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Views from the Choir Loft

A Verse for Trinity Sunday

Fr. David Friel · June 7, 2020

RINITY Sunday is a splendid occasion for adoring the goodness of God and admiring the mystery of the divine nature. Many good hymns stand ready to assist us in the task of praising the Trinity. There is also one poem, in particular, which might contribute to our prayer on this feast.

Written by the great Welsh poet and Anglican priest, George Herbert (1593-1633), this poem is entitled simply Trinity Sunday.

Like many other of Herbert’s poems (e.g., The Altar, Easter Wings, and Man), this one is carefully crafted in order to communicate not only through its words, but also through its form. The result is something at once creative, thought-provoking, and deeply spiritual.

First the poem, then a few brief observations about it.

Trinity Sunday

Lord, who hast form’d me out of mud,
And hast redeem’d me through thy blood,
And sanctifi’d me to do good;

Purge all my sins done heretofore:
For I confess my heavy score,
And I will strive to sin no more.

Enrich my heart, mouth, hands in me,
With faith, with hope, with charity;
That I may run, rise, rest with thee. 1

HIS poem consists of three stanzas, each composed of three lines. The first stanza, moreover, turns on the use of three parallel verbs (“form’d” | “redeem’d” | “sanctifi’d”). The second stanza showcases the three principal tenses (“heretofore,” past | “I confess,” present | “sin no more,” future). Finally, the third stanza presents a unique triad in each of its three lines (line 1, “heart, mouth, hands” | line 2, “faith . . . hope . . . charity” | line 3, “run, rise, rest”).

Herbert’s poem helps us to recognize that all of human experience—indeed, all of creation—is suffused with Trinitarian patterns. Like the text and form of his poem, today’s feast invites us to celebrate traces of the Trinity wherever they are found.

On this feast of the Most Holy Trinity, may all glory truly be given to the Father, Son, and Holy Ghost, the God who was and who is and who is to come, in whom we live and move and have our being!


NOTES FROM THIS ARTICLE:

1   George Herbert, “Trinity Sunday,” in George Herbert: The Complete English Works, ed. Ann Pasternak Slater, Everyman’s Library (New York: Alfred A. Knopf, 1995), 65.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

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