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Views from the Choir Loft

Exploring the World’s Largest Musical Instrument

Fr. David Friel · June 2, 2019

HE WORLD’S largest functioning musical instrument is a pipe organ, though not one in a church. It is the Wanamaker Grand Court Organ, first built for the 1904 World’s Fair in St. Louis and later expanded and installed in Wanamaker’s Department Store in Center City Philadelphia. Today, the organ is still played almost daily in the same building, now operated by Macy’s.

How big is it? That depends on how one measures. The Wanamaker organ consists of 28,750 pipes arranged in 464 ranks, stretched across 7 stories of retail space. The console features 6 keyboards and 168 finger pistons (plus 42 foot pistons), and the whole instrument weighs in at 287 tons. It took 13 train cars to transport it from St. Louis to Philadelphia. Its construction even bankrupted its builder (the Los Angeles Art Organ Company).

A great article with 7 interesting facts about the instrument was published earlier this week by the Philadelphia Inquirer.

An organization called the “Friends of the Wanamaker Organ” also hosts a full website replete with interesting background on the instrument. See the full stoplist here.

A small restoration project has just been completed on the Wanamaker Organ. The work was limited to the repair, cleaning, and painting of the instrument’s wooden case and its 117 façade pipes (none of which actually speak).

Next month, participants in the CMAA’s annual Sacred Music Colloquium will have the opportunity to hear the instrument live. A short walk from the Cathedral Basilica of Ss. Peter & Paul, where the Colloquium is being held, the Wanamaker organ will be played in recital by Clara Gerdes at 12 noon on Wednesday, July 3, 2019. Gerdes is a fifth-year student at Philadelphia’s renowned Curtis Institute of Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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