• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Ad Orientem” Explained

Daniel Tucker · February 13, 2021

71401-Daniel-Tucker-C
71401-Daniel-Tucker-A
71401-Daniel-Tucker-B
adorientem

HIS YEAR, the priest at my parish will be offering the Holy Sacrifice of the Mass ad orientem on Fridays during Lent. In parishes that are not used to having Mass offered ad orientem, introducing it at daily Mass on the Fridays of Lent is an excellent way to begin the practice. I wrote the following “explainer” to help my parishioners understand what’s going on and why.

What does “ad orientem” mean?

“Ad orientem” is Latin for “toward the East.” It refers to the direction that the priest faces during particular moments in the Holy Sacrifice of the Mass. Historically, Catholic churches and cemeteries have always been built along an East-West axis whenever possible. This is because the Holy Sacrifice of the Mass is not merely a closed-circle, communal event taking place between the priest and people, but a heavenly mystery encompassing the whole cosmos: “In the earthly liturgy we take part in a foretaste of that heavenly liturgy which is celebrated in the holy city of Jerusalem toward which we journey as pilgrims, where Christ is sitting at the right hand of God…” (Sacrosanctum Concilium, paragraph 8). 

It seems like the priest is facing the wrong way. What’s going on?

During those portions of the Mass that are addressed to the people, the priest faces the people. However, because the Eucharistic prayer is addressed to God the Father, the normal posture of the priest has always been to face with the people toward the Lord while the priest, acting “in persona Christi capitis” (“in the Person of Christ the Head”), re-presents Christ’s saving sacrifice to the Father in an unbloody manner through the power of the Holy Spirit.

Didn’t Vatican II get rid of this?

Actually, no. Nowhere in the documents of Vatican II (nor in any other magisterial documents before or since) has the Church ever directed the priest to face “versus populum” (Latin, “toward the people”) for the entire duration of the sacred liturgy. In fact, the current edition of the General Instruction of the Roman Missal (the priest’s “instruction book” for Mass) presumes the “ad orientem” posture because it directs the priest to turn and face the people at certain points, implying that he had not been facing them beforehand.

What does this mean for me?

While the priest’s “ad orientem” posture may seem unusual at first, with repeated exposure many people find that the “ad orientem” celebration allows them to enter more deeply into the prayer of the Mass and to focus more intently on the mystery of Christ’s Real Presence – Body, Blood, Soul, and Divinity – in the Most Holy Eucharist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: February 13, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • 💰 Are Church Musicians Paid Too Little?
  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?
  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.