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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Catholic Hymnal by the Bishop of Cleveland, Ohio (84 Pages)

Jeff Ostrowski · March 3, 2020

EFORE ANY WORK at all could begin on the Brébeuf hymnal, the team spent several years amassing an unparalleled collection of old Catholic hymnals. We believed it was essential to know what had been done in the past. Much of what we discovered was of a very low quality—one member of the committee (from another continent) called it “deplorable rubbish”—yet some of what we found was marvelous, and we placed it in the Brébeuf hymnal. Below is “Volume 1” of a collection published by the Bishop of Cleveland, Ohio. If readers find this interesting, I will try to post “Volume 2” as well.

*  PDF Download • Diocesan Hymnal (84 Pages)
—Compiled in 1926 by the Most Rev. Joseph Schrembs, Bishop of Cleveland, Ohio.

Please Note: Just because we are sharing these old hymnals does not mean we endorse the music they contain. The Gregorian accompaniments are strange, even by 1926 standards:

By the way, I wonder when this “Our Father” on page 54 would have been sung. Since it was the 1920s, it was probably sung during Low Mass. Here is a page I find particularly interesting—remember this was 1926!

To download about sixty (60) extremely rare Catholic hymnals we have scanned into PDF, visit the Brébeuf website and scroll down to where it says “Source Material.”

HE OLDER I GET, the more I appreciate how wise it is to (frequently) keep silence. When I was younger, everything was fresh and new. I remember how excited I was to “expose” hypocrisy and errors. Wise mentors would simply look at me and smile; they admired the youthful energy, but human nature was nothing new to them! So they kept silence. These days, I observe such foolishness, cowardice, and hypocrisy. My inclination is to “expose” this nonsense—but it’s usually better to simply ignore it. Something that bothers me deeply is to observe Catholic bloggers and authors constantly claim they want to improve the liturgy—yet when they have an opportunity to help, they won’t lift a finger, because they’re too busy writing their 23rd article on Theodore McCarrick. Would it not be better to focus on positive things?

I believe the Brébeuf hymnal will eventually be recognized for what it is: a desperately needed resource, essential for any Catholic parish serious about the Faith. I use it for all four (4) Masses each Sunday, as well as Solemn Vespers (which we have each Sunday afternoon). The Brébeuf hymnal makes my life so easy! How I wish this resource had been available 20 years ago! Our congregation loves the melodies and texts. The singers literally weep when they sing these melodies, which is quite moving!

The Brébeuf hymnal is like an ever-widening vista; my parish could use this book for the next fifty years, yet barely scratch the surface.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jean de Brebeuf Hymnal Last Updated: April 5, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“The production of this book was too far advanced for notice to be taken of the new translation of the Hebrew psalter into Latin by the professor of the Biblical Institute at Rome. The Holy Father’s permission to use it in the divine office when properly adapted for the purpose will prove a welcome boon.”

— Father Cuthbert Lattey (15 Nov. 1944)

Recent Posts

  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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