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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Jeff Ostrowski · October 13, 2020

HEN I COMPOSE settings of the Responsorial Psalm according to the method of the Chabanel Psalms, I assume that everyone will automatically know how they are intended to be performed. However, this is rather silly—because how can they know what’s inside my mind? I was recently asked to compose Responsorial Psalms for the First Mass of a (soon-to-be-ordained) Australian priest, and I thought it might be good to explain explicitly the correct method. I composed a brand new Chabanel tone, which uses a “pedal tone” on C-Natural in the Tenor:

Here is the score, which contains written instructions:

*  PDF Download • “Taste and See” (CHABANEL)
—Responsorial Psalm (Ordinary Form); Votive Mass the Sacred Heart.

*  PDF Download • Alleluia (FATHER LE MOYNE)
—Alleluia Verse (Ordinary Form); Votive Mass the Sacred Heart.


As you can see, there are six options when it comes to Votive Masses for the Sacred Heart of Jesus in the Ordinary Form:

*  PDF Download • Responsorial Psalm Options
—From the Ordo Lectionum Missae.

The priest made his choice, and I followed his request. For the record, I think the Missale Romanum Cum Lectionibus Ad Usum Fidelium made an error. Do you agree?

The United States of America Lectionary, on the other hand, seems to have done it correctly (as far as I can tell):

*  PDF Download • Page from the USA Lectionary

In the Ordinary Form, Anglophone countries each have different translations—which is insane. That’s one reason the Extraordinary Form is experiencing exponential growth. After all, why must Australia have a different Lectionary than the United States? Why must the United States have a different Lectionary than Canada? I am told Great Britain and South Africa have separate lectionaries, also. I don’t know about Singapore, Hong Kong, or the Philippines. To make matters worse, the USA has an “NAB” Lectionary which doesn’t match any Bible—and they are constantly making tiny changes here and there, even though they are not allowed to.

If the Responsorial Psalm is sung, the version from Australia (provided above) is approved for use in the dioceses of the United States of America. The same is the true of the Ted Marier Psalter; it can be sung (but not read) in dioceses of the United States of America. When it comes to “approved collections” for the United States, it’s important to remember that the USCCB overruled the GIRM in 2012 with regard to these approvals. They were challenged on this so-called “tacit approval,” but they held their ground.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Free Responsorial Psalms Organ Vocalist, Responsorial Psalm PDF Last Updated: October 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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