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Views from the Choir Loft

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Richard J. Clark · January 10, 2020

WO CATHEDRALS  — two Sundays. Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross (Sunday 1.12.2020 @2pm) and Saint Patrick’s Cathedral, New York City. (Sunday, 1.19.2020 @ 3:15pm)

On the program is the seven-movement organ suite Gregorian Impressions. Published by The Sacred Music Press/The Lorenz Corporation, it is based on familiar and beloved plainchants. The American Organist magazine praises Gregorian Impressions for its “engaging developments.” 

The Boston Archdiocesan Schola will assist singing the chants prior to each movement. Several noted liturgical musicians from New York will join members of the Boston Schola in New York.

HE TWO ORGANS: BOSTON — Sunday, January 12 @2pm: Built in 1875, the 101-rank E. & G. G. Hook and Hastings, Opus 801 contains 5,318 pipes. This instrument is highly unique in that it is nearly original in its tonal design. Clothed in stone and marble (since the recent renovation) this organ is breathing new life into the Cathedral!

• Click here for concert program and specifications of the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

• A tour of the newly renovated Holy Cross Cathedral will immediately follow the concert.

NEW YORK — Sunday, January 19th @3:15pm: five-manuals, 206 stops, 150 ranks, and 10 divisions, the Kilgen Organs were rebuilt by the Peragallo Pipe Organ Company in the 1990s.

This concert will be live-streamed here.

Both concerts are free and open to the public. See you there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: cathedral music, chant, Pipe Organ Last Updated: January 13, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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