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Views from the Choir Loft

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Jeff Ostrowski · October 13, 2020

HEN I COMPOSE settings of the Responsorial Psalm according to the method of the Chabanel Psalms, I assume that everyone will automatically know how they are intended to be performed. However, this is rather silly—because how can they know what’s inside my mind? I was recently asked to compose Responsorial Psalms for the First Mass of a (soon-to-be-ordained) Australian priest, and I thought it might be good to explain explicitly the correct method. I composed a brand new Chabanel tone, which uses a “pedal tone” on C-Natural in the Tenor:

Here is the score, which contains written instructions:

*  PDF Download • “Taste and See” (CHABANEL)
—Responsorial Psalm (Ordinary Form); Votive Mass the Sacred Heart.

*  PDF Download • Alleluia (FATHER LE MOYNE)
—Alleluia Verse (Ordinary Form); Votive Mass the Sacred Heart.


As you can see, there are six options when it comes to Votive Masses for the Sacred Heart of Jesus in the Ordinary Form:

*  PDF Download • Responsorial Psalm Options
—From the Ordo Lectionum Missae.

The priest made his choice, and I followed his request. For the record, I think the Missale Romanum Cum Lectionibus Ad Usum Fidelium made an error. Do you agree?

The United States of America Lectionary, on the other hand, seems to have done it correctly (as far as I can tell):

*  PDF Download • Page from the USA Lectionary

In the Ordinary Form, Anglophone countries each have different translations—which is insane. That’s one reason the Extraordinary Form is experiencing exponential growth. After all, why must Australia have a different Lectionary than the United States? Why must the United States have a different Lectionary than Canada? I am told Great Britain and South Africa have separate lectionaries, also. I don’t know about Singapore, Hong Kong, or the Philippines. To make matters worse, the USA has an “NAB” Lectionary which doesn’t match any Bible—and they are constantly making tiny changes here and there, even though they are not allowed to.

If the Responsorial Psalm is sung, the version from Australia (provided above) is approved for use in the dioceses of the United States of America. The same is the true of the Ted Marier Psalter; it can be sung (but not read) in dioceses of the United States of America. When it comes to “approved collections” for the United States, it’s important to remember that the USCCB overruled the GIRM in 2012 with regard to these approvals. They were challenged on this so-called “tacit approval,” but they held their ground.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Free Responsorial Psalms Organ Vocalist, Responsorial Psalm PDF Last Updated: October 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

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  • Urgent! • We Desperately Need Funds!
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