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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Solesmes

Veronica Moreno · April 23, 2020

After Fontenelle, we wanted to visit both Solesmes and Fontgombault a few hours south and west of Paris. Again, here we could have resolved the great chant wars of the recent years, but forgive me reader, I’m just a singer.

We had to prioritize, and we wanted to attend the Traditional Mass, so Solesmes (Novus Ordo) would be a shorter visit in the mid-day.


(1) But first you have to understand a little bit about my dreams. All of my life I wanted to visit Mont-St.Michelle. If you recognize the name, you’ll understand why. This island was in my heart in special way, probably because of pictures I saw growing up.

Then it was in my homeschooled-kids’ hearts because of the Halliburton book. The traveler has one entire chapter devoted to the island fortress and when I read it with my children, it was a done deal: we had to see it with our own eyes.

A homeschool mom’s dream come true.

This just to explain that we visited Solesmes on the drive south starting from Avranches and ending up in the Loire Valley near Tours and Poitiers (Note 1).


(2) Like many monasteries, Solesmes rests near a river.

It was mid-day, so there was very little activity in the local town.

If you’ve ever used Dom Guéranger’s books for prayer or reflection, it’s a bit of a shock to see the street name sign outside and this vintage portrait inside.

Twenty-years old! And a reflection of my hand holding my phone. This is why you should visit, to see all of this clearly and in person.

Future relics?

When in 1831 he heard that the priory of Solesmes was about to be demolished, he thought of buying it himself to live Benedictine life there. Helped by some friends and encouraged by his bishop, he scraped together enough money to rent the monastery and moved in with three companions on 11 July 1833. The small community was penniless, lacked prestige to attract vocations and, above all, had no experience of monastic life. Guéranger was its superior for twenty-eight years even though he had never received a monastic formation. Had the undertaking not been an act of faith, it would have been utter madness. But the young Prior Guéranger had a very sound sense for all things Benedictine, for the liturgy, and for the spiritual life. He was therefore a living example for his monks.

image

 

NOTES:

(1) A Catholic – Sacred Music pilgrimage would visit the manuscripts in Avranches, the monastery at the top of Mont-Sant-Michel, visit St. Martin of Tours, visit Hilary of Poiters, and walk across the street from the cathedral in Poitiers to an ancient Roman-era baptistery. Each site is of historical importance not only to the faith, but to Sacred Music specifically.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 23, 2026

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

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  • “Reminder” — Month of April (2026)

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