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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Jeff Ostrowski · October 13, 2020

HEN I COMPOSE settings of the Responsorial Psalm according to the method of the Chabanel Psalms, I assume that everyone will automatically know how they are intended to be performed. However, this is rather silly—because how can they know what’s inside my mind? I was recently asked to compose Responsorial Psalms for the First Mass of a (soon-to-be-ordained) Australian priest, and I thought it might be good to explain explicitly the correct method. I composed a brand new Chabanel tone, which uses a “pedal tone” on C-Natural in the Tenor:

Here is the score, which contains written instructions:

*  PDF Download • “Taste and See” (CHABANEL)
—Responsorial Psalm (Ordinary Form); Votive Mass the Sacred Heart.

*  PDF Download • Alleluia (FATHER LE MOYNE)
—Alleluia Verse (Ordinary Form); Votive Mass the Sacred Heart.


As you can see, there are six options when it comes to Votive Masses for the Sacred Heart of Jesus in the Ordinary Form:

*  PDF Download • Responsorial Psalm Options
—From the Ordo Lectionum Missae.

The priest made his choice, and I followed his request. For the record, I think the Missale Romanum Cum Lectionibus Ad Usum Fidelium made an error. Do you agree?

The United States of America Lectionary, on the other hand, seems to have done it correctly (as far as I can tell):

*  PDF Download • Page from the USA Lectionary

In the Ordinary Form, Anglophone countries each have different translations—which is insane. That’s one reason the Extraordinary Form is experiencing exponential growth. After all, why must Australia have a different Lectionary than the United States? Why must the United States have a different Lectionary than Canada? I am told Great Britain and South Africa have separate lectionaries, also. I don’t know about Singapore, Hong Kong, or the Philippines. To make matters worse, the USA has an “NAB” Lectionary which doesn’t match any Bible—and they are constantly making tiny changes here and there, even though they are not allowed to.

If the Responsorial Psalm is sung, the version from Australia (provided above) is approved for use in the dioceses of the United States of America. The same is the true of the Ted Marier Psalter; it can be sung (but not read) in dioceses of the United States of America. When it comes to “approved collections” for the United States, it’s important to remember that the USCCB overruled the GIRM in 2012 with regard to these approvals. They were challenged on this so-called “tacit approval,” but they held their ground.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Free Responsorial Psalms Organ Vocalist, Responsorial Psalm PDF Last Updated: October 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

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