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Views from the Choir Loft

Archives for March 2020

Jeff Ostrowski · March 16, 2020

PDF Download • Organ Accompaniment for “Audi Benigne Conditor” (Vespers Hymn for Lent)

Finding the “perfect” accompaniment for hymns can be challenging. Here is my attempt.

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Veronica Brandt · March 13, 2020

Stella Caeli – a hymn against pestilence

Veronica Brandt has posted a beautiful antiphon reputed to keep the plague away; updated to correct a semitone variance in the first copy she made • The Cantuale Romano-Seraphicum from 1951 is mentioned • Free download of “Stella Caeli” along with the Litany of Our Lady+

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Jeff Ostrowski · March 13, 2020

Errors in the “Complete Works” of Father Cristóbal de Morales

Monsignor Higinio Anglés, a Spanish priest and musicologist, was director of the Pontifical Institute of Sacred Music.

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Jeff Ostrowski · March 13, 2020

Internet Bullies

Any Christian who tries to make a difference in the sacred music world must expect to face opposition and scorn. Today, the attacks will frequently come from “internet cowards” who hide behind false names, fake biographies, anonymous blogs, and so forth. Falsehoods and calumnies from anonymous sources are impossible to debunk—because recognition is what they […]

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Jeff Ostrowski · March 11, 2020

A Hymn We’re Singing This Lent—In English!

Have you heard of the “People’s Mass Book,” published by Omer Westendorf in 1964?

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Veronica Moreno · March 11, 2020

“Let’s Not” . . . a small moment of reverence

Cardinal Dolan at Mass

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Fr. David Friel · March 10, 2020

Liturgical Custody of the Eyes

Guarding the Sense of Sight so as to Promote Participation

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Dr. Gregory Hamilton · March 10, 2020

Psalms, Psalmody, Psalmists, Psalm Singing

Some of you may not know, but in seminaries and houses of religious, the 150 psalms are still recited or sung every month.

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Jeff Ostrowski · March 10, 2020

Former Executive Director (USCCB Liturgy Committee) Distorts Holy Week Permitted By Pope Francis

Pope Francis was right to allow the Pre-1955 Holy Week. Father Krisman is incorrect to suggest it will “hurt people.”

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Jeff Ostrowski · March 7, 2020

Father Cristóbal de Morales • “Missa Mille Regretz”

Some believe Stevenson was the greatest musicologist of all time, but I believe he made an error here.

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Jeff Ostrowski · March 6, 2020

Singing in the Papal Choir during the 16th century…

“Juan Sánchez, first admitted in June, 1529, was the most flamboyant member of the generally hot-tempered Spanish section of the choir. In January, 1540, not wishing to sing the part allotted him by the director, he hit him “in the presence of the Sacrament,” thus creating a “very great scandal.” He was imprisoned, but the […]

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Jeff Ostrowski · March 5, 2020

Excerpt (November, 1545) for Choir Members at the Vatican

There were about 32 singers: “A singer need not be in holy orders but must be a man of honor and of good repute. When a new member is proposed, his character shall first be examined, and then he shall be brought to a musical examination conducted by the choir members themselves. The first requisite […]

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Jeff Ostrowski · March 3, 2020

PDF Download • Catholic Hymnal by the Bishop of Cleveland, Ohio (84 Pages)

An extremely rare hymnal compiled by the Most Rev’d Joseph Schrembs, Bishop of Cleveland, Ohio.

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Dr. Lucas Tappan · March 3, 2020

The Institution as Formator (Part II)

Once we realize how high that standard for accepting a chorister is, it becomes easier to understand the boy’s rapid musical progress in the choir.

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Jeff Ostrowski · March 2, 2020

Pope Pius X had been a choirmaster!

During his final year of theological studies at the seminary, Pope Pius X served as choirmaster to the seminarians! While serving as bishop of Mantua, he founded a Schola Cantorum and personally taught courses in sacred music and Cantus Gregorianus. Fascinating!

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

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  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)

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