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Views from the Choir Loft

Olivier Latry: Recital in Dallas This Sunday

Dr. Alfred Calabrese · February 18, 2020

N 2017, Dr. Denis McNamara published an excellent and informative article on Pope St. John XXIII’s allocution given for the blessing of the renovated pipe organ in St. Peter’s Basilica, which took place just before the opening of the Second Vatican Council.  Seeing that most official Church documents lack detail about the “foundational theology of the pipe organ,” this papal address turns out to be one of the more important ecclesiastical utterances of that which holds ‘pride of place’ among musical instruments. Both grandeur and the eschatological are part of the organ’s milieu, providing unity across cultures, support from its own ‘breath,’ and the foretaste of heaven’s never-ending liturgy. These elements are especially true when executed by a master musician.

I am pleased to announce that this Sunday, February 23rd, at 7:30pm, Olivier Latry, one of three titular organists from the Cathedral of Notre-Dame, Paris, will be in recital at St. Rita Catholic Church in Dallas, TX. Mr. Latry will play an all-French program including improvisations.


The uncertain future of his home Cathedral and of the magnificent organ contained therein lends an extra pathos and gravitas to Latry’s concert appearances these next several years; whether he or anyone ever plays there again remains unknown. Anyone fortunate enough to have heard him in person at Notre-Dame, with the fiery reeds of the Cavaillé-Coll blazing down the ancient nave, know full well the power and mastery of his playing. If you are anywhere near Dallas this Sunday, please do join us. There is no charge for admission. Check here to stay updated via our Facebook pages.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: February 18, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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