• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Jeff Ostrowski · October 13, 2020

HEN I COMPOSE settings of the Responsorial Psalm according to the method of the Chabanel Psalms, I assume that everyone will automatically know how they are intended to be performed. However, this is rather silly—because how can they know what’s inside my mind? I was recently asked to compose Responsorial Psalms for the First Mass of a (soon-to-be-ordained) Australian priest, and I thought it might be good to explain explicitly the correct method. I composed a brand new Chabanel tone, which uses a “pedal tone” on C-Natural in the Tenor:

Here is the score, which contains written instructions:

*  PDF Download • “Taste and See” (CHABANEL)
—Responsorial Psalm (Ordinary Form); Votive Mass the Sacred Heart.

*  PDF Download • Alleluia (FATHER LE MOYNE)
—Alleluia Verse (Ordinary Form); Votive Mass the Sacred Heart.


As you can see, there are six options when it comes to Votive Masses for the Sacred Heart of Jesus in the Ordinary Form:

*  PDF Download • Responsorial Psalm Options
—From the Ordo Lectionum Missae.

The priest made his choice, and I followed his request. For the record, I think the Missale Romanum Cum Lectionibus Ad Usum Fidelium made an error. Do you agree?

The United States of America Lectionary, on the other hand, seems to have done it correctly (as far as I can tell):

*  PDF Download • Page from the USA Lectionary

In the Ordinary Form, Anglophone countries each have different translations—which is insane. That’s one reason the Extraordinary Form is experiencing exponential growth. After all, why must Australia have a different Lectionary than the United States? Why must the United States have a different Lectionary than Canada? I am told Great Britain and South Africa have separate lectionaries, also. I don’t know about Singapore, Hong Kong, or the Philippines. To make matters worse, the USA has an “NAB” Lectionary which doesn’t match any Bible—and they are constantly making tiny changes here and there, even though they are not allowed to.

If the Responsorial Psalm is sung, the version from Australia (provided above) is approved for use in the dioceses of the United States of America. The same is the true of the Ted Marier Psalter; it can be sung (but not read) in dioceses of the United States of America. When it comes to “approved collections” for the United States, it’s important to remember that the USCCB overruled the GIRM in 2012 with regard to these approvals. They were challenged on this so-called “tacit approval,” but they held their ground.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles, PDF Download Tagged With: Free Responsorial Psalms Organ Vocalist, Responsorial Psalm PDF Last Updated: October 13, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.