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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2019

Jeff Ostrowski · September 9, 2019

When People Lie About Hymns Unwittingly

As a young man, I came into contact with an organist who claimed there was no such thing as a “Recessional,” insisting that I was wrong and foolish to use that term.

Fr. David Friel · September 8, 2019

PDF Download • Chant Notation—Nuptial Blessing (EF)

With permission from the CDF, the nuptial blessing at a sung EF Mass may be chanted according to this melody.

Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

Richard J. Clark · September 6, 2019

Leo Abbott to Rededicate Landmark E. & G. G. Hook & Hastings Organ, Opus 801

This pipe organ will be heard as it has never been in our lifetimes.

Jeff Ostrowski · September 4, 2019

Do You Know Credo VII ??

A wonderful medieval Credo, published with “Imprimatur” from 1924.

Corpus Christi Watershed · September 3, 2019

Brébeuf #654 • “On Jordan’s Bank The Baptist’s Cry”

Sung to the wonderful tune of “Winchester New.”

Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Dr. Lucas Tappan · September 3, 2019

Let the Fun Begin

I have been searching for ways to bring more choristers into the choir…

Corpus Christi Watershed · September 2, 2019

Brébeuf #655 • “Hark! A Voice” (Advent Hymn)

A beautiful English translation of “En Clara Vox Redarguit” by Fr. Fitzpatrick.

Corpus Christi Watershed · September 2, 2019

Brébeuf #657 • “O Come, Divine Messiah” (Advent)

You can hear the individual tracks if you visit the source website.

Jeff Ostrowski · September 2, 2019

I. Was. Dead. Wrong.

Setting the record straight.

Jeff Ostrowski · September 2, 2019

PDF Download • Handy Solfège Chart (Printable)

I have no idea whether this will be of use to anyone, but here it is…

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • New Bulletin Article • “21 September 2025”
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  • PDF Download • Dom Murray Harmonies

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