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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Newman on Liturgy

Fr. David Friel · December 1, 2019

ALL HAS been a busy season in the Church, particularly with respect to new saints. October featured the canonization of St. John Henry Newman, and December brings the beatification of Bl. Fulton Sheen. These are wonderful occasions of grace, in which all the people of God rejoice.

Newman is a giant of Catholic thought, and the sacred liturgy was central to his life. The theology of the liturgy, however, does not figure prominently in his writings. Even so, is there anything that can be gleaned on the topic from within Newman’s corpus?

This question has recently been expertly addressed by Oratorian Father Uwe Michael Lang, a liturgical scholar and parish priest at Brompton Oratory in London. In an article in the November 2019 issue of Adoremus Bulletin, Fr. Lang gives an excellent survey of the points of contact existing between Newman and the liturgy. 1 Lang’s article is available in full on the Adoremus website.

Another excellent resource for understanding Newman’s approach to the liturgy is a newly published book, entitled John Henry Newman on Worship, Reverence, and Ritual: A Selection of Texts. Edited by Dr. Peter Kwasniewski, this anthology collects over 500 pages of more than 70 texts that manifest Newman’s understanding of liturgy. Newman on Worship is available here.

Concerning Newman’s liturgical legacy, one thing I would add is that his greatest poem—the Dream of Gerontius, available here—is set in a liturgical framework. The poem quotes generously from the rite for commendation of the dying, including the magnificent Profiscere prayer, which dates at least to the 8th century and remains in use today. One suspects that the scene recounted in the poem reflects, in part, St. John Henry Newman’s own pastoral experience.

Newman’s contributions to the Church are vast. Two small items that have previously been featured here on Views from the Choir Loft include Newman’s prayer before Mass and his thoughts on preaching. Both are worth another look, as our celebration of his canonization continues.




NOTES FROM THIS ARTICLE:

1   Uwe Michael Lang, “‘The Most Joyful Ordinance of the Gospel’: Saint John Henry Newman on the Liturgy,” Adoremus Bulletin 25, no. 3 (November 2019): 1 and 4.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blessed John Henry Cardinal Newman Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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