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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster

Corpus Christi Watershed · August 8, 2020

ORPUS CHRISTI WATERSHED has been informed that Arouca Press has recently republished an important collection by Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954). Whether you celebrate the Ordinary Form or the Extraordinary Form, these volumes are extremely important. Their scope is quite wide. For example, currently there is widespread confusion with regard to “Rood Screens”—Blessed Schuster deals with this topic. Church musicians will appreciate how the volumes contain many ancient hymns, such as “Salve Festa Dies” with English translation. Blessed Schuster even provides a “Hymn for Extreme Unction” (Volume 3, page 440). At the end of Volume 3, there is a “Hymn for the Holy Name,” which is an Acrostic on “JESUS.” The books each have an excellent index.

(The entire collection was translated into English by Arthur Levelis-Marke.)

Download the complete set as PDF files:

*  PDF Download • FIRST VOLUME (418 pages)
—Published in 1924 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • SECOND VOLUME (428 pages)
—Published in 1925 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • THIRD VOLUME (442 pages)
—Published in 1927 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • FOURTH VOLUME (456 pages)
—Published in 1929 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • FIFTH VOLUME (348 pages)
—Published in 1930 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

Notice that Part 8 is divided between Volume 4 and Volume 5:

In the olden days, liturgists would say “look it up in Fortescue.” If you are planning on writing anything regarding the sacred liturgy, it would be good to first “look it up in Schuster.” Corpus Christi Watershed has several PDF scans of important books by Father Adrian Fortescue which we plan to release soon (hopefully).

We congratulate Arouca Press for making it possible to purchase hard copies of the works by Blessed Schuster. The person in charge of the Arouca Press wrote to me: “Arouca refers to the northern region in Portugal where part of my family is from. Also, Blessed Mafalda, an incorrupt saint, is buried there.”

 


NOTES FROM THIS ARTICLE:

Note:   Blessed Alfredo Ildefonso Schuster was born in Italy. He was a Benedictine monk, but later became the Archbishop of Milan (from 1929 until his death in 1954). He accepted the name “Ildefonso” as a Benedictine monk and served as an abbot prior to his elevation to the cardinalate.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Ildefonso Schuster Last Updated: November 21, 2020

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Corpus Christi Watershed

President’s Corner

    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

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