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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Catholic Hymnal by the Bishop of Cleveland, Ohio (84 Pages)

Jeff Ostrowski · March 3, 2020

EFORE ANY WORK at all could begin on the Brébeuf hymnal, the team spent several years amassing an unparalleled collection of old Catholic hymnals. We believed it was essential to know what had been done in the past. Much of what we discovered was of a very low quality—one member of the committee (from another continent) called it “deplorable rubbish”—yet some of what we found was marvelous, and we placed it in the Brébeuf hymnal. Below is “Volume 1” of a collection published by the Bishop of Cleveland, Ohio. If readers find this interesting, I will try to post “Volume 2” as well.

*  PDF Download • Diocesan Hymnal (84 Pages)
—Compiled in 1926 by the Most Rev. Joseph Schrembs, Bishop of Cleveland, Ohio.

Please Note: Just because we are sharing these old hymnals does not mean we endorse the music they contain. The Gregorian accompaniments are strange, even by 1926 standards:

By the way, I wonder when this “Our Father” on page 54 would have been sung. Since it was the 1920s, it was probably sung during Low Mass. Here is a page I find particularly interesting—remember this was 1926!

To download about sixty (60) extremely rare Catholic hymnals we have scanned into PDF, visit the Brébeuf website and scroll down to where it says “Source Material.”

HE OLDER I GET, the more I appreciate how wise it is to (frequently) keep silence. When I was younger, everything was fresh and new. I remember how excited I was to “expose” hypocrisy and errors. Wise mentors would simply look at me and smile; they admired the youthful energy, but human nature was nothing new to them! So they kept silence. These days, I observe such foolishness, cowardice, and hypocrisy. My inclination is to “expose” this nonsense—but it’s usually better to simply ignore it. Something that bothers me deeply is to observe Catholic bloggers and authors constantly claim they want to improve the liturgy—yet when they have an opportunity to help, they won’t lift a finger, because they’re too busy writing their 23rd article on Theodore McCarrick. Would it not be better to focus on positive things?

I believe the Brébeuf hymnal will eventually be recognized for what it is: a desperately needed resource, essential for any Catholic parish serious about the Faith. I use it for all four (4) Masses each Sunday, as well as Solemn Vespers (which we have each Sunday afternoon). The Brébeuf hymnal makes my life so easy! How I wish this resource had been available 20 years ago! Our congregation loves the melodies and texts. The singers literally weep when they sing these melodies, which is quite moving!

The Brébeuf hymnal is like an ever-widening vista; my parish could use this book for the next fifty years, yet barely scratch the surface.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Jean de Brebeuf Hymnal Last Updated: April 5, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

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