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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: “Christ the King Hymnal” (Imprimatur, 1954)

Jeff Ostrowski · May 10, 2021

NE OF THE RAREST hymnals we ever released was produced by Father Gabriel Aloysius Knauff (Saskatchewan, Canada) and Sister Pauline of Saint Clare Convent (Cincinnati, Ohio). I am speaking about the Christ the King Hymnal (232 pages), which Corpus Christi Watershed scanned and uploaded in October of 2015. The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. Although the hymnal was unsuccessful, the effort they put forward was truly extraordinary: second to none! Many Catholics still don’t realize that in the pre-conciliar United States—that is to say, before the Second Vatican Council—it was extremely common to sing hymns in English during Low Mass. We have provided massive evidence of this:

*  Vernacular Hymns during Traditional Latin Mass
—A series of articles by Corpus Christi Watershed.

If you scroll to the bottom of this article, you will see even more evidence, directly from the Christ the King Hymnal (1954).

Vernacular Hymns During Latin Mass?

It is true that—in a 1958 document—Pope Pius XII explicitly allowed vernacular hymns during High Mass:

However, as we have already discussed, the legislation before the Second Vatican Council never had in mind vernacular hymns during the distribution of Holy Communion at High Mass, because distributing Holy Communion at High Mass (except on Holy Thursday) was very rare. When Holy Communion was given to the Faithful, such a distribution usually took place outside of Mass. Writing in 1917, Father Adrian Fortescue reminded us that distributing Holy Communion to the congregation was extremely rare, although theoretically possible:

Some people believe the current situation—where 99% of Catholics receive Communion at every Mass with scant preparation—has caused Catholics to regard the SANCTISSIMUM in a “casual” way. In the 1980s, Father Valentine Young pointed out a glaring omission in the Ordinary Form’s Lectionary. As far as I know, Father Valentine is the first one to notice this—and I think his discovery needs to be dealt with in a serious way. Catholics should not treat the SANCTISSIMUM in a casual way. And the irreverence which is frequently shown to the Blessed Sacrament is heartbreaking.

See It For Yourself:

The 1954 Christ the King Hymnal—a fully Roman Catholic book—provides examples of hymns sung during Low Mass:

In Los Angeles, we often sing #814 from the Brébeuf hymnal during the distribution of Holy Communion:

Rehearsal videos for each individual voice await you at #814.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: High Mass with Vernacular, Low Mass Vernacular Hymns Last Updated: May 11, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

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