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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Verse for Trinity Sunday

Fr. David Friel · June 7, 2020

RINITY Sunday is a splendid occasion for adoring the goodness of God and admiring the mystery of the divine nature. Many good hymns stand ready to assist us in the task of praising the Trinity. There is also one poem, in particular, which might contribute to our prayer on this feast.

Written by the great Welsh poet and Anglican priest, George Herbert (1593-1633), this poem is entitled simply Trinity Sunday.

Like many other of Herbert’s poems (e.g., The Altar, Easter Wings, and Man), this one is carefully crafted in order to communicate not only through its words, but also through its form. The result is something at once creative, thought-provoking, and deeply spiritual.

First the poem, then a few brief observations about it.

Trinity Sunday

Lord, who hast form’d me out of mud,
And hast redeem’d me through thy blood,
And sanctifi’d me to do good;

Purge all my sins done heretofore:
For I confess my heavy score,
And I will strive to sin no more.

Enrich my heart, mouth, hands in me,
With faith, with hope, with charity;
That I may run, rise, rest with thee. 1

HIS poem consists of three stanzas, each composed of three lines. The first stanza, moreover, turns on the use of three parallel verbs (“form’d” | “redeem’d” | “sanctifi’d”). The second stanza showcases the three principal tenses (“heretofore,” past | “I confess,” present | “sin no more,” future). Finally, the third stanza presents a unique triad in each of its three lines (line 1, “heart, mouth, hands” | line 2, “faith . . . hope . . . charity” | line 3, “run, rise, rest”).

Herbert’s poem helps us to recognize that all of human experience—indeed, all of creation—is suffused with Trinitarian patterns. Like the text and form of his poem, today’s feast invites us to celebrate traces of the Trinity wherever they are found.

On this feast of the Most Holy Trinity, may all glory truly be given to the Father, Son, and Holy Ghost, the God who was and who is and who is to come, in whom we live and move and have our being!


NOTES FROM THIS ARTICLE:

1   George Herbert, “Trinity Sunday,” in George Herbert: The Complete English Works, ed. Ann Pasternak Slater, Everyman’s Library (New York: Alfred A. Knopf, 1995), 65.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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