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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Former Executive Director (USCCB Liturgy Committee) Distorts Holy Week Permitted By Pope Francis

Jeff Ostrowski · March 10, 2020

OUGHLY thirty years ago, Father Ronald F. Krisman served as Executive Director of the liturgical committee for the USA bishops’ conference. (Currently, this body calls itself the USCCB; prior to 1996 it had different names.)  What was formerly known as the “BCL” now calls itself the “Committee on Divine Worship.” Generally speaking, the Washington D.C. staff members run everything, although a committee of bishops is technically in charge.  (This is not admitted publicly, for obvious reasons.)  In the past, I have had the privilege of working closely with bishops who served on that committee—although, as I already mentioned, the secretariat is de facto in charge.  When Fr. Krisman finished his service as Executive Director of the secretariat, he began working for GIA publications.

The following was posted by Fr. Krisman on the Church Music Association of America website (and kindly brought to my attention by C.M.I.):

Father Krisman is dead wrong.

Let’s take each one:

(1.) Fr. Krisman: Triduum liturgies would have been celebrated “in the morning before dawn.”

The Holy Week services prior to the 1955 reforms were not celebrated “in the morning before dawn” as Fr. Krisman erroneously claims. They took place in the morning, but not “before dawn”—as you can clearly see from the posted examples of church bulletins from the 1930s and 1940s. When we consider Fr. Krisman was (for all intents and purposes) in charge of the USA liturgy committee for years, his unfamiliarity with Catholic praxis is disturbing. He once erroneously claimed that the Prayers at the Foot of the Altar were sung—but that never happened, not even once. Chesterton once said: “The Christian ideal has not been tried and found wanting. It has been found difficult; and left untried.” It would seem Fr. Krisman has never “tried” the traditional liturgy.

(2.) Fr. Krisman: “The church would have been pretty much empty, except for the priests and seminarians whose presence was commandeered.”

Fr. Krisman is incorrect. The Holy Thursday Mass was attended by the children at Catholic school, and attendance was quite high. It’s true that Holy Saturday was not very highly attended, but traditionally this had become a penitential ceremony. It had twelve (12) long readings, and—as they were being read or sung—the catechumens were being prepared for Baptism. When the ceremony was over, a reception for the converts was most likely held; because it would have been around noon, as opposed to 3:00am. At the Easter Vigil, some books say the faithful did not receive Holy Communion, but instead waited until Easter day.

We will not go into great detail regarding the ceremonies of Holy Saturday, because it’s an incredibly complex subject. (Fortescue is brilliant on this.) I would only point out that the traditional arrangement—Holy Saturday morning—makes a lot of sense, because it doesn’t distract from Easter Sunday Mass. It’s difficult to understand how certain authors attempt to claim that Holy Saturday is the “crown jewel” of the Church year, because the Mass for Holy Saturday has less music than any other Mass. Even a ferial Mass has more music. Holy Saturday has no Introit, no Credo, no Sequence, no Agnus Dei, no Offertory antiphon, no Communion antiphon, and so forth. (For the record, it does contain a dramatic moment when the Gloria, bells, and organ return.) The 1950s transfer to the evening instead of the morning seems to have caused great confusion. In the pre-1955 days, even the bishop (in many dioceses) did not attend the Holy Saturday services! Easter Sunday was the big Mass, which has tremendous music.

(3.) Fr. Krisman talks about a “historical reenactment” of Holy Week.

Pope Francis was the one who allowed the pre-1955 Holy Week, for certain parishes, a few years ago. He was right to do that, because I know of no serious person alive today who defends the 1955 reform. It was sloppy and pointless. The pre-1955 makes a lot more sense, even if folks use the post-1955 times. But using the post-1955 timings destroys Tenebrae…which is not cool.

For the record, I have seen how a “historical reënactment” looks—and the traditional holy week has nothing to do with that. (Fr. Krisman could not be more wrong.)

(4.) Fr. Krisman: “Please shut it down before it hurts people.”

The sacred rites will not hurt anyone. I beg you to read the beautiful description of them written by Fr. Adrian Fortescue in 1916:

No Passion play, no deliberately dramatic ceremonies invented now, could be so full of meaning as these old rites; no modern invention could so well represent, externally, the thoughts and memories of these days. Deliberate pageantry would rather repel us as being theatrical. Here we are in no danger of judging our rites to be that, since there is always so simple an explanation of their origin. Yet we have in them, with their age-long associations, dramatic symbols unequalled for beauty and suitability. To us, now, by long association all these rites have become a great drama, the yearly mysteries in which we express our undying remembrance of what these days mean. Our Lord told us not to forget him. We have the memory of his Passion, of course, in every Mass, yet never so vividly as in the ceremonies of Holy Week.

The Catholic who takes part in these rites will not be content merely to understand their immediate history and first explanation. He must look up beyond these outer symbols, and see the Upper Room, the Mount of Olives, the Hill without the city, the grave. The ceremonies of our churches are only the outer expression of the real religion of spirit and truth, the veil which covers without hiding the mysteries beyond. Behind the white Mass of Thursday and the procession, the altar of repose, behind the desolation of Friday, with its sudden burst of splendour, behind all the old rites of the Paschal vigil, we still see, after so many long centuries, the table of the Supper to which we owe our Lord’s last gift to us, the hours of his pain, the silent grave on which the Paschal moon shone that night. The bells, the organ, the Alleluia tell us, each year again, of the glory of that Easter sun which never set. Surrexit Christus de sepulchro, qui pro nobis pependit in ligno.

Powerful words!

79449-Blessing-of-the-FIRE
79444-Exultet
79450-Creeping-To-The-Cross
79443-THURSTON

To learn more about the traditional holy week:

*  PDF Download • “Holy Week According to the Missall and Roman Breviary” (1670AD)
—Sir Walter Kirkham Blount; 611 gorgeous pages!

*  PDF Download • LENT AND HOLY WEEK (1904)
—487 pages; Father Herbert Thurston.

*  PDF Download • THE HOLY WEEK BOOK (1913)
—346 pages; with an Introduction by Adrian Fortescue; London, Burns Oates.

*  PDF Download • Introduction to the pre-1955 Holy Week
—15 pages; written by Fr. Adrian Fortescue; taken from the 1913 book above.

Addendum: For the record, I still remember almost a decade ago when Fr. Krisman publicly disparaged Bishop Michael Mulvey of Corpus Christi, saying “canonists in the Diocese of Corpus Christi need a refresher course on the subject of ecclesiastical approval to publish.”  Father Krisman was later proven to be incorrect, but (as far as I know) never apologized to Bishop Mulvey.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Ronald F Krisman Last Updated: March 11, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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