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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: “Christ the King Hymnal” (Imprimatur, 1954)

Jeff Ostrowski · May 10, 2021

NE OF THE RAREST hymnals we ever released was produced by Father Gabriel Aloysius Knauff (Saskatchewan, Canada) and Sister Pauline of Saint Clare Convent (Cincinnati, Ohio). I am speaking about the Christ the King Hymnal (232 pages), which Corpus Christi Watershed scanned and uploaded in October of 2015. The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. Although the hymnal was unsuccessful, the effort they put forward was truly extraordinary: second to none! Many Catholics still don’t realize that in the pre-conciliar United States—that is to say, before the Second Vatican Council—it was extremely common to sing hymns in English during Low Mass. We have provided massive evidence of this:

*  Vernacular Hymns during Traditional Latin Mass
—A series of articles by Corpus Christi Watershed.

If you scroll to the bottom of this article, you will see even more evidence, directly from the Christ the King Hymnal (1954).

Vernacular Hymns During Latin Mass?

It is true that—in a 1958 document—Pope Pius XII explicitly allowed vernacular hymns during High Mass:

However, as we have already discussed, the legislation before the Second Vatican Council never had in mind vernacular hymns during the distribution of Holy Communion at High Mass, because distributing Holy Communion at High Mass (except on Holy Thursday) was very rare. When Holy Communion was given to the Faithful, such a distribution usually took place outside of Mass. Writing in 1917, Father Adrian Fortescue reminded us that distributing Holy Communion to the congregation was extremely rare, although theoretically possible:

Some people believe the current situation—where 99% of Catholics receive Communion at every Mass with scant preparation—has caused Catholics to regard the SANCTISSIMUM in a “casual” way. In the 1980s, Father Valentine Young pointed out a glaring omission in the Ordinary Form’s Lectionary. As far as I know, Father Valentine is the first one to notice this—and I think his discovery needs to be dealt with in a serious way. Catholics should not treat the SANCTISSIMUM in a casual way. And the irreverence which is frequently shown to the Blessed Sacrament is heartbreaking.

See It For Yourself:

The 1954 Christ the King Hymnal—a fully Roman Catholic book—provides examples of hymns sung during Low Mass:

In Los Angeles, we often sing #814 from the Brébeuf hymnal during the distribution of Holy Communion:

Rehearsal videos for each individual voice await you at #814.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: High Mass with Vernacular, Low Mass Vernacular Hymns Last Updated: May 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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