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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Edmund Jennings Mass”

Jeff Ostrowski · June 24, 2020

PROMISED to release a total of five Mass settings which work well even when sung by a solo cantor, or cantor with organist. The first installment was the Saint Ralph Sherwin setting. The second installment was the Saint Anne Line setting. Each of the Mass settings has included a harmonization for the Our Father, and some were confused by this since the “harmonization title” doesn’t match the rest of the Mass. I apologize for any confusion; it’s because those Our Father settings were composed prior to the Mass settings. This time around, I’ve attempted to present the Mass settings in a very clear manner—hopefully nobody gets too confused. 1

Today, for the third installment, I release the SAINT EDMUND JENNINGS Mass setting:

*  PDF Download • ORGAN ACCOMPANIMENTS
—Organ Accompaniment for the “Our Father” is included.

*  PDF Download • Congregational Booklet
—Make sure to select “double sided” when printing.

I personally believe my Mass settings sound cool when sung SATB. For instance, if you take the Our Father harmonies and score them as SATB, here’s how they sound:

Rehearsal video names don’t always correspond; cf. the first footnote.

We recorded rehearsal videos about ten years ago—and I’m not pleased with several of them—but these are all we have available at the moment:

KYRIE: (rehearsal video)

GLORIA: (rehearsal video)

SANCTUS: (rehearsal video)

MYSTERIUM: (rehearsal video)

GREAT AMEN: (rehearsal video)

OUR FATHER: (rehearsal video)

AGNUS DEI: (rehearsal video) 2

ONSIDER the life of Saint Edmund Jennings. He converted to the True Faith at age 16, and was ordained a priest at the young age of 23. He went to England, and was martyred because he was Catholic (not Anglican). Some would say: “What a waste; all those studies, and all that training! And then a few years later he was martyred.” But the Church doesn’t see it that way. By the way, Father Jennings died in 1591AD, during the same decade that saw the deaths of Palestrina (1594), Lassus (1594), Marenzio (1599), Guerrero (1599), and Zoilo (1592), as well as the birth of Father Jean de Brébeuf (1593).

 


NOTES FROM THIS ARTICLE:

1   Confusion stems from the fact that the rehearsal video titles sometimes don’t “match,” since they were included in other collections through the years. All I can say is that I have made every effort to make the scores as straightforward and unambiguous as possible this time around.

2   The “Agnus Dei” was recorded with an iPhone on a toy organ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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