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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Verse for Trinity Sunday

Fr. David Friel · June 7, 2020

RINITY Sunday is a splendid occasion for adoring the goodness of God and admiring the mystery of the divine nature. Many good hymns stand ready to assist us in the task of praising the Trinity. There is also one poem, in particular, which might contribute to our prayer on this feast.

Written by the great Welsh poet and Anglican priest, George Herbert (1593-1633), this poem is entitled simply Trinity Sunday.

Like many other of Herbert’s poems (e.g., The Altar, Easter Wings, and Man), this one is carefully crafted in order to communicate not only through its words, but also through its form. The result is something at once creative, thought-provoking, and deeply spiritual.

First the poem, then a few brief observations about it.

Trinity Sunday

Lord, who hast form’d me out of mud,
And hast redeem’d me through thy blood,
And sanctifi’d me to do good;

Purge all my sins done heretofore:
For I confess my heavy score,
And I will strive to sin no more.

Enrich my heart, mouth, hands in me,
With faith, with hope, with charity;
That I may run, rise, rest with thee. 1

HIS poem consists of three stanzas, each composed of three lines. The first stanza, moreover, turns on the use of three parallel verbs (“form’d” | “redeem’d” | “sanctifi’d”). The second stanza showcases the three principal tenses (“heretofore,” past | “I confess,” present | “sin no more,” future). Finally, the third stanza presents a unique triad in each of its three lines (line 1, “heart, mouth, hands” | line 2, “faith . . . hope . . . charity” | line 3, “run, rise, rest”).

Herbert’s poem helps us to recognize that all of human experience—indeed, all of creation—is suffused with Trinitarian patterns. Like the text and form of his poem, today’s feast invites us to celebrate traces of the Trinity wherever they are found.

On this feast of the Most Holy Trinity, may all glory truly be given to the Father, Son, and Holy Ghost, the God who was and who is and who is to come, in whom we live and move and have our being!


NOTES FROM THIS ARTICLE:

1   George Herbert, “Trinity Sunday,” in George Herbert: The Complete English Works, ed. Ann Pasternak Slater, Everyman’s Library (New York: Alfred A. Knopf, 1995), 65.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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