a distribution usually took place outside of Mass. Writing in 1917, Father Adrian Fortescue reminded us that distributing Holy Communion to the congregation was extremely rare, although theoretically possible:

Some people believe the current situation—where 99% of Catholics receive Communion at every Mass with scant preparation—has caused Catholics to regard the SANCTISSIMUM in a “casual” way. In the 1980s, Father Valentine Young pointed out a glaring omission in the Ordinary Form’s Lectionary. As far as I know, Father Valentine is the first one to notice this—and I think his discovery needs to be dealt with in a serious way. Catholics should not treat the SANCTISSIMUM in a casual way. And the irreverence which is frequently shown to the Blessed Sacrament is heartbreaking.

See It For Yourself:

The 1954 Christ the King Hymnal—a fully Roman Catholic book—provides examples of hymns sung during Low Mass:

In Los Angeles, we often sing #814 from the Brébeuf hymnal during the distribution of Holy Communion:

Rehearsal videos for each individual voice await you at #814.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: High Mass with Vernacular, Low Mass Vernacular Hymns Last Updated: May 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

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