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Pope Saint John Paul II said in June of 1980: “To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms—especially from Gregorian chant—a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.”
The index for the Brébeuf hymnal has beautiful capital letters, and I had previously believed our creation to be unique. However, it seems Fr. Adrian Fortescue beat us. (Deep sigh.) You can see that the index for his book, Ceremonies of the Roman Rite Described, is quite beautiful, and uses the capital letters I spoke […]
“I considered myself privileged to be Pastor at one of the places in Houck, Arizona, where Saint Katherine Drexel built a church and grade school.”
When was the last time you gave your muscles permission to relax and let your bones do their job?
Offered by the Saint Gregory Institute of Sacred Music in Pittsburgh, PA
From the 1958 Instruction published under Pope Pius XII: “If the faithful are to communicate, the singing of the Communion antiphon is to begin when the priest distributes Holy Communion. If this Communion antiphon has been taken from some psalm, the other verses of the same psalm may be sung, in which case the antiphon […]
The Sacred Congregation for Rites issued De musica sacra et sacra liturgia (“Instruction on Sacred Music and Sacred Liturgy”) on 3 September 1958. An excerpt: Finally, perfect active participation is achieved when there is also sacramental participation, by which “the faithful who are present communicate not only with spiritual affection, but also in reception of […]
“I had a brother who was married outside the Church and had stopped going to Church for about thirty years…”
Where do the Latin acclamations come from, which replace the “Alleluia” during Lent? The traditional Divine Office replaces Alleluia with “Laus tibi Domine Rex aeternae gloriae.” Here’s a piece of paper that has all possible Ordinary Form “Lenten acclamations” in Latin.
Big news! They discovered why Franz Schubert’s “Unfinished Symphony” was never completed!
I don’t know a more beautiful, gorgeous, memorable 15 seconds than the beginning of Part 2—stunning!
Polyphonic settings from a thirteenth-century Italian convent teach us how we might add a second part to a piece of plainchant.
(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+
A reader wrote to us: “I just wanted to send you a message and let you know I REALLY like the compositions on your website. You have a very rich harmonic language in your choral writing. The work you do is so appreciated and important!”
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