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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Jeff Ostrowski · October 13, 2020

HEN I COMPOSE settings of the Responsorial Psalm according to the method of the Chabanel Psalms, I assume that everyone will automatically know how they are intended to be performed. However, this is rather silly—because how can they know what’s inside my mind? I was recently asked to compose Responsorial Psalms for the First Mass of a (soon-to-be-ordained) Australian priest, and I thought it might be good to explain explicitly the correct method. I composed a brand new Chabanel tone, which uses a “pedal tone” on C-Natural in the Tenor:

Here is the score, which contains written instructions:

*  PDF Download • “Taste and See” (CHABANEL)
—Responsorial Psalm (Ordinary Form); Votive Mass the Sacred Heart.

*  PDF Download • Alleluia (FATHER LE MOYNE)
—Alleluia Verse (Ordinary Form); Votive Mass the Sacred Heart.


As you can see, there are six options when it comes to Votive Masses for the Sacred Heart of Jesus in the Ordinary Form:

*  PDF Download • Responsorial Psalm Options
—From the Ordo Lectionum Missae.

The priest made his choice, and I followed his request. For the record, I think the Missale Romanum Cum Lectionibus Ad Usum Fidelium made an error. Do you agree?

The United States of America Lectionary, on the other hand, seems to have done it correctly (as far as I can tell):

*  PDF Download • Page from the USA Lectionary

In the Ordinary Form, Anglophone countries each have different translations—which is insane. That’s one reason the Extraordinary Form is experiencing exponential growth. After all, why must Australia have a different Lectionary than the United States? Why must the United States have a different Lectionary than Canada? I am told Great Britain and South Africa have separate lectionaries, also. I don’t know about Singapore, Hong Kong, or the Philippines. To make matters worse, the USA has an “NAB” Lectionary which doesn’t match any Bible—and they are constantly making tiny changes here and there, even though they are not allowed to.

If the Responsorial Psalm is sung, the version from Australia (provided above) is approved for use in the dioceses of the United States of America. The same is the true of the Ted Marier Psalter; it can be sung (but not read) in dioceses of the United States of America. When it comes to “approved collections” for the United States, it’s important to remember that the USCCB overruled the GIRM in 2012 with regard to these approvals. They were challenged on this so-called “tacit approval,” but they held their ground.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Free Responsorial Psalms Organ Vocalist, Responsorial Psalm PDF Last Updated: October 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The authority of the Pope is not unlimited. It is at the service of Sacred Tradition. Still less is any kind of general ‘freedom’ of manufacture, degenerating into spontaneous improvisation, compatible with the essence of faith and liturgy. The greatness of the liturgy depends—we shall have to repeat this frequently—on its lack of spontaneity.”

— Josef Cardinal Ratzinger (2000)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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