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Views from the Choir Loft

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Richard J. Clark · January 10, 2020

WO CATHEDRALS  — two Sundays. Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross (Sunday 1.12.2020 @2pm) and Saint Patrick’s Cathedral, New York City. (Sunday, 1.19.2020 @ 3:15pm)

On the program is the seven-movement organ suite Gregorian Impressions. Published by The Sacred Music Press/The Lorenz Corporation, it is based on familiar and beloved plainchants. The American Organist magazine praises Gregorian Impressions for its “engaging developments.” 

The Boston Archdiocesan Schola will assist singing the chants prior to each movement. Several noted liturgical musicians from New York will join members of the Boston Schola in New York.

HE TWO ORGANS: BOSTON — Sunday, January 12 @2pm: Built in 1875, the 101-rank E. & G. G. Hook and Hastings, Opus 801 contains 5,318 pipes. This instrument is highly unique in that it is nearly original in its tonal design. Clothed in stone and marble (since the recent renovation) this organ is breathing new life into the Cathedral!

• Click here for concert program and specifications of the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

• A tour of the newly renovated Holy Cross Cathedral will immediately follow the concert.

NEW YORK — Sunday, January 19th @3:15pm: five-manuals, 206 stops, 150 ranks, and 10 divisions, the Kilgen Organs were rebuilt by the Peragallo Pipe Organ Company in the 1990s.

This concert will be live-streamed here.

Both concerts are free and open to the public. See you there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: cathedral music, chant, Pipe Organ Last Updated: January 13, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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